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been only a boy and girl affair. She was sorry, and she knew he would probably not be able to understand, but might some day forgive her, and be grateful to her, and she expected, absolutely unexpectedly, to be married in the spring. She loved him as always, but she realized now it was only a boy and girl love. She hoped he would have a great career, and believed in him absolutely. She knew it was for the best.

The Major did not marry her in the spring, or any other time. Ag never got an answer to her letter to Chicago about it. A short time after he contracted gonorrhea from a sales girl from The Fair riding in a taxicab through Lincoln Park.

chapter 11

In 1919 he was travelling on the railroads in Italy carrying a square of oilcloth from the headquarters of the party written in indelible pencil and saying here was a comrade who had suffered very much under the whites in Budapest and requesting comrades to aid him in any way. He used this instead of a ticket. He was very shy and quite young and the train men passed him on from one crew to another. He had no money, and they fed him behind the counter in railway eating houses.

He was delighted with Italy. It was a beautiful country he said. The people were all kind. He had been in many towns, walked much and seen many pictures. Giotto, Masaccio, and Piero della Francesca he bought reproductions of and carried them wrapped in a copy of Avanti. Mantegna he did not like.

He reported at Bologna, and I took him with me up into the Romagna where it was necessary I go to see a man. We had a good trip together. It was early September and the country was pleasant. He was a Magyar, a very nice boy and very shy. Horthy’s men had done some bad things to him. He talked about it a little. In spite of Italy, he believed altogether in the world revolution.

—But how is the movement going in Italy? he asked.

—Very badly, I said.

—But it will go better, he said. You have everything here. It is the one country that everyone is sure of. It will be the starting point of everything.

At Bologna he said good-bye to us to go on the train to Milano and then to Aosta to walk over the pass into Switzerland. I spoke to him about the Mantegnas in Milano. No, he said, very shyly, he did not like Mantegna. I wrote out for him where to eat in Milano and the addresses of comrades. He thanked me very much, but his mind was already looking forward to walking over the pass. He was very eager to walk over the pass while the weather held good. The last I heard of him the Swiss had him in jail near Sion.

chapter 12

They whack whacked the white horse on the legs and he knee-ed himself up. The picador twisted the stirrups straight and pulled and hauled up into the saddle. The horse’s entrails hung down in a blue bunch and swung backward and forward as he began to canter, the monos whacking him on the back of his legs with the rods. He cantered jerkily along the barrera. He stopped stiff and one of the monos held his bridle and walked him forward. The picador kicked in his spurs, leaned forward and shook his lance at the bull. Blood pumped regularly from between the horse’s front legs. He was nervously wobbly. The bull could not make up his mind to charge.

chapter 13

The crowd shouted all the time and threw pieces of bread down into the ring, then cushions and leather wine bottles, keeping up whistling and yelling. Finally the bull was too tired from so much bad sticking and folded his knees and lay down and one of the cuadrilla leaned out over his neck and killed him with the puntillo. The crowd came over the barrera and around the torero and two men grabbed him and held him and some one cut off his pigtail and was waving it and a kid grabbed it and ran away with it. Afterwards I saw him at the café. He was very short with a brown face and quite drunk and he said after all it has happened before like that. I am not really a good bull fighter.

chapter 14

If it happened right down close in front of you, you could see Villalta snarl at the bull and curse him, and when the bull charged he swung back firmly like an oak when the wind hits it, his legs tight together, the muleta trailing and the sword following the curve behind. Then he cursed the bull, flopped the muleta at him, and swung back from the charge his feet firm, the muleta curving and each swing the crowd roaring.

When he started to kill it was all in the same rush. The bull looking at him straight in front, hating. He drew out the sword from the folds of the muleta and sighted with the same movement and called to the bull, Toro! Toro! and the bull charged and Villalta charged and just for a moment they became one. Villalta became one with the bull and then it was over. Villalta standing straight and the red kilt of the sword sticking out dully between the bull’s shoulders. Villalta, his hand up at the crowd and the bull roaring blood, looking straight at Villalta and his legs caving.

chapter 15

I heard the drums coming down the street and then the fifes and the pipes and then they came around the corner, all dancing. The street full of them. Maera saw him and then I saw him. When they stopped the music for the crouch he hunched down in the street with them all and when they started it again he jumped up and went dancing down the street with them. He was drunk all right.

