The Wit and Humor of America, Volume X (of X), Marshall P. Wilder [reading the story of the .txt] 📗

call a[Pg 1840] fan a fan, when I think it won't shock the sensibilities of my hearer."

"If the Countess only receives tremendous swells," said she, "you must remember that Victor Field belongs to the Aristocracy of Talent."

"Oh, quant à ça, so, from the Wohenhoffens' point of view, do the barber and the horse-leech. In this house, the Aristocracy of Talent dines with the butler."

"Is the Countess such a snob?" she asked.

"No; she's an Austrian. They draw the line so absurdly tight in Austria."

"Well, then, you leave me no alternative," she argued, "but to conclude that Victor Field is a tremendous swell. Didn't you notice, I bobbed him a curtsey?"

"I took the curtsey as a tribute to my Oriental magnificence," he confessed. "Field doesn't sound like an especially patrician name. I'd give anything to discover who you are. Can't you be induced to tell me? I'll bribe, entreat, threaten—I'll do anything you think might persuade you."

"I'll tell you at once, if you'll own up that you're Victor Field," said she.

"Oh, I'll own up that I'm Queen Elizabeth if you'll tell me who you are. The end justifies the means."

"Then you are Victor Field?" she pursued him eagerly.

"If you don't mind suborning perjury, why should I mind committing it?" he reflected. "Yes. And now, who are you?"

"No; I must have an unequivocal avowal," she stipulated. "Are you or are you not Victor Field?"

"Let us put it at this," he proposed, "that I'm a good serviceable imitation; an excellent substitute when the genuine article is not procurable."[Pg 1841]

"Of course, your real name isn't anything like Victor Field," she declared, pensively.

"I never said it was. But I admire the way in which you give with one hand and take back with the other."

"Your real name—" she began. "Wait a moment—Yes, now I have it. Your real name—It's rather long. You don't think it will bore you?"

"Oh, if it's really my real name, I daresay I'm hardened to it," said he.

"Your real name is Louis Charles Ferdinand Stanislas John Joseph Emmanuel Maria Anna."

"Mercy upon me," he cried, "what a name! You ought to have broken it to me in instalments. And it's all Christian name at that. Can't you spare me just a little rag of a surname, for decency's sake?" he pleaded.

"The surnames of royalties don't matter, Monseigneur," she said, with a flourish.

"Royalties? What? Dear me, here's rapid promotion! I am royal now! And a moment ago I was a little penny-a-liner in London."

"L'un n'empêche pas l'autre. Have you never heard the story of the Invisible Prince?" she asked.

"I adore irrelevancy," said he. "I seem to have read something about an invisible prince, when I was young. A fairy tale, wasn't it?"

"The irrelevancy is only apparent. The story I mean is a story of real life. Have you ever heard of the Duke of Zeln?"

"Zeln? Zeln?" he repeated, reflectively. "No, I don't think so."

She clapped her hands. "Really, you do it admirably. If I weren't perfectly sure of my facts, I believe I should be taken in. Zeln, as any history would tell you, as any[Pg 1842] old atlas would show you, was a little independent duchy in the center of Germany."

"Poor dear thing! Like Jonah in the center of the whale," he murmured, sympathetically.

"Hush. Don't interrupt. Zeln was a little independent German duchy, and the Duke of Zeln was its sovereign. After the war with France it was absorbed by Prussia. But the ducal family still rank as royal highness. Of course, you've heard of the Leczinskis?"

"Lecz—what?" said he.

"Leczinski," she repeated.

"How do you spell it?"

"L-e-c-z-i-n-s-k-i."

"Good. Capital. You have a real gift for spelling," he exclaimed.

"Will you be quiet," she said, severely, "and answer my question? Are you familiar with the name?"

"I should never venture to be familiar with a name I didn't know," he asserted.

"Ah, you don't know it? You have never heard of Stanislas Leczinska, who was king of Poland? Of Marie Leczinska, who married Louis VI?"

"Oh, to be sure. I remember. The lady whose portrait one sees at Versailles."

"Quite so. Very well," she continued, "the last representative of the Leczinskis, in the elder line, was the Princess Anna Leczinska, who, in 1858, married the Duke of Zeln. She was the daughter of John Leczinski, Duke of Grodnia and Governor of Galicia, and of the Archduchess Henrietta d'Este, a cousin of the Emperor of Austria. She was also a great heiress, and an extremely handsome woman. But the Duke of Zeln was a bad lot, a viveur, a gambler, a spendthrift. His wife, like a fool, made her entire fortune over to him, and he[Pg 1843] proceeded to play ducks and drakes with it. By the time their son was born he'd got rid of the last farthing. Their son wasn't born till '63, five years after their marriage. Well, and then, what do you suppose the Duke did?"

"Reformed, of course. The wicked husband always reforms when a child is born, and there's no more money," he generalized.

"You know perfectly well what he did," said she. "He petitioned the German Diet to annul the marriage. You see, having exhausted the dowry of the Princess Anna, it occurred to him that if she could only be got out of the way, he might marry another heiress, and have the spending of another fortune."

"Clever dodge," he observed. "Did it come off?"

"It came off, all too well. He based his petition on the ground that the marriage had never been—I forget what the technical term is. Anyhow, he pretended that the princess had never been his wife except in name, and that the child couldn't possibly be his. The Emperor of Austria stood by his connection, like the royal gentleman he is; used every scrap of influence he possessed to help her. But the duke, who was a Protestant (the princess was of course a Catholic), the duke persuaded all the Protestant States in the Diet to vote in his favour. The Emperor of Austria was powerless, the Pope was powerless. And the Diet annulled the marriage."

