Jack and Jill, Louisa May Alcott [english love story books TXT] 📗
- Author: Louisa May Alcott
Book online «Jack and Jill, Louisa May Alcott [english love story books TXT] 📗». Author Louisa May Alcott
Lafayette with a limp, covered himself with glory by picking up one of the bouquets and pressing it to his heart with all the gallantry of a Frenchman; and when Washington lifted the smallest of the maids and kissed her, the audience cheered. Couldn't help it, you know, it was so pretty and inspiring.
The Washington Family, after the famous picture, came next, with Annette as the serene and sensible Martha, in a very becoming cap. The General was in uniform, there being no time to change, but his attitude was quite correct, and the Custis boy and girl displayed the wide sash and ruffled collar with historic fidelity. The band played "Home," and every one agreed that it was "Sweet!"
"Now I don't see what more they can have except the death-bed, and that would be rather out of place in this gay company," said the old gentleman to Mr. Burton, as he mopped his heated face after pounding so heartily he nearly knocked the ferule off his cane.
"No; they gave that up, for my boy wouldn't wear a night-gown in public. I can't tell secrets, but I think they have got a very clever little finale for the first part--a pretty compliment to one person and a pleasant surprise to all," answered Mr. Burton, who was in great spirits, being fond of theatricals and very justly proud of his children, for the little girls had been among the Trenton maids, and the mimic General had kissed his own small sister, Nelly, very tenderly.
A great deal of interest was felt as to what this surprise was to be, and a general "Oh!" greeted the "Minute Man," standing motionless upon his pedestal. It was Frank, and Ralph had done his best to have the figure as perfect as possible, for the maker of the original had been a good friend to him; and, while the young sculptor was dancing gayly at the ball, this copy of his work was doing him honor among the children. Frank looked it very well, for his firm-set mouth was full of resolution, his eyes shone keen and courageous under the three-cornered hat, and the muscles stood out upon the bare arm that clutched the old gun. Even the buttons on the gaiters seemed to flash defiance, as the sturdy legs took the first step from the furrow toward the bridge where the young farmer became a hero when he "fired the shot heard 'round the world."
"That is splendid!" "As like to the original as flesh can be to bronze." "How still he stands!" "He'll fight when the time comes, and die hard, won't he?" "Hush! You make the statue blush!" These very audible remarks certainly did, for the color rose visibly as the modest lad heard himself praised, though he saw but one face in all the crowd, his mother's, far back, but full of love and pride, as she looked up at her young minute man waiting for the battle which often calls us when we least expect it, and for which she had done her best to make him ready.
If there had been any danger of Frank being puffed up by the success of his statue, it was counteracted by irrepressible Grif, who, just at the most interesting moment, when all were gazing silently, gave a whistle, followed by a "Choo, choo, choo!" and "All aboard!" so naturally that no one could mistake the joke, especially as another laughing voice added, "Now, then, No. 11!" which brought down the house and the curtain too.
Frank was so angry, it was very difficult to keep him on his perch for the last scene of all. He submitted, however, rather than spoil the grand finale, hoping that its beauty would efface that ill-timed pleasantry from the public mind. So, when the agreeable clamor of hands and voices called for a repetition, the Minute Man reappeared, grimmer than before. But not alone, for grouped all about his pedestal were Washington and his generals, the matrons and maids, with a background of troops shouldering arms, Grif and Joe doing such rash things with their muskets, that more than one hero received a poke in his august back. Before the full richness of this picture had been taken in, Ed gave a rap, and all burst out with "Hail Columbia," in such an inspiring style that it was impossible for the audience to refrain from joining, which they did, all standing and all singing with a heartiness that made the walls ring. The fife shrilled, the horn blew sweet and clear, the fiddle was nearly drowned by the energetic boom of the drum, and out into the starry night, through open windows, rolled the song that stirs the coldest heart with patriotic warmth and tunes every voice to music.
"'America!' We must have 'America!' Pipe up, Ed, this is too good to end without one song more," cried Mr. Burton, who had been singing like a trumpet; and, hardly waiting to get their breath, off they all went again with the national hymn, singing as they never had sung it before, for somehow the little scenes they had just acted or beheld seemed to show how much this dear America of ours had cost in more than one revolution, how full of courage, energy, and virtue it was in spite of all its faults, and what a privilege, as well as duty, it was for each to do his part toward its safety and its honor in the present, as did those brave men and women in the past.
So the "Scenes from the Life of Washington" were a great success, and, when the songs were over, people were glad of a brief recess while they had raptures, and refreshed themselves with lemonade.
