Humorous Ghost Stories, Dorothy Scarborough [best ereader under 100 .txt] 📗

on orders). An' with that, what does she do but go over again, limp as wet starch, down an' through every egg in that basket, solid an' fluid!

“Well, by this time, a man who had seen her at her first worst an' run for a doctor, he come in with three, an' whilst they were bowin' to each other an' backin', I giv' 'er stimulus an' d'rectly she turned upon me one rememberable gaze, an' she says, 'Doctors,' says she, 'would you think they'd have the gall to try to get me to cook for 'em? They've ordered angel-ca——' An' with that, over she toppled again, no pulse nor nothin', same as the dead!”

While the blonde talked she busied herself with her loosely falling locks, which she tried vainly to entrap.

“An' yet you say she ain't classed as crazy? I'd say it of her, sure! An' so old Morris is dead—burned in that old hotel! Well, well! Poor old fellow! Dear old place! What times I've had!”

She spoke through a mouthful of gilt hairpins and her voice was as an Æolian harp.

“An' he burned in it—an' she's a widow yet! Yes, I did hear there'd been a fire, but you never can tell. I thought the chimney might 'a' burned out—an' I was in the thick of bein' engaged to the night clerk at the Singin' Needles Hotel at Pineville at the time—an' there's no regular mail there. I thought the story might be exaggerated. Oh no, I didn't marry the night clerk. I'm a bride now, married to the head steward, same rank as poor old Morris—an' we're just as happy! I used to pleg Morris about her hair, but I'd have to let up on that now. Mine's as red again as hers. No, not my hair—mine's hair. It's as red as a flannen drawer, every bit an' grain!

“But, say,” she added, presently, “when she gets better, just tell her never mind about that reci-pe. I copied it out of her reci-pe book whilst she was under the weather, an' dropped a dime in her cash-drawer. I recollect how old Morris used to look forward to her angel-cakes week-ends he'd be goin' home, an' you know there's nothin' like havin' ammunition, in marriage, even if you never need it. Mine's in that frame of mind now that transforms my gingerbread into angel-cake, but the time may come when I'll have to beat my eggs to a fluff even for angel-cake, so's not to have it taste like gingerbread to him.

“Oh no, he's not with me this trip. I just run down for a lark to show my folks my ring an' things, an' let 'em see it's really so. He give me considerable jewelry. His First's taste run that way, an' they ain't no children.

“Yes, this amethyst is the weddin'-ring. I selected that on account of him bein' a widower. It's the nearest I'd come to wearin' second mournin' for a woman I can't exactly grieve after. The year not bein' up is why he stayed home this trip. He didn't like to be seen traversin' the same old haunts with Another till it was up. I wouldn't wait because, tell the truth, I was afraid. He ain't like a married man with me about money yet, an' it's liable to seize him any day. He might say that he couldn't afford the trip, or that we couldn't, which would amount to the same thing. I rather liked him bein' a little ticklish about goin' around with me for a while. It's one thing to do a thing an' another to be brazen about it—it——

“But if she don't get better”—the reversion was to the Widow Morris—“if she don't get her mind poor thing! there's a fine insane asylum just out of Pineville, an' I'd like the best in the world to look out for her. It would make an excuse for me to go in. They say they have high old times there. Some days they let the inmates do 'most any old thing that's harmless. They even give 'em unpoisonous paints an' let 'em paint each other up. One man insisted he was a barber-pole an' ringed himself accordingly, an' then another chased him around for a stick of peppermint candy. Think of all that inside a close fence, an' a town so dull an' news-hungry——

“Yes, they say Thursdays is paint days, an', of course, Fridays, they are scrub days. They pass around turpentine an' hide the matches. But, of course, Mis' Morris may get the better of it. 'Tain' every woman that can stand widowin', an' sometimes them that has got the least out of marriage will seem the most deprived to lose it—so they say.”

The blonde was a person of words.

When Mrs. Morris had fully revived and, after a restoring “night's sleep” had got her bearings, and when she realized clearly that her supposed rival had actually shown up in the flesh, she visibly braced up. Her neighbors understood that it must have been a shock “to be suddenly confronted with any souvenir of the hotel fire”—so one had expressed it—and the incident soon passed out of the village mind.

It was not long after this incident that the widow confided to a friend that she was coming to depend upon Morris for advice in her business.

“Standing as he does, in that hotel door—between two worlds, as you might say—why, he sees both ways, and oftentimes he'll detect an event on the way to happening, an' if it don't move too fast, why, I can hustle an' get the better of things.” It was as if she had a private wire for advance information—and she declared herself happy.

