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Charon a great number of souls drowned in a potion before they come to his ferry? And no less of the rest, which take upon them to affirm. Now, for the poet, he nothing affirms, and therefore never lieth. For, as I take it, to lie is to affirm that to be true which is false. So as the other artists, and especially the historian, affirming many things, can in the cloudy knowledge of mankind hardly escape from many lies. But the poet (as I said before) never affirmeth. The poet never maketh any circles about your imagination, to conjure you to believe for true what he writes. He citeth not authorities of other histories, but even for his entry calleth the sweet Muses to inspire into him a good invention: in truth, not labouring to tell you what is or is not, but what should or should not be: and therefore, though he recount things not true, yet because he telleth them not for true, he lieth not, without we will say that Nathan lied in his speech, before alleged, to David. Which as a wicked man durst scarce say, so think I, none so simple would say, that Asop lied in the tales of his beasts: for who thinks that Asop wrote it for actually true, were well worthy to have his name chronicled among the beasts he writeth of.

What child is there, that coming to a play, and seeing Thebes written in great letters upon an old door, doth believe that it is Thebes? If then a man can arrive, at that child's age, to know that the poet's persons and doings are but pictures what should be, and not stories what have been, they will never give the lie to things not affirmatively, but allegorically and figuratively, written. And therefore as in history, looking for truth, they go away full fraught with falsehood: so in poesy, looking for fiction, they shall use the narration but as an imaginative groundplot of a profitable invention.

But hereto is replied that the poets give names to men they write of, which argueth a conceit of an actual truth, and so, not being true, proves a falsehood. And doth the lawyer lie, then, when under the names of John a stile and John a noakes, he puts his case? But that is easily answered. Their naming of men is but to make their picture the more lively, and not to build any history: painting men, they cannot leave men nameless. We see we cannot play at chess, but that we must give names to our chessmen; and yet methinks he were a very partial champion of truth that would say we lied for giving a piece of wood the reverend title of a bishop. The poet nameth Cyrus or Aneas no other way than to show what men of their fames, fortunes, and estates should do.

Their third is, how much it abuseth men's wit, training it to wanton sinfulness and lustful love; for indeed that is the principal, if not the only abuse I can hear alleged. They say the comedies rather teach than reprehend amorous conceits. They say the lyric is larded with passionate sonnets. The elegiac weeps the want of his mistress. And that even to the heroical, Cupid hath ambitiously climbed. Alas, Love! I would thou couldst as well defend thyself as thou canst offend others. I would those on whom thou dost attend could either put thee away or yield good reason why they keep thee. But grant love of beauty to be a beastly fault, although it be very hard, sith only man and no beast hath that gift, to discern beauty. Grant that lovely name of love to deserve all hateful reproaches: although even some of my masters the philosophers spent a good deal of their lamp-oil in setting forth the excellency of it. Grant, I say, whatsoever they will have granted; that not only love, but lust, but vanity, but (if they list) scurrility, possesseth many leaves of the poet's books: yet think I, when this is granted, they will find their sentence may with good manners put the last words foremost; and not say that poetry abuseth man's wit, but that man's wit abuseth poetry.

For I will not deny but that man's wit may make poesy (which should be eikastike, which some learned have defined, figuring forth good things) to be fantastic: which doth contrariwise infect the fancy with unworthy objects. As the painter, that should give to the eye either some excellent perspective or some fine picture fit for building or fortification, or containing in it some notable example, as Abraham sacrificing his son Isaac, Judith killing Holofernes, David fighting with Goliath, may leave those and please an ill-pleased eye with wanton shows of better hidden matters. But what, shall the abuse of a thing make the right use odious? Nay, truly, though I yield that poesy may not only be abused, but that, being abused by the reason of his sweet charming force, it can do more hurt than any other army of words: yet shall it be so far from concluding that the abuse should give reproach to the abused, that contrariwise it is a good reason that whatsoever being abused, doth most harm, being rightly used (and upon the right use each thing conceiveth his title) doth most good.

Do we not see the skill of physic (the best rampire to our often- assaulted bodies), being abused, teach poison the most violent destroyer? Doth not knowledge of law, whose end is to even and right all things, being abused, grow the crooked fosterer of horrible injuries? Doth not (to go to the highest) God's word, abused, breed heresy? and His name abused, become blasphemy? Truly a needle cannot do much hurt, and as truly (with leave of ladies be it spoken) it cannot do much good. With a sword thou mayest kill thy father, and with a sword thou mayest defend thy prince and country. So that, as in their calling poets the fathers of lies they say nothing: so in this their argument of abuse they prove the commendation.

