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when the world was younger.
If there is any sweeter sound
Than bobolinks or thrushes,
It is the frou-frou of their silks—
The roll of their barouches.
I love them even when they're good,
As well as when they're sinners—
When they are sad and worldly wise
And when they are beginners.
(I say I do; of course the fact,
For better or for worse, is,
My unerratic life denies
My too erotic verses.)
I dote upon their waywardness,
Their foibles and their follies.
If there's a madder pate than Di's,
Perhaps it may be Dolly's.
[Pg 568]
They have no "problems" to discuss,
No "theories" to discover;
They are not "new"; and I—I am
Their very grateful lover.
I care not if their minds confuse
Alastor with Aladdin;
And Cimabue is far less
To them than Chimmie Fadden.
They never heard of William Blake,
Nor saw a Botticelli;
Yet one is, "Yours till death, Louise,"
And one, "Your loving Nelly."
They never tease me for my views,
Nor tax me with my grammar;
Nor test me on the latest news,
Until I have to stammer.
They never talk about their "moods,"
They never know they have them;
The world is good enough for them,
And that is why I love them.
They never puzzle me with Greek,
Nor drive me mad with Ibsen;
Yet over forms as fair as Eve's
They wear the gowns of Gibson.
[Pg 569] THE DYING GAG BY JAMES L. FORD

There was an affecting scene on the stage of a New York theater the other night—a scene invisible to the audience and not down on the bills, but one far more touching and pathetic than anything enacted before the footlights that night, although it was a minstrel company that gave the entertainment.

It was a wild, blustering night, and the wind howled mournfully around the street corners, blinding the pedestrians with the clouds of dust that it caught up from the gutters and hurled into their faces.

Old man Sweeny, the stage doorkeeper, dozing in his little glazed box, was awakened by a sudden gust that banged the stage door and then went howling along the corridor, almost extinguishing the gas-jets and making the minstrels shiver in their dressing-rooms.

"What! You here to-night!" exclaimed old man Sweeny, as a frail figure, muffled up in a huge ulster, staggered through the doorway and stood leaning against the wall, trying to catch his breath.

"Yes; I felt that I couldn't stay away from the footlights to-night. They tell me I'm old and worn out and had better take a rest, but I'll go on till I drop," and with a hollow cough the Old Gag plodded slowly down the dim and drafty corridor and sank wearily on a sofa in the big dressing-room, where the other Gags and Conundrums were awaiting their cues.[Pg 570]

"Poor old fellow!" said one of them, sadly. "He can't hold out much longer."

"He ought not to go on except at matinees," replied another veteran, who was standing in front of the mirror trimming his long, silvery beard, and just then an attendant came in with several basins of gruel, and the old Jests tucked napkins under their chins and sat down to partake of a little nourishment before going on.

The bell tinkled and the entertainment began. One after another the Jokes and Conundrums heard their cues, went on, and returned to the dressing-room, for they all had to go on again in the after-piece. The house was crowded to the dome, and there was scarcely a dry eye in the vast audience as one after another of the old Quips and Jests that had been treasured household words in many a family came on and then disappeared to make room for others of their kind.

As the evening wore on the whisper ran through the theater that the Old Gag was going on that night—perhaps for the last time; and many an eye grew dim, many a pulse beat quicker at the thought of listening once more to that hoary Jest, about whose head were clustered so many sacred memories.

Meanwhile the Old Gag was sitting in his corner of the dressing-room, his head bowed on his breast, his gruel untasted on the tray before him. The other Gags came and went, but he heeded them not. His thoughts were far away. He was dreaming of old days, of his early struggles for fame, and of his friends and companions of years ago. "Where are they now?" he asked himself, sadly. "Some are wanderers on the face of the earth, in comic operas. Two of them found ignoble graves in the 'Tourists'' company. Others are sleeping beneath the daisies in Harper's 'Editor's Drawer.'"[Pg 571]

"You're called, sir!"

The Old Gag awoke from his reverie, started to his feet, and, throwing aside his heavy ulster, staggered to the entrance and stood there patiently waiting for his cue.

"You're hardly strong enough to go on to-night," said a Merry Jest, touching him kindly on the arm; but the gray-bearded one shook him off, saying hoarsely:

"Let be! Let be! I must read those old lines once more—it may be for the last time."

And now a solemn hush fell upon the vast audience as a sad-faced minstrel uttered in tear-compelling accents the most pathetic words in all the literature of minstrelsy:

"And so you say, Mr. Johnson, that all the people on the ship were perishing of hunger, and yet you were eating fried eggs. How do you account for that?"

For one moment a deathlike silence prevailed. Then the Old Gag stepped forward and in clear, ringing tones replied:

"The ship lay to, and I got one."

A wild, heartrending sob came from the audience and relieved the tension as the Old Gag staggered back into the entrance and fell into the friendly arms that were waiting to receive him.

Sobbing Conundrums bore him to a couch in the dressing-room. Weeping Jokes strove in vain to bring back the spark of life to his inanimate form. But all to no avail.

