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"She is indeed a tout ensemble." A child of six months was described as "studious"; and another correspondent went into details thus: "Little Willie has only one large blue eye, the other having been punched out by his brother with a stick, by accident." A small child was accredited with "a pleasing disposition and a keen juvenile conception."

The following are some of the descriptive phrases applied to village belles: "She is perfectly at home on the piano, where her executions have attained international celebrity." ... "She possesses a mine of repartee and the qualities which have long rendered illustive her noble family." ... "Her carriage and disposition are swan-like." ... "Her eyes can express pathetic pathos, but flash forth fiery independence when her country's name is traduced." ... "She has a molded arm, and her Juno-like form glides with a rhythmic move in the soft swell of a Strauss." ... "Her chestnut hair gives a rich recess to her lovely, fawnlike eyes, which shine like a star set in the crown of an angel." ... One writer becomes absolutely incoherent in his admiration, and lavishes a mixture of metaphors upon his subject: "She portrays a picture worthy of a Raphael. She dances like the fairies before the heavenly spirits. She looks like a celestial goddess from an outburst of morning-glories; her lovely form would assume a phantomlike flash as she glides the floor, as though she were a mystic dream."

Scarcely less rich in unconscious humor are some of the effusions of those who have literary aspirations. A descriptive article contains a reference to "a lonely house that stood in silent mutiny." "Indians who border on civilization, an interesting people in their superstitious way," infested the vicinity, and one of the points of interest was the Wild Man's Leap, "so called from an In[Pg 1000]dian who is said to have leaped across to get away from some men who were trying to expatriate him." An aspirant made this generous offer: "I will write you an article every week if you so wish it, as I have nothing to do after supper." Modest was the request of another, concerning remuneration: "I do not ask for money, but would like you to send me a small monkey. I already have a parrot."

But no finer specimen of unconscious humor has ever fallen under the sub-editorial eye than "The Beautiful Circus Girl." In these enterprising days rising young authors sometimes boast in print of their ignorance of grammar and spelling, but the author of the aforementioned bit of fiction surpasses them all in that respect. It seems only just that such a unique gem should be rescued from the dull obscurity of the waste-basket.

THE BEAUTIFUL CIRCUS GIRL

Some years ago the quaint but slow little village of Mariana was all on the qui-of-eve with excitement. Pasted on every tree and sign was announcements of Hall's circus, and the aperence of pretty Rose Floid in the pearless feets of tight-rope dancing, and Seignor Paul Paulo as her attendent. All the vilage was agog, for in their midst had old Hall and his Wife whome he always (spoke of as the Misus) taken a small but quaint cotage, so as to make quiet and please Rose whose guardien he was.

In the distanse was seen an advancing teem, and mounted on its box driving was W. Alexander, distinguished as to aperence, tallent, and that charm, money. He was of the most patricien aristocrats of the place. Placed on the summit of one of those hils that spring up[Pg 1001] in the most unexpected ways and degrees was the quaint old Tudor mansion of the Alexanders called Waterloo, in rememberence of the home of his ancestors which now rests on the banks of the Potomack; a legend as to war and romance. Though bearing with him all the honners that Cambridg could confere, W. Alexander was a faverite in the vilage, being ever ready with a kind enquiry as to Parent, or peny for marbles, not forgetting his boyhoods days. Though the beau par excelant of the vilage, and posessing vast landed estate and a kind retinu, he was not haughty.

Every one was eger to see Rose perform. She in her pasage too and frow had won by her sweet manners (many likings) ere she exhibited her skill.

The eventful hour of promis came and what a crowd was there. Rose came fourth, asisted by Paul Paulo. His form was molded even as an Apolo, and his eger eye was fixed on the bony girl. She ballanced her pole, saught her equiliberum, and every heart was at her desposal, not accepting W. Alexander. Seeing this, the dark pashonate eye of the Italian scowled.

So droped the curtain of the first performance. And W. Alexander stroled on towards his home, heart and head full of the beautiful circus girl, thoughts were very conflicting, love at first sight.

(We will skip, for want of space, the exquisite passages descriptive of the mutual love of Rose and W. Alexander, and pass on to the finale.)

There was a paus, a sencation, and Rose came fourth to meander in mid-air. Admeration was at its hight, as she swayed too and frow as it were a winged egle from some etherial climb.

Low! a paus—the rope snaps—and Rose falls to erth a helpless mass of youth and beauty. The venerable man[Pg 1002] of medicin closed her star-lit eyes now forever dimed to this world. And all knew she had walked the last rope that bound her to this erth.

What, who, was her murderer?

The rope seemed to be cut with some jaged instrument so that when her tiny feat pressed its coils it became her destroyer.

Suspician pointed at the Italian.

W. Alexander's old Father of sympathy now the strongest, entreted our Hero to sale for distent shores, there asisted by that balm time and change, there assuage his grefe.

Well, came the last evening, and with the sadest of hearts and a bunch of sweet violets W. Alexander went to bid a long fare well.

