Toppleton's Client; Or, A Spirit in Exile, John Kendrick Bangs [best romantic books to read .txt] 📗

"I do not know," said the weary spirit, as he entered the head of the Aunt Sallie and endeavoured to make himself comfortable therein, "I do not know whether I can do justice to my story in these limited headquarters or not, but I can try. It isn't a good fit, this body isn't, and I cannot help being conscious that to your eyes I must appear as a blackamoor, which, to an English spirit of cultivation and refinement such as I am, is more or less discomfiting."

"I shouldn't mind if I were you," returned Hopkins. "It's very becoming to you; much more so, indeed, than that airy nothingness you had on when I first perceived you, and while your tale may be more or less affected by your consciousness of the strange, ready-made physiognomy you have assumed, I, nevertheless,[56] can grasp it better than I might if you persisted in sounding off your woes from an empty rocking-chair, or from the edge of my cloisonné rose jar."

"Oh, I don't blame you, Toppleton," returned the spirit. "I am, on the contrary, very grateful to you for what you have done for me. I shall always appreciate your generosity, for instance, in buying me this shape in order to give me at least a semblance of individuality, and I assure you that if I can ever get back into my real body, I will work it to the verge of nervous prostration to serve you, should you stand in need of assistance in any way."

Hopkins' scrutiny of the Aunt Sallie, as these words issued from the round aperture in the red lips made originally to hold the pipe stem, but now used as a tubal exit for the tale of woe, was so searching that anything less stolid than the wooden head would have flinched. The Aunt Sallie stood it, however, without showing a trace of emotion, gazing steadfastly with her bright blue eyes out of the window, her eyelids more fixed than the stars themselves, since no sign of a wink or a twinkle did they give.

"I wish," said Toppleton, experiencing a slight return of his awed chilliness as he observed the unyielding fixity of Sallie's expression,[57] "in fact, I earnestly wish we could have secured a ventriloquist's marionette instead of that thing you've got on. It would really be a blessing to me if you could wink your eyes, or wag your ears, or change your expression in some way or other."

"I don't see how it can be done," returned the spirit from behind Toppleton's back. "I cannot exercise any control over these wooden features."

Hopkins jumped two or three feet across the room, the unexpected locality of the voice gave him such a shock, and the pulsation of his heart leaped madly from the normal to the triply abnormal.

"Wh—whuh—what the devil did you do tha—that for?" he cried, as soon as he was calm enough to speak. "Do y—you want to give me heart failure?"

"Not I!" replied the spirit, once more returning to the Sallie. "That would be a very unbusiness-like proceeding on my part at a time like this, when, after thirty years of misery, I find at last one who is willing to champion my cause. I only wanted to see how my second self looked in this chair. To my eyes I appear rather plain and dusky-looking, but what's the odds? The figure will serve its purpose, and after all that's what we want.[58] I'm sorry to have frightened you, Toppleton, honestly sorry."

"Oh, never mind," rejoined Toppleton, graciously. "Only don't do it again. Let's have the tale now."

"Very well," said the spirit. "If you will kindly shove me further back into the chair, and arrange my overskirt for me, I'll begin—that's another uncomfortable thing about my situation at present. It's somewhat trying to a spirit of masculine habits to find himself arrayed in a shape wearing the habiliments of the other sex."

Hopkins did as he was requested, and, throwing himself down on his lounge, lit his pipe, and announced himself as ready to listen.

"I think I'd like a pipe myself," said the Sallie. "I've got a fine place for one, I see."

"How can you talk if you stop your mouth up with a pipe?" asked Hopkins.

"Through my nose," replied the spirit. "Or there are holes in the ears, I can talk through them quite as well."

"Well, I guess not," returned Hopkins. "I have had enough of your weird vocal exercises to-day without having you talk with your ears, but if you'll smoke with one or both of them, you're welcome to do it."

"Very well," replied the spirit. "I fancy[59] you're right, and inasmuch as I haven't had a pipe for thirty years, I'll let you fill up two for me, and I'll try 'em both."

Accordingly Hopkins filled two of the clay pipes, three dozen of which had come with the Aunt Sallie, and lighting them for the spirit, placed them in the ears of his vis-à-vis as requested.

"Ah," said the spirit as he began to puff, "this is what I call comfort." And then he began his story.

"I was born," he said, breathing forth a cloud of smoke from his right ear, "sixty years ago in a small house within a stone's throw of what is now the band stand in the park at Buxton."

