Psmith, Journalist, P. G. Wodehouse [to read list .TXT] 📗
- Author: P. G. Wodehouse
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"You must not see so much as the cover of the paper for ten weeks," he said. "And I'm not so sure that it shouldn't be longer. You must forget that such a paper exists. You must dismiss the whole thing from your mind, live in the open, and develop a little flesh and muscle."
To Mr. Wilberfloss the sentence was almost equivalent to penal servitude. It was with tears in his voice that he was giving his final instructions to his sub-editor, in whose charge the paper would be left during his absence. He had taken a long time doing this. For two days he had been fussing in and out of the office, to the discontent of its inmates, more especially Billy Windsor, the sub-editor, who was now listening moodily to the last harangue of the series, with the air of one whose heart is not in the subject. Billy Windsor was a tall, wiry, loose-jointed young man, with unkempt hair and the general demeanour of a caged eagle. Looking at him, one could picture him astride of a bronco, rounding up cattle, or cooking his dinner at a camp-fire. Somehow he did not seem to fit into the Cosy Moments atmosphere.
"Well, I think that that is all, Mr. Windsor," chirruped the editor. He was a little man with a long neck and large pince-nez, and he always chirruped. "You understand the general lines on which I think the paper should be conducted?" The sub-editor nodded. Mr. Wilberfloss made him tired. Sometimes he made him more tired than at other times. At the present moment he filled him with an aching weariness. The editor meant well, and was full of zeal, but he had a habit of covering and recovering the ground. He possessed the art of saying the same obvious thing in a number of different ways to a degree which is found usually only in politicians. If Mr. Wilberfloss had been a politician, he would have been one of those dealers in glittering generalities who used to be fashionable in American politics.
"There is just one thing," he continued "Mrs. Julia Burdett Parslow is a little inclined—I may have mentioned this before—"
"You did," said the sub-editor.
Mr. Wilberfloss chirruped on, unchecked.
"A little inclined to be late with her 'Moments with Budding Girlhood'. If this should happen while I am away, just write her a letter, quite a pleasant letter, you understand, pointing out the necessity of being in good time. The machinery of a weekly paper, of course, cannot run smoothly unless contributors are in good time with their copy. She is a very sensible woman, and she will understand, I am sure, if you point it out to her."
The sub-editor nodded.
"And there is just one other thing. I wish you would correct a slight tendency I have noticed lately in Mr. Asher to be just a trifle—well, not precisely risky, but perhaps a shade broad in his humour."
"His what?" said Billy Windsor.
"Mr. Asher is a very sensible man, and he will be the first to acknowledge that his sense of humour has led him just a little beyond the bounds. You understand? Well, that is all, I think. Now I must really be going, or I shall miss my train. Good-bye, Mr. Windsor."
"Good-bye," said the sub-editor thankfully.
At the door Mr. Wilberfloss paused with the air of an exile bidding farewell to his native land, sighed, and trotted out.
Billy Windsor put his feet upon the table, and with a deep scowl resumed his task of reading the proofs of Luella Granville Waterman's "Moments in the Nursery."
CHAPTER II — BILLY WINDSOR
Billy Windsor had started life twenty-five years before this story opens on his father's ranch in Wyoming. From there he had gone to a local paper of the type whose Society column consists of such items as "Pawnee Jim Williams was to town yesterday with a bunch of other cheap skates. We take this opportunity of once more informing Jim that he is a liar and a skunk," and whose editor works with a revolver on his desk and another in his hip-pocket. Graduating from this, he had proceeded to a reporter's post on a daily paper in a Kentucky town, where there were blood feuds and other Southern devices for preventing life from becoming dull. All this time New York, the magnet, had been tugging at him. All reporters dream of reaching New York. At last, after four years on the Kentucky paper, he had come East, minus the lobe of one ear and plus a long scar that ran diagonally across his left shoulder, and had worked without much success as a free-lance. He was tough and ready for anything that might come his way, but these things are a great deal a matter of luck. The cub-reporter cannot make a name for himself unless he is favoured by fortune. Things had not come Billy Windsor's way. His work had been confined to turning in reports of fires and small street accidents, which the various papers to which he supplied them cut down to a couple of inches.
Billy had been in a bad way when he had happened upon the sub-editorship of Cosy Moments. He despised the work with all his heart, and the salary was infinitesimal. But it was regular, and for a while Billy felt that a regular salary was the greatest thing on earth. But he still dreamed of winning through to a post on one of the big New York dailies, where there was something doing and a man would have a chance of showing what was in him.
The unfortunate thing, however, was that Cosy Moments took up his time so completely. He had no chance of attracting the notice of big editors by his present work, and he had no leisure for doing any other.
All of which may go to explain why his normal aspect was that of a caged eagle.
To him, brooding over the outpourings of Luella Granville Waterman, there entered Pugsy Maloney, the office-boy, bearing a struggling cat.
"Say!" said Pugsy.
He was a nonchalant youth, with a freckled, mask-like face, the expression of which never varied. He appeared unconscious of the cat. Its existence did not seem to occur to him.
"Well?" said Billy, looking up. "Hello, what have you got there?"
Master Maloney eyed the cat, as if he were seeing it for the first time.
"It's a kitty what I got in de street," he said.
"Don't hurt the poor brute. Put her down."
Master Maloney obediently dropped the cat, which sprang nimbly on to an upper shelf of the book-case.
"I wasn't hoitin' her," he said, without emotion. "Dere was two fellers in de street sickin' a dawg on to her. An' I comes up an' says, 'G'wan! What do youse t'ink you're doin', fussin' de poor dumb animal?' An' one of de guys, he says, 'G'wan! Who do youse t'ink youse is?' An' I says, 'I'm de guy what's goin' to swat youse one on de coco if youse don't
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