They allege herewith that, before poets began to be in price, our nation hath set their hearts' delight upon action and not upon imagination: rather doing things worthy to be written than writing things fit to be done. What that before time was, I think scarcely Sphinx can tell: sith no memory is so ancient that hath the precedence of poetry. And certain it is that, in our plainest homeliness, yet never was the Albion nation without poetry. Marry, this argument, though it be levelled against poetry, yet is it indeed a chain-shot against all learning, or bookishness, as they commonly term it. Of such mind were certain Goths, of whom it is written that, having in the spoils of a famous city taken a fair library, one hangman (belike fit to execute the fruits of their wits) who had murdered a great number of bodies, would have set fire on it. "No", said another very gravely, "take heed what you do, for while they are busy about these toys, we shall with more leisure conquer their countries."

This indeed is the ordinary doctrine of ignorance, and many words sometimes I have heard spent in it; but because this reason is generally against all learning, as well as poetry; or rather, all learning but poetry: because it were too large a digression to handle, or at least too superfluous: (sith it is manifest that all government of action is to be gotten by knowledge, and knowledge best by gathering many knowledges, which is, reading), I only with Horace, to him that is of that opinion,

Jubeo stultum esse libenter:

for as for poetry itself, it is the freest from this objection. For poetry is the companion of the camps.

I dare undertake, Orlando Furioso or honest King Arthur will never displease a soldier; but the quiddity of ens and prima materia will hardly agree with a corslet; and therefore, as I said in the beginning, even Turks and Tartars are delighted with poets. Homer, a Greek, flourished before Greece flourished. And if to a slight conjecture a conjecture may be opposed, truly it may seem that, as by him their learned men took almost their first light of knowledge, so their active men received their first motions of courage. Only Alexander's example may serve, who by Plutarch is accounted of such virtue that fortune was not his guide but his footstool; whose acts speak for him, though Plutarch did not: indeed, the Phoenix of warlike princes. This Alexander left his schoolmaster, living Aristotle, behind him, but took dead Homer with him; he put the philosopher Calisthenes to death for his seeming philosophical, indeed mutinous stubbornness. But the chief thing he ever was heard to wish for was that Homer had been alive. He well found he received more bravery of mind by the pattern of Achilles than by hearing the definition of fortitude; and therefore, if Cato misliked Fulvius for carrying Ennius with him to the field, it may be answered that, if Cato misliked it, the noble Fulvius liked it, or else he had not done it. For it was not the excellent Cato Uticensis (whose authority I would much more have reverenced), but it was the former [Footnote: Cato the Censor]: in truth, a bitter punisher of faults, but else a man that had never well sacrificed to the Graces. He misliked and cried out upon all Greek learning, and yet, being 80 years old, began to learn it. Belike, fearing that Pluto understood not Latin. Indeed, the Roman laws allowed no person to be carried to the wars but he that was in the soldiers' roll; and therefore, though Cato misliked his unmustered person, he misliked not his work. And if he had, Scipio Nasica, judged by common consent the best Roman, loved him. Both the other Scipio brothers, who had by their virtues no less surnames than of Asia and Affrick, so loved him that they caused his body to be buried in their sepulchre. So as Cato, his authority being but against his person, and that answered with so far greater than himself, is herein of no validity. But now, indeed, my burden is great; now Plato his name is laid upon me, whom I must confess, of all philosophers, I have ever esteemed most worthy of reverence, and with great reason, sith of all philosophers he is the most poetical. Yet if he will defile the fountain, out of which his flowing streams have proceeded, let us boldly examine with what reasons he did it. First, truly, a man might maliciously object that Plato, being a philosopher, was a natural enemy of poets; for, indeed, after the philosophers had picked out of the sweet mysteries of poetry the right discerning true points of knowledge, they forthwith putting it in method, and making a school-art of that which the poets did only teach by a divine delightfulness, beginning to spurn at their guides like ungrateful 'prentices, were not content to set up shops for themselves, but sought by all means to discredit their masters. Which by the force of delight being barred them, the less they could overthrow them, the more they hated them. For, indeed, they found for Homer seven cities strove who should have him for their citizen: where many cities banished philosophers, as not fit members to live among them. For only repeating certain of Euripides' verses, many Athenians had their lives saved of the Syracusians: [Footnote: The story is told in Balaustion's Adventure.] when the Athenians themselves thought many philosophers unworthy to live.

Certain poets, as Simonides and Pindarus had so prevailed with Hiero the first, that of a tyrant they made him a just king, where Plato could do so little with Dionysius, that he himself, of a philosopher, was made a slave. But who should do thus, I confess, should requite the objections made against poets, with like cavillation against philosophers; as likewise one should do, that should bid one read Phaedrus or Symposium in Plato, or the discourse of love in Plutarch, and see whether any poet do authorize abominable filthiness, as they do. Again, a man might ask out of what commonwealth Plato did banish them? in sooth, thence where he himself alloweth community of women: so as, belike, this banishment grew not for effeminate wantonness, sith little should poetical sonnets be hurtful, when a man might have what woman he listed. But I honour philosophical instructions, and bless the wits which bred them: so as they be not abused, which is likewise stretched to poetry.

St. Paul himself, who yet (for the credit of poets) allegeth twice two poets, and one of them by the name of a prophet, setteth a watch-word upon philosophy, indeed upon the abuse. So doth

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