Nye and Riley's Wit and Humor (Poems and Yarns), Nye and Riley [funny books to read txt] 📗
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Mr. Gould's habits are simple and he does not hold his cane by the middle when he walks. He wears plain clothes and his shirts and collars are both made of the same shade. He says he feels sorry for any one who has to wear a pink shirt with a blue collar. Some day he hopes to endow a home for young men who cannot afford to buy a shirt and a collar at the same store.
He owes much of his neuralgia to a lack of exercise. Mr. Gould never takes any exercise at all. His reason for this is that he sees no prospect for exercise to advance in value. He says he is willing to take anything else but exercise.
Up to within a very few years Jay Gould has always slept well at night, owing to regular hours for rising and retiring and his careful abstinence from tobacco and alcohol. Lately neuralgia has kept him awake a good deal at night, but prior to that he used to sleep as sweetly and peacefully as a weasel.
The story circulated some years ago to the effect[Pg 27] that a professional burglar broke into Mr. Gould's room in the middle of the night and before he could call the police was robbed of his tools, is not true. People who have no higher aim in life than the peddling about of such improbable yarns would do well to ascertain the truth of these reports before giving them circulation.
The story that Mr. Gould once killed a steer and presented his hoofs to the poor with the remark that it would help to keep sole and body together, also turned out to have no foundation whatever in fact, but was set afloat by an English wag who was passionately fond of a bit of pleasantry, don't you know.
Thus it is that a man who has acquired a competence by means of honest toil becomes the target for the barbed shaft of contumely.
Mr. Gould is said to be a good conversationalist, though he prefers to close his eyes and listen to others. Nothing pleases him better than to lure a man on and draw him out and encourage him to turn his mind wrong side out and empty it. He then richly repays this confidence by saying that if it doesn't rain any more we will have a long dry time. The man then goes away inflated with the idea that he has a pointer from Mr. Gould which will materially affect values. A great many men are playing croquet at the poor-house this summer who owe their prosperity to tips given them by Mr. Gould.
As a fair sample of the way a story about a great man grows and becomes distorted at the same time, one incident will be sufficient. Some years ago, it is said, Mr. Gould bought a general admission ticket to hear Sarah Bernhardt as Camille. Several gentlemen[Pg 28] who were sitting near where he stood asked him why he did not take a seat. Instead of answering directly that he could not get one he replied that he did not care for a seat, as he wanted to be near the door when the building fell. Shortly after this he had more seats than he could use. I give this story simply to illustrate how such a thing may be distorted, for upon investigation it was found to have occurred at a Patti concert, and not at a Bernhardt exhibition at all.
Mr. Gould's career, with its attendant success, should teach us two things, at least. One is, that it always pays to do a kind act, for a great deal of his large fortune has been amassed by assisting men like Mr. Field, when they were in a tight place, and taking their depressed stock off their hands while in a shrunken condition. He believes also that the merciful man is merciful to his stock.
He says he owes much of his success in life to economy and neuralgia. He also loves to relieve distress on Wall street, and is so passionately fond of this as he grows older that he has been known to distress other stock men just for the pleasant thrill it gave him to relieve them.
Jay Gould is also a living illustration of what a young man may do with nothing but his bare hands in America. John L. Sullivan and Gould are both that way. Mr. Gould and Col. Sullivan could go into Siberia to-morrow—little as they are known there—and with a small Gordon press, a quire of bond paper and a pair of three-pennyweight gloves they would soon own Siberia, with a right of way across the rest of Europe and a first mortgage on the Russian throne. As fast as Col. Sullivan knocked out a dynasty Jay[Pg 29] could come in and administer on the estate. This would be a powerful combination. It would afford us an opportunity also to get some of those Russian hay-fever names and chilblains by red message. Mr. Gould would get a good deal of money out of the transaction and Sullivan would get ozone.[Pg 30]
A Fall Crick View of the EarthquakeI kin hump my back and take the rain,
And I don't keer how she pours,
I kin keep kindo' ca'm in a thunder storm,
No matter how loud she roars;
I haint much skeered o' the lightnin',
Ner I haint sich awful shakes
Afeared o' cyclones—but I don't want none
O' yer dad-burned old earth-quakes!
As long as my legs keeps stiddy,
And long as my head keeps plum,
And the buildin' stays in the front lot,
I still kin whistle, some!
