The Man with Two Left Feet, and Other Stories, P. G. Wodehouse [books for students to read .TXT] 📗

'Not Hicks' Corners. Ashley, Maine. That's where I live. My wife comes from Rodney.... Pardon me, I'm afraid I stepped on your foot.'

'My fault,' I said; 'I lost step. Well, I wonder you aren't ashamed even to think of your wife, when you've left her all alone out there while you come whooping it up in New York. Haven't you got any conscience?'

'But I haven't left her. She's here.'

'In New York?'

'In this restaurant. That's her up there.'

I looked up at the balcony. There was a face hanging over the red plush rail. It looked to me as if it had some hidden sorrow. I'd noticed it before, when we were dancing around, and I had wondered what the trouble was. Now I began to see.

'Why aren't you dancing with her and giving her a good time, then?' I said.

'Oh, she's having a good time.'

'She doesn't look it. She looks as if she would like to be down here, treading the measure.'

'She doesn't dance much.'

'Don't you have dances at Ashley?'

'It's different at home. She dances well enough for Ashley, but—well, this isn't Ashley.'

'I see. But you're not like that?'

He gave a kind of smirk.

'Oh, I've been in New York before.'

I could have bitten him, the sawn-off little rube! It made me mad. He was ashamed to dance in public with his wife—didn't think her good enough for him. So he had dumped her in a chair, given her a lemonade, and told her to be good, and then gone off to have a good time. They could have had me arrested for what I was thinking just then.

The band began to play something else.

'This is the life!' said Mr Ferris. 'Let's do it again.'

'Let somebody else do it,' I said. 'I'm tired. I'll introduce you to some friends of mine.'

So I took him off, and whisked him on to some girls I knew at one of the tables.

'Shake hands with my friend Mr Ferris,' I said. 'He wants to show you the latest steps. He does most of them on your feet.'

I could have betted on Charlie, the Debonair Pride of Ashley. Guess what he said? He said, 'This is the life!'

And I left him, and went up to the balcony.

She was leaning with her elbows on the red plush, looking down on the dancing-floor. They had just started another tune, and hubby was moving around with one of the girls I'd introduced him to. She didn't have to prove to me that she came from the country. I knew it. She was a little bit of a thing, old-fashioned looking. She was dressed in grey, with white muslin collar and cuffs, and her hair done simple. She had a black hat.

I kind of hovered for awhile. It isn't the best thing I do, being shy; as a general thing I'm more or less there with the nerve; but somehow I sort of hesitated to charge in.

Then I braced up, and made for the vacant chair.

'I'll sit here, if you don't mind,' I said.

She turned in a startled way. I could see she was wondering who I was, and what right I had there, but wasn't certain whether it might not be city etiquette for strangers to come and dump themselves down and start chatting. 'I've just been dancing with your husband,' I said, to ease things along.

'I saw you.'

She fixed me with a pair of big brown eyes. I took one look at them, and then I had to tell myself that it might be pleasant, and a relief to my feelings, to take something solid and heavy and drop it over the rail on to hubby, but the management wouldn't like it. That was how I felt about him just then. The poor kid was doing everything with those eyes except crying. She looked like a dog that's been kicked.

She looked away, and fiddled with the string of the electric light. There was a hatpin lying on the table. She picked it up, and began to dig at the red plush.

'Ah, come on sis,' I said; 'tell me all about it.'

'I don't know what you mean.'

'You can't fool me. Tell me your troubles.'

'I don't know you.'

'You don't have to know a person to tell her your troubles. I sometimes tell mine to the cat that camps out on the wall opposite my room. What did you want to leave the country for, with summer coming on?'

She didn't answer, but I could see it coming, so I sat still and waited. And presently she seemed to make up her mind that, even if it was no business of mine, it would be a relief to talk about it.

'We're on our honeymoon. Charlie wanted to come to New York. I didn't want to, but he was set on it. He's been here before.'

'So he told me.'

'He's wild about New York.'

'But you're not.'

'I hate it.'

'Why?'

She dug away at the red plush with the hatpin, picking out little bits and dropping them over the edge. I could see she was bracing herself to put me wise to the whole trouble. There's a time comes when things aren't going right, and you've had all you can stand, when you have got to tell somebody about it, no matter who it is.

'I hate New York,' she said getting it out at last with a rush. 'I'm scared of it. It—it isn't fair Charlie bringing me here. I didn't want to come. I knew what would happen. I felt it all along.'

'What do you think will happen, then?'

She must have picked away at least an inch of the red plush before she answered. It's lucky Jimmy, the balcony waiter, didn't see her; it would have broken his heart; he's as proud of that red plush as if he had paid for it himself.

'When I first went to live at Rodney,' she said, 'two years ago—we moved there from Illinois—there was a man there named Tyson—Jack Tyson. He lived all alone and didn't seem to want to know anyone. I couldn't understand it till somebody told me all about him. I can understand it now. Jack Tyson married a Rodney girl, and they came to New York for their honeymoon, just like us. And when they got there I guess she got to comparing him with the fellows she saw, and comparing the city