Indeed, a certain ineffable light such as we sometimes see in the eyes of those newly in love came to shine from the face of the widow, who did not hesitate to affirm, looking into space as she said it:

“Takin' all things into consideration, I can truly say that I have never been so truly and ideely married as since my widowhood.” And she smiled as she added:

“Marriage, the earthly way, is vicissitudinous, for everybody knows that anything is liable to happen to a man at large.”

There had been a time when she lamented that her picture was not “life-sized” as it would seem so much more natural, but she immediately reflected that that hotel would never have gotten into her little house, and that, after all, the main thing was having “him” under her own roof.

As the months passed Mrs. Morris, albeit she seemed serene and of peaceful mind, grew very white and still. Fire is white in its ultimate intensity. The top, spinning its fastest, is said to “sleep”—and the dancing dervish is “still.” So, misleading signs sometimes mark the danger-line.

“Under-eating and over-thinking” was what the doctor said while he felt her translucent wrist and prescribed nails in her drinking-water. If he secretly knew that kind nature was gently letting down the bars so that a waiting spirit might easily pass—well, he was a doctor, not a minister. His business was with the body, and he ordered repairs.

She was only thirty-seven and “well” when she passed painlessly out of life. It seemed to be simply a case of going.

There were several friends at her bedside the night she went, and to them she turned, feeling the time come:

“I just wanted to give out that the first thing I intend to do when I'm relieved is to call by there for Morris”—she lifted her weary eyes to the picture as she spoke—“for Morris—and I want it understood that it'll be a vacant house from the minute I depart. So, if there's any other woman that's calculatin' to have any carryin's-on from them windows—why, she'll be disappointed—she or they. The one obnoxious person I thought was in it wasn't. My imagination was tempted of Satan an' I was misled. So it must be sold for just what it is—just a photographer's photograph. If it's a picture with a past, why, everybody knows what that past is, and will respect it. I have tried to conquer myself enough to bequeath it to the young lady I suspicioned, but human nature is frail, an' I can't quite do it, although doubtless she would like it as a souvenir. Maybe she'd find it a little too souvenirish to suit my wifely taste, and yet—if a person is going to die——

“I suppose I might legate it to her, partly to recompense her for her discretion in leaving that hotel when she did—an' partly for undue suspicion——

“There's a few debts to be paid, but there's eggs an' things that'll pay them, an' there's no need to have the hen settin' in the window showcase any longer. It was a good advertisement, but I've often thought it might be embarrassin' to her.” She was growing weaker, but she roused herself to amend:

“Better raffle the picture for a dollar a chance an' let the proceeds go to my funeral—an' I want to be buried in the hotel-fire general grave, commingled with him—an' what's left over after the debts are paid, I bequeath to her—to make amends—an' if she don't care to come for it, let every widow in town draw for it. But she'll come. 'Most any woman'll take any trip, if it's paid for—But look!” she raised her eyes excitedly toward the mantel, “Look! What's that he's wavin'? It looks—oh yes, it is—it's our wings—two pairs—mine a little smaller. I s'pose it'll be the same old story—I'll never be able to keep up—to keep up with him—an' I've been so hap——

“Yes, Morris—I'm comin'——”

And she was gone—into a peaceful sleep from which she easily passed just before dawn.

When all was well over, the sitting women rose with one accord and went to the mantel, where one even lighted an extra candle more clearly to scan the mysterious picture.

Finally one said:

“You may think I'm queer, but it does look different to me already!”

“So it does,” said another, taking the candle. “Like a house for rent. I declare, it gives me the cold shivers.”

“I'll pay my dollar gladly, and take a chance for it,” whispered a third, “but I wouldn't let such a thing as that enter my happy home——”

“Neither would I!”

“Nor me, neither. I've had trouble enough. My husband's first wife's portrait has brought me discord enough—an' it was a straight likeness. I don't want any more pictures to put in the hen-house loft.”

So the feeling ran among the wives.

“Well,” said she who was blowing out the candle, “I'll draw for it—an' take it if I win it, an' consider it a sort of inheritance. I never inherited anything but indigestion.”

The last speaker was a maiden lady, and so was she who answered, chuckling:

“That's what I say! Anything for a change. There'd be some excitement in a picture where a man was liable to show up. It's more than I've got now. I do declare it's just scandalous the way we're gigglin', an' the poor soul hardly out o' hearin'. She had a kind heart, Mis' Morris had, an' she made herself happy with a mighty slim chance——”

“Yes, she did—and I only wish there'd been a better man waitin' for her in that hotel.”

THE GHOST THAT GOT THE BUTTON

By WILL ADAMS

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