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the limbs; because the brain controls them more immediately and resolutely; so that everything hangs more upon a single thread, every movement of which gives a precise expression to its purpose.

This is analogous to, nay, is immediately connected with the fact that the higher an animal stands in the scale of development, the easier it becomes to kill it by wounding a single spot. Take, for example, batrachia: they are slow, cumbrous and sluggish in their movements; they are unintelligent, and, at the same time, extremely tenacious of life; the reason of which is that, with a very small brain, their spine and nerves are very thick. Now gait and movement of the arms are mainly functions of the brain; our limbs receive their motion and every little modification of it from the brain through the medium of the spine.

This is why conscious movements fatigue us: the sensation of fatigue, like that of pain, has its seat in the brain, not, as people commonly suppose, in the limbs themselves; hence motion induces sleep.

On the other hand those motions which are not excited by the brain, that is, the unconscious movements of organic life, of the heart, of the lungs, etc., go on in their course without producing fatigue. And as thought, equally with motion, is a function of the brain, the character of the brain's activity is expressed equally in both, according to the constitution of the individual; stupid people move like lay-figures, while every joint of an intelligent man is eloquent.

But gesture and movement are not nearly so good an index of intellectual qualities as the face, the shape and size of the brain, the contraction and movement of the features, and above all the eye, - from the small, dull, dead-looking eye of a pig up through all gradations to the irradiating, flashing eyes of a genius.

The look of good sense and prudence, even of the best kind, differs from that of genius, in that the former bears the stamp of subjection to the will, while the latter is free from it.

And therefore one can well believe the anecdote told by Squarzafichi in his life of Petrarch, and taken from Joseph Brivius, a contemporary of the poet, how once at the court of the Visconti, when Petrarch and other noblemen and gentlemen were present, Galeazzo Visconti told his son, who was then a mere boy (he was afterwards first Duke of Milan), to pick out the wisest of the company; how the boy looked at them all for a little, and then took Petrarch by the hand and led him up to his father, to the great admiration of all present. For so clearly does nature set the mark of her dignity on the privileged among mankind that even a child can discern it.

Therefore, I should advise my sagacious countrymen, if ever again they wish to trumpet about for thirty years a very commonplace person as a great genius, not to choose for the purpose such a beerhouse-keeper physiognomy as was possessed by that philosopher, upon whose face nature had written, in her clearest characters, the familiar inscription, "commonplace person."

But what applies to intellectual capacity will not apply to moral qualities, to character. It is more difficult to discern its physiognomy, because, being of a metaphysical nature, it lies incomparably deeper.

It is true that moral character is also connected with the constitution, with the organism, but not so immediately or in such direct connection with definite parts of its system as is intellectual capacity.

Hence while everyone makes a show of his intelligence and endeavors to exhibit it at every opportunity, as something with which he is in general quite contented, few expose their moral qualities freely, and most people intentionally cover them up; and long practice makes the concealment perfect. In the meantime, as I explained above, wicked thoughts and worthless efforts gradually set their mask upon the face, especially the eyes. So that, judging by physiognomy, it is easy to warrant that a given man will never produce an immortal work; but not that he will never commit a great crime.


PSYCHOLOGICAL OBSERVATIONS.