But as he neared the sacred spot his heart seemed deadened. Prone on her grave changing the snowy whiteness of the flowers with its crimson die was the body of Paul Paulo. Who by his own hand caused his life blood to floe as an attonement.[Pg 1003]

UP AND DOWN OLD BRANDYWINE BY JAMES WHITCOMB RILEY
Up and down old Brandywine,
In the days 'at's past and gone—
With a dad-burn hook-and-line
And a saplin'-pole—i swawn!
I've had more fun, to the square
Inch, than ever anywhere!
Heaven to come can't discount mine
Up and down old Brandywine!
Haint no sense in wishin'—yit
Wisht to goodness I could jes
"Gee" the blame world round and git
Back to that old happiness!—
Kindo' drive back in the shade
"The old Covered Bridge" there laid
Crosst the crick, and sorto' soak
My soul over, hub and spoke!
Honest, now!—it haint no dream
'At I'm wantin',—but the fac's
As they wuz; the same old stream,
And the same old times, i jacks!—
Gim me back my bare feet—and
Stonebruise too!—And scratched and tanned!
And let hottest dog-days shine
Up and down old Brandywine![Pg 1004]
In and on betwixt the trees
'Long the banks, pour down yer noon,
Kindo' curdled with the breeze
And the yallerhammer's tune;
And the smokin', chokin' dust
O' the turnpike at its wusst—
Saturd'ys, say, when it seems
Road's jes jammed with country teams!—
Whilse the old town, fur away
'Crosst the hazy pastur'-land,
Dozed-like in the heat o' day
Peaceful' as a hired hand.
Jolt the gravel th'ough the floor
O' the old bridge!—grind and roar
With yer blame percession-line—
Up and down old Brandywine!
Souse me and my new straw-hat
Off the foot-log!—what I care?—
Fist shoved in the crown o' that—
Like the old Clown ust to wear.
Wouldn't swop it fer a' old
Gin-u-wine raal crown o' gold!—
Keep yer King ef you'll gim me
Jes the boy I ust to be!
Spill my fishin'-worms! er steal
My best "goggle-eye!"—but you
Can't lay hands on joys I feel
Nibblin' like they ust to do!
So, in memory, to-day
Same old ripple lips away
At my cork and saggin' line,
Up and down old Brandywine![Pg 1005]
There the logs is, round the hill,
Where "Old Irvin" ust to lift
Out sunfish from daylight till
Dew-fall—'fore he'd leave "The Drift"
And give us a chance—and then
Kindo' fish back home again,
Ketchin' 'em jes left and right
Where we hadn't got "a bite!"
Er, 'way windin' out and in,—
Old path th'ough the iurnweeds
And dog-fennel to yer chin—
Then come suddent, th'ough the reeds
And cat-tails, smack into where
Them-air woods-hogs ust to scare
Us clean 'crosst the County-line,
Up and down old Brandywine!
But the dim roar o' the dam
It 'ud coax us furder still
Tords the old race, slow and ca'm,
Slidin' on to Huston's mill—
Where, I 'spect, "The Freeport crowd"
Never warmed to us er 'lowed
We wuz quite so overly
Welcome as we aimed to be.
Still it peared-like ever'thing—
Fur away from home as there
Had more relish-like, i jing!—
Fish in stream, er bird in air!
O them rich old bottom-lands,
Past where Cowden's Schoolhouse stands!
Wortermelons—master-mine!
Up and down old Brandywine![Pg 1006]
And sich pop-paws!—Lumps o' raw
Gold and green,—jes oozy th'ough
With ripe yaller—like you've saw
Custard-pie with no crust to:
And jes gorges o' wild plums,
Till a feller'd suck his thumbs
Clean up to his elbows! My!
Me some more er lem me die!
Up and down old Brandywine!...
Stripe me with pokeberry-juice!—
Flick me with a pizenvine
And yell "Yip!" and lem me loose!
—Old now as I then wuz young,
'F I could sing as I have sung,
Song 'ud surely ring dee-vine
Up and down old Brandywine!
[Pg 1007] JONES BY LLOYD OSBOURNE I

I could have taken "No" like a man, and would have gone away decently and never bothered her again. I told her so straight out in the first angry flush of my rejection—but this string business, with everything left hanging in the air, so to speak, made a fellow feel like thirty cents.

"It simply means that I'm engaged and you are not," I said.

"It's nothing of the kind," she returned tearfully. "You're as free as free, Ezra. You can go away this moment, and never write or anything!"

Her lips trembled as she said this, and I confess it gave me a kind of savage pleasure to feel that it was still in my power to hurt her.

It may sound unkind, but still you must admit that the whole situation was exasperating. Here was five-foot-five of exquisite, blooming, twenty-year-old American girlhood sending away the man she confessed to care for, because, forsooth, she would not marry before her elder sister! I always thought it was beautiful of Freddy (she was named Frederica, you know) to be always so sweet and tender and grateful about Eleanor; but sometimes gratitude can be carried altogether too far, even if you are an orphan, and were brought up by hand. Eleanor was[Pg 1008] thirty-four if a day—a nice enough woman, of course, and college bred, and cultivated, and clever—but her long suit wasn't good looks. She was tall and bony; worshipped genius and all that; and played the violin.

"No," repeated Freddy, "I shall never, never marry before Eleanor. It would mortify her—I know it would—and make her feel that she herself had failed. She's awfully frank about those things, Ezra—surprisingly frank. I don't see why being an old maid is always supposed to be so funny, do you? It's touching and tragic in a woman who'd like to marry and who isn't asked!"

"But

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