You go down after him, said Maera, he hates me.

So I went down and caught up with them and grabbed him while he was crouched down waiting for the music to break loose and said, Come on Luis. For Christ sake you’ve got bulls this afternoon. He didn’t listen to me, he was listening so hard for the music to start.

I said, Don’t be a damn fool Luis. Come on back to the hotel.

Then the music started up again and he jumped up and twisted away from me and started dancing. I grabbed his arm and he pulled loose and said, Oh leave me alone. You’re not my father.

I went back to the hotel and Maera was on the balcony looking out to see if I’d be bringing him back. He went inside when he saw me and came downstairs disgusted.

Well, I said, after all he’s just an ignorant Mexican savage.

Yes, Maera said, and who will kill his bulls after he gets a cogida?

We, I suppose, I said.

Yes, we, said Maera. We kills the savages’ bulls, and the drunkards’ bulls, and the riau-riau dancers’ bulls. Yes. We kill them. We kill them all right. Yes. Yes. Yes.

chapter 16

Maera lay still, his head on his arms, his face in the sand. He felt warm and sticky from the bleeding. Each time he felt the horn coming. Sometimes the bull only bumped him with his head. Once the horn went all the way through him and he felt it go into the sand. Someone had the bull by the tail. They were swearing at him and flopping the cape in his face. Then the bull was gone. Some men picked Maera up and started to run with him toward the barriers through the gate out the passage way around under the grand stand to the infirmary. They laid Maera down on a cot and one of the men went out for the doctor. The others stood around. The doctor came running from the corral where he had been sewing up picador horses. He had to stop and wash his hands. There was a great shouting going on in the grandstand overhead. Maera wanted to say something and found he could not talk. Maera felt everything getting larger and larger and then smaller and smaller. Then it got larger and larger and larger and then smaller and smaller. Then everything commenced to run faster and faster as when they speed up a cinematograph film. Then he was dead.

chapter 17

They hanged Sam Cardinella at six o’clock in the morning in the corridor of the county jail. The corridor was high and narrow with tiers of cells on either side. All the cells were occupied. The men had been brought in for the hanging. Five men sentenced to be hanged were in the five top cells. Three of the men to be hanged were negroes. They were very frightened. One of the white men sat on his cot with his head in his hands. The other lay flat on his cot with a blanket wrapped around his head.

They came out onto the gallows through a door in the wall. There were six or seven of them including two priests. They were carrying Sam Cardinella. He had been like that since about four o’clock in the morning.

While they were strapping his legs together two guards held him up and the two priests were whispering to him. “Be a man, my son,” said one priest. When they came toward him with the cap to go over his head Sam Cardinella lost control of his sphincter muscle. The guards who had been holding him up dropped him. They were both disgusted. “How about a chair, Will?” asked one of the guards, “Better get one,” said a man in a derby hat.

When they all stepped back on the scaffolding back of the drop, which was very heavy, built of oak and steel and swung on ball bearings, Sam Cardinella was left sitting there strapped tight, the younger of the two priests kneeling beside the chair. The priest skipped back onto the scaffolding just before the drop fell.

chapter 18

The king was working in the garden. He seemed very glad to see me. We walked through the garden. This is the queen, he said. She was clipping a rose bush. Oh how do you do, she said. We sat down at a table under a big tree and the king ordered whiskey and soda. We have good whiskey anyway, he said. The revolutionary committee, he told me, would not allow him to go outside the palace grounds. Plastiras is a very good man I believe, he said, but frightfully difficult. I think he did right though shooting those chaps. If Kerensky had shot a few men things might have been altogether different. Of course the great thing in this sort of an affair is not to be shot oneself!

It was very jolly. We talked for a long time. Like all Greeks he wanted to go to America.

Here ends The Inquest into the state of contemporary English prose, as edited by Ezra Pound and printed at the Three Mountains Press. The six works constituting the series are:
Indiscretions of Ezra Pound
Women and Men by Ford Madox Ford
Elimus by B. C. Windeler with Designs by D. Shakespear
The Great American Novel by William Carlos Williams
England by B.M.G.-Adams
In Our Time by Ernest Hemingway with Portrait by Henry Strater





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