For every animal, and more especially for man, a certain conformity and proportion between the will and the intellect is necessary for existing or making any progress in the world. The more precise and correct the proportion which nature establishes, the more easy, safe and agreeable will be the passage through the world. Still, if the right point is only approximately reached, it will be enough to ward off destruction. There are, then, certain limits within which the said proportion may vary, and yet preserve a correct standard of conformity. The normal standard is as follows. The object of the intellect is to light and lead the will on its path, and therefore, the greater the force, impetus and passion, which spurs on the will from within, the more complete and luminous must be the intellect which is attached to it, that the vehement strife of the will, the glow of passion, and the intensity of the emotions, may not lead man astray, or urge him on to ill considered, false or ruinous action; this will, inevitably, be the result, if the will is very violent and the intellect very weak. On the other hand, a phlegmatic character, a weak and languid will, can get on and hold its own with a small amount of intellect; what is naturally moderate needs only moderate support. The general tendency of a want of proportion between the will and the intellect, in other words, of any variation from the normal proportion I have mentioned, is to produce unhappiness, whether it be that the will is greater than the intellect, or the intellect greater than the will. Especially is this the case when the intellect is developed to an abnormal degree of strength and superiority, so as to be out of all proportion to the will, a condition which is the essence of real genius; the intellect is then not only more than enough for the needs and aims of life, it is absolutely prejudicial to them. The result is that, in youth, excessive energy in grasping the objective world, accompanied by a vivid imagination and a total lack of experience, makes the mind susceptible, and an easy prey to extravagant ideas, nay, even to chimeras; and the result is an eccentric and phantastic character. And when, in later years, this state of mind yields and passes away under the teaching of experience, still the genius never feels himself at home in the common world of every day and the ordinary business of life; he will never take his place in it, and accommodate himself to it as accurately as the person of moral intellect; he will be much more likely to make curious mistakes. For the ordinary mind feels itself so completely at home in the narrow circle of its ideas and views of the world that no one can get the better of it in that sphere; its faculties remain true to their original purpose, viz., to promote the service of the will; it devotes itself steadfastly to this end, and abjures extravagant aims. The genius, on the other hand, is at bottom a
monstrum per excessum ; just as, conversely, the passionate, violent and unintelligent man, the brainless barbarian, is a monstrum per defectum .

* * * * *

The will to live , which forms the inmost core of every living being, exhibits itself most conspicuously in the higher order of animals, that is, the cleverer ones; and so in them the nature of the will may be seen and examined most clearly. For in the lower orders its activity is not so evident; it has a lower degree of objectivation; whereas, in the class which stands above the higher order of animals, that is, in men, reason enters in; and with reason comes discretion, and with discretion, the capacity of dissimulation, which throws a veil over the operations of the will. And in mankind, consequently, the will appears without its mask only in the affections and the passions. And this is the reason why passion, when it speaks, always wins credence, no matter what the passion may be; and rightly so. For the same reason the passions are the main theme of poets and the stalking horse of actors. The conspicuousness of the will in the lower order of animals explains the delight we take in dogs, apes, cats, etc.; it is the entirely naive way in which they express themselves that gives us so much pleasure.

The sight of any free animal going about its business undisturbed, seeking its food, or looking after its young, or mixing in the company of its kind, all the time being exactly what it ought to be and can be, - what a strange pleasure it gives us! Even if it is only a bird, I can watch it for a long time with delight; or a water rat or a hedgehog; or better still, a weasel, a deer, or a stag. The main reason why we take so much pleasure in looking at animals is that we like to see our own nature in such a simplified form. There is only one mendacious being in the world, and that is man. Every other is true and sincere, and makes no attempt to conceal what it is, expressing its feelings just as they are.

* * * * *

Many things are put down to the force of habit which are rather to be attributed to the constancy and immutability of original, innate character, according to which under like circumstances we always do the same thing: whether it happens for the first or the hundredth time, it is in virtue of the same necessity. Real force of habit, as a matter of fact, rests upon that indolent, passive disposition which seeks to relieve the intellect and the will of a fresh choice, and so makes us do what we did yesterday and have done a hundred times before, and of which we know that it will attain its object. But the truth of the matter lies deeper, and a more precise explanation of it can be given than appears at first sight. Bodies which may be moved by mechanical means only are subject to the power of inertia; and applied to bodies which may be acted on by motives, this power becomes the force of habit. The actions which we perform by mere habit come about, in fact, without any individual separate motive brought into play for the particular case: hence, in performing them, we really do not think about them. A motive was present only on the first few occasions on which the action happened, which has since become a habit: the secondary after-effect of this motive is the present habit, and it is sufficient to enable the action to continue: just as when a body had been set in motion by a push, it requires no more pushing in order to continue its motion; it will go on to all eternity, if it meets with no friction. It is the same in the case of animals: training is a habit which is forced upon them. The horse goes on drawing his cart quite contentedly, without having to be urged on: the motion is the continued effect of those strokes
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