The Old Gag was dead.[Pg 572]

IN ELIZABETH'S DAY BY WALLACE RICE
Who would not give the treasure
Of very many lives
If some kind fate would pleasure
To let him be where Ben is
A-playing Kit at tennis,
Or playing Will at fives?
The racquet ne'er so deftly
Is turned, whoever strives,
The ball flies ne'er so swiftly
As thought and tongue where Ben is
A-playing Kit at tennis,
Or playing Will at fives.
[Pg 573] THE TWO AUTOMOBILISTS BY CAROLYN WELLS

Once on a Time there were Two Young Men, each of whom Bought an Automobile.

One Young Man, being of a Bold and Audacious nature, said:

"I will make my Machine go so Fast that I will break all Previous Records."

Accordingly, he did So, and he Flew through the Small Town like a Red Dragon Pursuing his Prey.

Unheeding all Obstacles in his Mad Career, his Automobile ran into a Wall of Rock, and was dashed to Pieces. Also, the young Man was killed.

The Other Young Man, being of a Timorous and Careful Disposition, started off with great Caution and Rode at a Slow Pace, pausing now and then, Lest he might Run into Something.

The Result was, that Two Automobiles and an Ice Wagon ran into him from behind, spoiling his Car and Killing the Cautious Young Man.

MORALS:

This Fable teaches Us, The More Haste The Less Speed, and Delays Are Dangerous.[Pg 574]

THE NEW VERSION BY W.J. LAMPTON
A soldier of the Russians
Lay japanned at Tschrtzvkjskivitch,
There was lack of woman's nursing
And other comforts which
Might add to his last moments
And smooth the final way;—
But a comrade stood beside him
To hear what he might say.
The japanned Russian faltered
As he took that comrade's hand,
And he said: "I never more shall see
My own my native land;
Take a message and a token
To some distant friends of mine,
For I was born at Smnlxzrskgqrxzski,
Fair Smnlxzrskgqrxzski on the Irkztrvzkimnov."
[Pg 575] SOUTHERN SKETCHES BY BILL ARP Jim Allcorn

I was only thinkin' how much better it is to be in a lively humor than be goin' about like a disappointed offis seeker. Good humor is a blessed thing in a family and smooths down a heap of trubble. I never was mad but a few times in my life, and then I wasn't mad long. Foaks thought I was mad when I fout Jim Allcorn, but I wasent. I never had had any grudge agin Jim. He had never done me any harm, but I could hear of his sayin' around in the naborhood that Bill Arp had played cock of the walk long enuf. So one day I went over to Chulio court ground to joak with the boys, and shore enuf Jim was there, and I soon perseeved that the devil was in him. He had never been whipped by anybody in the distrikt, and he outweighed me by about fifteen pounds. A drink or two had made him sassy, and so he commenced walkin' around first to one crowd, and then to another, darin' anybody to fite him. He would pint to his forrerd and say, "I'll give anybody five dollars to hit that." I was standin' tawkin' to Frank Air and John Johnsin, and as nobody took up Jim's offer, thinks says I to myself, if he cums round here a huntin' for a fite he shall have one, by golly. If he dares me to hit him I'll do it if it's the last lick I ever strike on this side of Jordin. Frank Air looked at me, and seemed to know what I was a thinkin', and[Pg 576] says he, "Bill, jest let Allcorn alone. He's too big for you, and besides, there ain't nothin' to fite about." By this time Jim was makin' rite towards us. I put myself in position, and by the time he got to us every muscle in my body was strung as tite as a banjo. I was worked up powerful, and felt like I could whip a campmeetin' of wild cats. Shore enuf Jim stepped up defiantly, and lookin' me rite in the eye, says he, "I dare anybody to hit that," and he touched his knuckles to his forrerd. He had barely straightened before I took him rite in the left eye with a sock-dolyger that popped like a wagin' whip. It turned him half round, and as quick as lightnin' I let him hav another on the right temple, and followed it up with a leap that sprawled him as flat as a foot mat. I knowed my customer, and I never giv him time to rally. If ever a man was diligent in business it was me. I took him so hard and so fast in the eyes with my fists, and in his bred basket with my knees, that he didn't hav a chance to see or to breathe, and he was the worst whipped man in two minets I ever seed in my life. When he hollered I helped him up and breshed the dirt off his clothes, and he was as umble as a ded nigger and as sober as a Presbyterian preacher. We took a dram on the strength of it, and was always good frends afterwards.

But I dident start to tell you about that.

Jim Perkins (Cousin of Eli)

I jist wanted to say that I wasent mad with Jim Allcorn, as sum peepul supposed; but it do illustrate the onsertainty of human kalkulashuns in this subloonery world. The disappintments of life are amazin', and if a man wants to fret and grumble at his luck he can find a reesunable oppertunity to do so every day that he lives. Them[Pg 577] sort of constitutional grumblers ain't much cumpany to me. I'd rather be Jim Perkins with a bullit hole through me and take my chances. Jim, you know, was shot

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