The girls had kept the secret of who the "Princess" was to be, and, when the curtain rose, a hum of surprise and pleasure greeted the pretty group. Jill lay asleep in all her splendor, the bonny "Prince" just lifting the veil to wake her with a kiss, and all about them the court in its nap of a hundred years. The "King" and "Queen" dozing comfortably on the throne; the maids of honor, like a garland of nodding flowers, about the couch; the little page, unconscious of the blow about to fall, and the fool dreaming, with his mouth wide open.
It was so pretty, people did not tire of looking, till Jack's lame leg began to tremble, and he whispered: "Drop her or I shall pitch." Down went the curtain; but it rose in a moment, and there was the court after the awakening: the "King" and "Queen" looking about them with sleepy dignity, the maids in various attitudes of surprise, the fool grinning from ear to ear, and the "Princess" holding out her hand to the "Prince," as if glad to welcome the right lover when he came at last.
Molly got the laugh this time, for she could not resist giving poor Boo the cuff which had been hanging over him so long. She gave it with unconscious energy, and Boo cried "Ow!" so naturally that all the children were delighted and wanted it repeated. But Boo declined, and the scenes which followed were found quite as much to their taste, having been expressly prepared for the little people.
Mother Goose's Reception was really very funny, for Ralph was the old lady, and had hired a representation of the immortal bird from a real theatre for this occasion. There they stood, the dame in her pointed hat, red petticoat, cap, and cane, with the noble fowl, a good deal larger than life, beside her, and Grif inside, enjoying himself immensely as he flapped the wings, moved the yellow legs, and waved the long neck about, while unearthly quacks issued from the bill. That was a great surprise for the children, and they got up in their seats to gaze their fill, many of them firmly believing that they actually beheld the blessed old woman who wrote the nursery songs they loved so well.
Then in came, one after another, the best of the characters she has made famous, while a voice behind the scenes sang the proper rhyme as each made their manners to the interesting pair. "Mistress Mary," and her "pretty maids all in a row," passed by to their places in the background; "King Cole" and his "fiddlers three" made a goodly show; so did the royal couple, who followed the great pie borne before them, with the "four-and-twenty blackbirds" popping their heads out in the most delightful way. Little "Bo-Peep" led a woolly lamb and wept over its lost tail, for not a sign of one appeared on the poor thing. "Simple Simon" followed the pie-man, gloating over his wares with the drollest antics. The little wife came trundling by in a wheelbarrow and was not upset; neither was the lady with "rings on her fingers and bells on her toes," as she cantered along on a rocking-horse. "Bobby Shafto's" yellow hair shone finely as he led in the maid whom he came back from sea to marry. "Miss Muffet," bowl in hand, ran away from an immense black spider, which waggled its long legs in a way so life-like that some of the children shook in their little shoes. The beggars who came to town were out in full force, "rags, tags, and velvet gowns," quite true to life. "Boy Blue" rubbed his eyes, with hay sticking in his hair, and tooted on a tin horn as if bound to get the cows out of the corn. Molly, with a long-handled frying-pan, made a capital "Queen," in a tucked-up gown, checked apron, and high crown, to good "King Arthur," who, very properly, did not appear after stealing the barley-meal, which might be seen in the pan tied up in a pudding, like a cannon-ball, ready to fry.
But Tobias, Molly's black cat, covered himself with glory by the spirit with which he acted his part in,
"Sing, sing, what shall I sing?
The cat's run away with the pudding-bag string."
First he was led across the stage on his hind legs, looking very fierce and indignant, with a long tape trailing behind him; and, being set free at the proper moment, he gave one bound over the four-and-twenty blackbirds who happened to be in the way, and dashed off as if an enraged cook had actually been after him, straight downstairs to the coal-bin, where he sat glaring in the dark, till the fun was over.
When all the characters had filed in and stood in two long rows, music struck up and they danced, "All the way to Boston," a simple but lively affair, which gave each a chance to show his or her costume as they pranced down the middle and up outside.
Such a funny medley as it was, for there went fat "King Cole" with the most ragged of the beggar-maids. "Mistress Mary," in her pretty blue dress, tripped along with "Simple Simon" staring about him like a blockhead. The fine lady left her horse to dance with "Bobby Shafto" till every bell on her slippers tinkled its tongue out. "Bo-Peep" and a jolly fiddler skipped gayly up and down. "Miss Muffet" took the big spider for her partner, and made his many legs fly about in the wildest way. The little wife got out of the wheelbarrow to help "Boy Blue" along, and Molly, with the frying-pan over her shoulder, led off splendidly when it was "Grand right and left."