"You must have had human catapults in those days," interrupted Toppleton, for as he remembered the band stand at Buxton, it was situated at some considerable distance from anything which in any degree represented a habitation in which one could begin life comfortably.

"I don't know about that. I am not telling you a sporting tale. I am simply narrating the events of my career, such as they are," returned the spirit, "and my father has assured me that the house in which I first saw light was, as I have said, within a stone's throw of[60] what is now the band stand in the Buxton Park. The band stand may have been nearer the house in the old days than it is now,—that is an insignificant sort of a detail anyhow, and if you'd prefer it I will put it in this way: I was born at Buxton sixty years ago in a small house, no longer standing, from whose windows the band stand in the park might have been seen if there had been one there. How is that?"

"Perfectly satisfactory," replied Hopkins. "A statement of that kind would be accepted in any court in the land as veracious on the face of it, whereas we might be called upon to prove that other tale, which between you and me had about it a distinctly Munchausenesque flavour."

The spirit was evidently much impressed with this reasoning, for he forgot himself for a moment, and inhaled some of the smoke, so that it came out between his lips instead of from his ears as before.

"I am glad to see you take such interest in the matter," he said after a moment's reflection. "We must indeed have an absolutely irrefragable story if we are to take it to court. I had not thought of that. But to resume. My parents were like most others of their class, poor but honest. My mother was a poetess with an annuity. My father was a non-resistant,[61] a sort of forerunner of Tolstoï, with none of the latter's energy. He was content to live along on my mother's annuity, leaving her for her own needs an undivided interest in the earnings of her pen."

"He was a gentleman of leisure, then," returned Hopkins, "with pronounced leanings towards the sedentary school of philosophy."

"That's it," replied the spirit. "That was my father in a nut-shell. He took things as they came—indeed that was his chief fault. As mother used to say, he not only took things as they came, but took all there was to take, so that there was never anything left for the rest of us. His non-resistant tendencies were almost a curse to the family. Why, he'd even listen to mother's poetry and not complain. If there were weeds in the garden, he would submit tamely, rather than take a hoe and eradicate them. He used to sigh once in awhile and condemn my mother's parents for leaving her so little that she could not afford to hire a man to keep our place in order, but further than this he did not murmur. My mother, on the other hand, was energetic in her special line. I've known that woman to turn out fifteen poems in a morning, and, at one time, I think it was the day of Victoria's coronation, she wrote an elegy on William the Fourth of sixty-eight[62] stanzas, and a coronation ode that reached from one end of the parlour to the other,—doing it all between luncheon and dinner. Dinner was four hours late to be sure, but even that does not affect the wonderful quality of the achievement."

"Didn't your father resist that?" queried Toppleton, sympathetically.

"No," replied the spirit, "never uttered a complaint."

"He must have been an extraordinary man," observed Toppleton, shaking his head in wonder.

"He was," assented the spirit. "Father was a genius in his way; but he was born tired, and he never seemed able to outgrow it."

Here the spirit requested Toppleton's permission to leave the Aunt Sallie for a moment. The head was getting too full of smoke for comfort.

"I'll just sit over here on the waste basket until the smoke has a chance to get out," he said. "If I don't, it will be the ruin of me."

"All right," returned Toppleton. "I suppose when a man is reduced to nothing but a voice, it is rather destructive to his health to get diluted with tobacco smoke. But, I say, that was a pretty tough condition of affairs in your house I should say. Poetic mother, do-nothing[63] father, small income and a baby. How did you manage to live?"

"Oh, we lived well enough," replied the spirit. "The income was large enough to pay the rent and keep father from hunger and thirst—particularly the latter. Mother, being a poet, didn't eat anything to speak of, and I fed on cow's milk. We had a cow chiefly because her appetite kept the grass cut, and when I came along she served an additional useful purpose. In the matter of clothing we did first rate. Mother's trousseau lasted as long as she did, and father never needed anything more than the suit he was married in. Inheriting my mother's poetic traits, and my father's tendency to let things come as they might and go as they would, it is hardly strange that as I grew older I became addicted to habits of indecision; that I lacked courage when a slight display of that quality meant success; that I was invariably found wanting in the little crises which make up existence in this sphere; that I always let slip the opportunities which were mine, and that at those tides of my own affairs which taken at the flood would have led on to fortune, I was always high and dry somewhere out of reach, and that, in consequence, all the voyage of my life has been bound in shallows and in miseries, as my mother would have said."[64]

"Your mother must have been a diligent student of Shakespeare," Toppleton retorted, resenting