"Ah," said the mandarin.

"Yes," she went on. "The marriage was annulled, and the child declared illegitimate. Ernest Augustus, as the duke was somewhat inconsequently named, married again, and had other children, the eldest of whom is the present bearer of the title—the same Duke of Zeln one hears of, quarreling with the croupiers at Monte Carlo. The Princess Anna, with her baby, came to Austria. The[Pg 1844] Emperor gave her a pension, and lent her one of his country houses to live in—Schloss Sanct—Andreas. Our hostess, by-the-by, the Countess Wohenhoffen, was her intimate friend and her première dame d'honneur."

"Ah," said the mandarin.

"But the poor princess had suffered more than she could bear. She died when her child was four years old. The Countess Wohenhoffen took the infant, by the Emperor's desire, and brought him up with her own son Peter. He was called Prince Louis Leczinski. Of course, in all moral right, he was the Hereditary Prince of Zeln. His legitimacy, for the rest, and his mother's innocence, are perfectly well established, in every sense but a legal sense, by the fact that he has all the physical characteristics of the Zeln stock. He has the Zeln nose and the Zeln chin, which are as distinctive as the Hapsburg lip."

"I hope, for the poor young man's sake, though, that they're not so unbecoming?" questioned the mandarin.

"They're not exactly pretty," answered the mask. "The nose is a thought too long, the chin is a trifle too short. However, I daresay the poor young man is satisfied. As I was about to tell you, the Countess Wohenhoffen brought him up, and the Emperor destined him for the Church. He even went to Rome and entered the Austrian College. He'd have been on the high road to a cardinalate by this time if he'd stuck to the priesthood, for he had strong interest. But, lo and behold, when he was about twenty, he chucked the whole thing up."

"Ah? Histoire de femme?"

"Very likely," she assented, "though I've never heard any one say so. At all events, he left Rome, and started upon his travels. He had no money of his own, but the Emperor made him an allowance. He started upon his travels, and he went to India, and he went to America,[Pg 1845] and he went to South Africa, and then, finally, in '87 or '88, he went—no one knows where. He totally disappeared, vanished into space. He's not been heard of since. Some people think he's dead. But the greater number suppose that he tired of his false position in the world, and one fine day determined to escape from it, by sinking his identity, changing his name, and going in for a new life under new conditions. They call him the Invisible Prince. His position was rather an ambiguous one, wasn't it? You see, he was neither one thing nor the other. He has no état-civil. In the eyes of the law he was a bastard, yet he knew himself to be the legitimate son of the Duke of Zeln. He was a citizen of no country, yet he was the rightful heir to a throne. He was the last descendant of Stanislas Leczinski, yet it was without authority that he bore his name. And then, of course, the rights and wrongs of the matter were only known to a few. The majority of people simply remembered that there had been a scandal. And (as a wag once said of him) wherever he went, he left his mother's reputation behind him. No wonder he found the situation irksome. Well, there is the story of the Invisible Prince."

"And a very exciting, melodramatic little story, too. For my part, I suspect your Prince met a boojum. I love to listen to stories. Won't you tell me another? Do, please," he pressed her.

"No, he didn't meet a boojum," she returned. "He went to England, and set up for an author. The Invisible Prince and Victor Field are one and the same person."

"Oh, I say! Not really!" he exclaimed.

"Yes, really."

"What makes you think so?" he wondered.

"I'm sure of it," said she. "To begin with, I must confide to you that Victor Field is a man I've never met."[Pg 1846]

"Never met—?" he gasped. "But, by the blithe way in which you were laying his sins at my door, a little while ago, I supposed you were sworn confederates."

"What's the good of masked balls, if you can't talk to people you've never met?" she submitted. "I've never met him, but I'm one of his admirers. I like his little poems. And I'm the happy possessor of a portrait of him. It's a print after a photograph. I cut it from an illustrated paper."

"I really almost wish I was Victor Field," he sighed. "I should feel such a glow of gratified vanity."

"And the Countess Wohenhoffen," she added, "has at least twenty portraits of the Invisible Prince—photographs, miniatures, life-size paintings, taken from the time he was born, almost, to the time of his disappearance. Victor Field and Louis Leczinski have countenances as like each other as two halfpence."

"An accidental resemblance, doubtless."

"No, it isn't an accidental resemblance," she affirmed.

"Oh, then you think it's intentional?" he quizzed.

"Don't be absurd. I might have thought it accidental, except for one or two odd little circumstances. Primo, Victor Field is a guest at the Wohenhoffens' ball."

"Oh, he is a guest here?"

"Yes, he is," she said. "You are wondering how I know. Nothing simpler. The same costumier who made my domino, supplied his Chinese dress. I noticed it at his shop. It struck me as rather nice, and I asked whom it was for. The costumier said, for an Englishman at the Hôtel de Bade. Then he looked in his book, and told me the Englishman's name. It was Victor Field. So, when I saw the same Chinese dress here to-night, I knew it covered the person of one of my favorite authors. But I own, like you, I was a good deal surprised. What on[Pg 1847] earth should a little London literary man be doing at the Countess Wohenhoffen's? And then I remembered the astonishing resemblance between Victor Field and Louis Leczinski; and I remembered that to Louis Leczinski the Countess Wohenhoffen had been a second mother; and I reflected that though he chose to be as one dead and buried for the rest of the world, Louis Leczinski might very probably keep up private relations with the Countess. He might very probably come to her ball, incognito, and safely masked. I observed also that the Countess's rooms were decorated throughout with white lilac. But the white lilac is the emblematic flower of the Leczinskis; green and white are their family colours. Wasn't