But the old lady and her goose were the best of all, for the dame's shoe-buckles cut the most astonishing pigeon-wings, and to see that mammoth bird waddle down the middle
The Washington Family, after the famous picture, came next, with Annette as the serene and sensible Martha, in a very becoming cap. The General was in uniform, there being no time to change, but his attitude was quite correct, and the Custis boy and girl displayed the wide sash and ruffled collar with historic fidelity. The band played "Home," and every one agreed that it was "Sweet!"
"Now I don't see what more they can have except the death-bed, and that would be rather out of place in this gay company," said the old gentleman to Mr. Burton, as he mopped his heated face after pounding so heartily he nearly knocked the ferule off his cane.
"No; they gave that up, for my boy wouldn't wear a night-gown in public. I can't tell secrets, but I think they have got a very clever little finale for the first part--a pretty compliment to one person and a pleasant surprise to all," answered Mr. Burton, who was in great spirits, being fond of theatricals and very justly proud of his children, for the little girls had been among the Trenton maids, and the mimic General had kissed his own small sister, Nelly, very tenderly.
A great deal of interest was felt as to what this surprise was to be, and a general "Oh!" greeted the "Minute Man," standing motionless upon his pedestal. It was Frank, and Ralph had done his best to have the figure as perfect as possible, for the maker of the original had been a good friend to him; and, while the young sculptor was dancing gayly at the ball, this copy of his work was doing him honor among the children. Frank looked it very well, for his firm-set mouth was full of resolution, his eyes shone keen and courageous under the three-cornered hat, and the muscles stood out upon the bare arm that clutched the old gun. Even the buttons on the gaiters seemed to flash defiance, as the sturdy legs took the first step from the furrow toward the bridge where the young farmer became a hero when he "fired the shot heard 'round the world."
"That is splendid!" "As like to the original as flesh can be to bronze." "How still he stands!" "He'll fight when the time comes, and die hard, won't he?" "Hush! You make the statue blush!" These very audible remarks certainly did, for the color rose visibly as the modest lad heard himself praised, though he saw but one face in all the crowd, his mother's, far back, but full of love and pride, as she looked up at her young minute man waiting for the battle which often calls us when we least expect it, and for which she had done her best to make him ready.
If there had been any danger of Frank being puffed up by the success of his statue, it was counteracted by irrepressible Grif, who, just at the most interesting moment, when all were gazing silently, gave a whistle, followed by a "Choo, choo, choo!" and "All aboard!" so naturally that no one could mistake the joke, especially as another laughing voice added, "Now, then, No. 11!" which brought down the house and the curtain too.
Frank was so angry, it was very difficult to keep him on his perch for the last scene of all. He submitted, however, rather than spoil the grand finale, hoping that its beauty would efface that ill-timed pleasantry from the public mind. So, when the agreeable clamor of hands and voices called for a repetition, the Minute Man reappeared, grimmer than before. But not alone, for grouped all about his pedestal were Washington and his generals, the matrons and maids, with a background of troops shouldering arms, Grif and Joe doing such rash things with their muskets, that more than one hero received a poke in his august back. Before the full richness of this picture had been taken in, Ed gave a rap, and all burst out with "Hail Columbia," in such an inspiring style that it was impossible for the audience to refrain from joining, which they did, all standing and all singing with a heartiness that made the walls ring. The fife shrilled, the horn blew sweet and clear, the fiddle was nearly drowned by the energetic boom of the drum, and out into the starry night, through open windows, rolled the song that stirs the coldest heart with patriotic warmth and tunes every voice to music.
"'America!' We must have 'America!' Pipe up, Ed, this is too good to end without one song more," cried Mr. Burton, who had been singing like a trumpet; and, hardly waiting to get their breath, off they all went again with the national hymn, singing as they never had sung it before, for somehow the little scenes they had just acted or beheld seemed to show how much this dear America of ours had cost in more than one revolution, how full of courage, energy, and virtue it was in spite of all its faults, and what a privilege, as well as duty, it was for each to do his part toward its safety and its honor in the present, as did those brave men and women in the past.
So the "Scenes from the Life of Washington" were a great success, and, when the songs were over, people were glad of a brief recess while they had raptures, and refreshed themselves with lemonade.