But about the time the old clock
Flops off'n the mantel-shelf,
And the bureau skoots fer the kitchen,
[Pg 31]I'm a-goin' to skoot, myself!
Plague-take! ef you keep me stabled
While any earthquakes is around!—
I'm jist like the stock,—I'll beller,
And break fer the open ground!
And I 'low you'd be as nervous,
And in jist about my fix,
When yer whole farm slides from inunder you,
And on'y the mor'gage sticks!
Now cars haint a-goin' to kill you
Ef you don't drive 'crost the track;
Crediters never'll jerk you up
Ef you go and pay 'em back;
You kin stand all moral and mundane storms
Ef you'll on'y jist behave—
But a' EARTHQUAKE:—well, ef it wanted you
It 'ud husk you out o' yer grave!
[Pg 32]
O mellow month and merry month,
Let me make love to you,
And follow you around the world
As knights their ladies do.
I thought your sisters beautiful,
Both May and April, too,
But April she had rainy eyes,
[Pg 33]And May had eyes of blue.
And June—I liked the singing
Of her lips, and liked her smile—
But all her songs were promises
Of something, after while;
And July's face—the lights and shade
That may not long beguile,
With alternations o'er the wheat
The dreamer at the stile.
But you!—ah, you are tropical,
Your beauty is so rare:
Your eyes are clearer, deeper eyes
Than any, anywhere;
Mysterious, imperious,
Deliriously fair,
O listless Andalusian maid,
With bangles in your hair!
[Pg 34]
he play of "Julius C�sar," which has been at the Academy of Music this week, has made a great hit. Messrs. Booth and Barrett very wisely decided that if it succeeded here it would do well anywhere. If the people of New York like a play and say so, it is almost sure to go elsewhere. Judging by this test the play of "Julius C�sar" has a glowing future ahead of it. It was written by Gentlemen Shakespeare, Bacon and Donnelly, who collaborated together on it. Shakespeare did the lines and plot, Bacon furnished the cipher and Donnelly called attention to it through the papers.
The scene of "Julius C�sar" is laid in Rome just before the railroad was completed to that place. In order to understand the play itself we must glance[Pg 35] briefly at the leading characters which are introduced and upon whom its success largely depends.
Julius C�sar first attracted attention through the Roman papers by calling the attention of the medical faculty to the now justly celebrated C�sarian operation. Taking advantage of the advertisement thus attained, he soon rose to prominence and flourished considerably from 100 to 44 B. C., when a committee of representative citizens and property-owners of Rome called upon him and on behalf of the people begged leave to assassinate him as a mark of esteem. He was stabbed twenty-three times between Pompey's Pillar and eleven o'clock, many of which were mortal. This account of the assassination is taken from a local paper and is graphic, succinct and lacks the sensational elements so common and so lamentable in our own time. C�sar was the implacable foe of the aristocracy and refused to wear a plug hat up to the day of his death. Sulla once said, before C�sar had made much of a showing, that some day this young man would be the ruin of the aristocracy, and twenty years afterwards when C�sar sacked, assassinated and holocausted a whole theological seminary for saying "eyether" and "nyether," the old settlers recalled what Sulla had said.
C�sar continued to eat pie with a knife and in many other ways to endear himself to the masses until 68 B. C., when he ran for Qu�stor. Afterward he was �dile, during the term of which office he sought to introduce a number of new games and to extend the limit on some of the older ones. From this to the Senate was but a step. In the Senate he was known as a good Speaker, but ambitious, and liable to turn[Pg 36] up during a close vote when his enemies thought he was at home doing his chores. This made him at times odious to those who opposed him, and when he defended Cataline and offered to go on his bond, C�sar came near being condemned to death himself.
In 62 B. C. he went to Spain as Propr�tor, intending to write a book about the Spanish people and their customs as soon as he got back, but he was so busy on his return that he did not have time to do so.
C�sar was a powerful man with the people, and while in the Senate worked hard for his constituents, while other Senators were having their photographs taken. He went into the army when the war broke out, and after killing a great many people against whom he certainly could not have had anything personal, he returned, headed by the Rome Silver Cornet Band and leading a procession over two miles in length. It was at this time that he was tendered a crown just as he was passing the City Hall, but thrice he refused it. After each refusal the people applauded and encored him till he had to refuse it again. It is at about this time the play opens. C�sar has just arrived on a speckled courser and dismounted outside the town. He comes in at the head of a procession with the understanding that the crown is to
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