The girls had kept the secret of who the "Princess" was to be, and, when the curtain rose, a hum of surprise and pleasure greeted the pretty group. Jill lay asleep in all her splendor, the bonny "Prince" just lifting the veil to wake her with a kiss, and all about them the court in its nap of a hundred years. The "King" and "Queen" dozing comfortably on the throne; the maids of honor, like a garland of nodding flowers, about the couch; the little page, unconscious of the blow about to fall, and the fool dreaming, with his mouth wide open.
It was so pretty, people did not tire of looking, till Jack's lame leg began to tremble, and he whispered: "Drop her or I shall pitch." Down went the curtain; but it rose in a moment, and there was the court after the awakening: the "King" and "Queen" looking about them with sleepy dignity, the maids in various attitudes of surprise, the fool grinning from ear to ear, and the "Princess" holding out her hand to the "Prince," as if glad to welcome the right lover when he came at last.
Molly got the laugh this time, for she could not resist giving poor Boo the cuff which had been hanging over him so long. She gave it with unconscious energy, and Boo cried "Ow!" so naturally that all the children were delighted and wanted it repeated. But Boo declined, and the scenes which followed were found quite as much to their taste, having been expressly prepared for the little people.
Mother Goose's Reception was really very funny, for Ralph was the old lady, and had hired a representation of the immortal bird from a real theatre for this occasion. There they stood, the dame in her pointed hat, red petticoat, cap, and cane, with the noble fowl, a good deal larger than life, beside her, and Grif inside, enjoying himself immensely as he flapped the wings, moved the yellow legs, and waved the long neck about, while unearthly quacks issued from the bill. That was a great surprise for the children, and they got up in their seats to gaze their fill, many of them firmly believing that they actually beheld the blessed old woman who wrote the nursery songs they loved so well.
Then in came, one after another, the best of the characters she has made famous, while a voice behind the scenes sang the proper rhyme as each made their manners to the interesting pair. "Mistress Mary," and her "pretty maids all in a row," passed by to their places in the background; "King Cole" and his "fiddlers three" made a goodly show; so did the royal couple, who followed the great pie borne before them, with the "four-and-twenty blackbirds" popping their heads out in the most delightful way. Little "Bo-Peep" led a woolly lamb and wept over its lost tail, for not a sign of one appeared on the poor thing. "Simple Simon" followed the pie-man, gloating over his wares with the drollest antics. The little wife came trundling by in a wheelbarrow and was not upset; neither was the lady with "rings on her fingers and bells on her toes," as she cantered along on a rocking-horse. "Bobby Shafto's" yellow hair shone finely as he led in the maid whom he came back from sea to marry. "Miss Muffet," bowl in hand, ran away from an immense black spider, which waggled its long legs in a way so life-like that some of the children shook in their little shoes. The beggars who came to town were out in full force, "rags, tags, and velvet gowns," quite true to life. "Boy Blue" rubbed his eyes, with hay sticking in his hair, and tooted on a tin horn as if bound to get the cows out of the corn. Molly, with a long-handled frying-pan, made a capital "Queen," in a tucked-up gown, checked apron, and high crown, to good "King Arthur," who, very properly, did not appear after stealing the barley-meal, which might be seen in the pan tied up in a pudding, like a cannon-ball, ready to fry.
But Tobias, Molly's black cat, covered himself with glory by the spirit with which he acted his part in,
"Sing, sing, what shall I sing?
The cat's run away with the pudding-bag string."
First he was led across the stage on his hind legs, looking very fierce and indignant, with a long tape trailing behind him; and, being set free at the proper moment, he gave one bound over the four-and-twenty blackbirds who happened to be in the way, and dashed off as if an enraged cook had actually been after him, straight downstairs to the coal-bin, where he sat glaring in the dark, till the fun was over.
When all the characters had filed in and stood in two long rows, music struck up and they danced, "All the way to Boston," a simple but lively affair, which gave each a chance to show his or her costume as they pranced down the middle and up outside.
Such a funny medley as it was, for there went fat "King Cole" with the most ragged of the beggar-maids. "Mistress Mary," in her pretty blue dress, tripped along with "Simple Simon" staring about him like a blockhead. The fine lady left her horse to dance with "Bobby Shafto" till every bell on her slippers tinkled its tongue out. "Bo-Peep" and a jolly fiddler skipped gayly up and down. "Miss Muffet" took the big spider for her partner, and made his many legs fly about in the wildest way. The little wife got out of the wheelbarrow to help "Boy Blue" along, and Molly, with the frying-pan over her shoulder, led off splendidly when it was "Grand right and left."
But the old lady and her goose were the best of all, for the dame's shoe-buckles cut the most astonishing pigeon-wings, and to see that mammoth bird waddle down the middle
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