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of sociableness and freedom of discussion with the days of Puritan rule; yet it must be admitted that something like geniality and openness characterized what Pepys calls the Coffee Club of the Rota. This "free and open Society of ingenious gentlemen" was founded in the year 1659 by certain members of the Republican party, whose peculiar opinions had been timidly expressed and not very cordially tolerated under the Great Oliver. By the weak Government that followed, these views were regarded with extreme dislike and with some amount of terror.

"They met", says Aubrey, who was himself of their number, "at the Turk's Head [Miles's coffee house] in New Palace Yard, Westminster, where they take water, at one Miles's, the next house to the staires, where was made purposely a large ovall table, with a passage in the middle for Miles to deliver his coffee."

Robinson continues:

This curious refreshment bar and the interest with which the beverage itself was regarded, were quite secondary to the excitement caused by another novelty. When, after heated disputation, a member desired to test the opinion of the meeting, any particular point might, by agreement, be put to the vote and then everything depended upon "our wooden oracle," the first balloting-box ever seen in England. Formal methods of procedure and the intensely practical nature of the subjects discussed, combined to give a real importance to this Amateur Parliament.

A Coffee House in the Time of Charles II A Coffee House in the Time of Charles II

From a wood cut of 1674

The Rota, or Coffee Club, as Pepys called it, was essentially a debating society for the dissemination of republican opinions. It was preceded only, in the reign of Henry IV, by the club called La Court de Bone Compagnie; by Sir Walter Raleigh's Friday Street, or Bread Street, club; the club at the Mermaid tavern in Bread Street, of which Shakespeare, Beaumont, Fletcher, Raleigh, Selden, Donne, et al., were members; and "rare" Ben Jonson's Devil tavern club, between Middle Temple Gate and Temple Bar.

The Rota derived its name from a plan, which it was designed to promote, for changing a certain number of members of parliament annually by rotation. It was founded by James Harrington, who had painted it in fairest colors in his Oceana, that ideal commonwealth.

Sir William Petty was one of its members. Around the table, "in a room every evening as full as it could be crammed," says Aubrey, sat Milton (?) and Marvell, Cyriac Skinner, Harrington, Nevill, and their friends, discussing abstract political questions.

The Rota became famous for its literary strictures. Among these was "The censure of the Rota upon Mr. Milton's book entitled The ready and easie way to establish a free commonwealth" (1660), although it is doubtful if Milton was ever a visitor to this "bustling coffee club." The Rota also censured "Mr. Driden's Conquest of Granada" (1673).


Early Coffee-House Manners and Customs

Among many of the early coffee-house keepers there was great anxiety that the coffee house, open to high and low, should be conducted under such restraints as might secure the better class of customers from annoyance. The following set of regulations in somewhat halting rhyme was displayed on the walls of several of the coffee houses in the seventeenth century:

The Rules and Orders of the Coffee House.

Enter, Sirs, freely, but first, if you please,
Peruse our civil orders, which are these.

First, gentry, tradesmen, all are welcome hither,
And may without affront sit down together:
Pre-eminence of place none here should mind,
But take the next fit seat that he can find:
Nor need any, if finer persons come,
Rise up to assigne to them his room;
To limit men's expence, we think not fair,
But let him forfeit twelve-pence that shall swear;
He that shall any quarrel here begin,
Shall give each man a dish t' atone the sin;
And so shall he, whose compliments extend
So far to drink in coffee to his friend;
Let noise of loud disputes be quite forborne,
No maudlin lovers here in corners mourn,
But all be brisk and talk, but not too much,
On sacred things, let none presume to touch.
Nor profane Scripture, nor sawcily wrong
Affairs of state with an irreverent tongue:
Let mirth be innocent, and each man see
That all his jests without reflection be;
To keep the house more quiet and from blame,
We banish hence cards, dice, and every game;
Nor can allow of wagers, that exceed
Five shillings, which ofttimes much trouble breed;
Let all that's lost or forfeited be spent
In such good liquor as the house doth vent.
And customers endeavour, to their powers,
For to observe still, seasonable hours.
Lastly, let each man what he calls for pay,
And so you're welcome to come every day.

The early coffee houses were often up a flight of stairs, and consisted of a single large room with "tables set apart for divers topics." There is a reference to this in the prologue to a comedy of 1681 (quoted by Malone):

In a coffee house just now among the rabble
I bluntly asked, which is the treason table?

This was the arrangement at Man's and others favored by the wits, the literati, and "men of fashionable instincts." In the distinctly business coffee houses separate rooms were provided at a later time for mercantile transactions. The introduction of wooden partitions—wooden boxes, as at a tavern—was also of somewhat later date.

A print of 1674 shows five persons of different ranks in life, one of them smoking, sitting on chairs around a coffee-house table, on which are small basins, or dishes, without saucers, and tobacco pipes, while a coffee boy is serving coffee.

In the beginning, only coffee was dispensed in the English coffee houses. Soon chocolate, sherbert, and tea were added; but the places still maintained their status as social and temperance factors. Constantine Jennings (or George Constantine) of the Grecian advertised chocolate, sherbert and tea at retail in 1664–65; also free instruction in the part of preparing these liquors. "Drams and cordial waters were to be had only at coffee houses newly set up," says Elford the younger, writing about 1689. "While some few places added ale and beer as early as 1669, intoxicating liquors were not items of importance for many years."

A London Coffee House of the Seventeenth Century A London Coffee House of the Seventeenth Century

From a wood cut of the period

After the fire of 1666, many new coffee houses were opened that were not limited to a single room up a flight of stairs. Because the coffee-house keepers over-emphasized the sobering qualities of the coffee drink, they drew many undesirable characters from the taverns and ale houses after the nine o'clock closing hour. These were hardly calculated to improve the reputation of the coffee houses; and, indeed, the decline of the coffee houses as a temperance institution would seem to trace back to this attitude of false pity for the victims of tavern vices, evils that many of the coffee houses later on embraced to their own undoing. The early institution was unique, its distinctive features being unlike those of any public house in England or on the Continent. Later on, in the eighteenth century, when these distinctive features became obscured, the name coffee house became a misnomer.

Coffee House, Queen Anne's Time—1702–14 Coffee House, Queen Anne's Time—1702–14

Showing coffee pots, coffee dishes, and coffee boy

However, Robinson says, "the close intercourse between the habitués of the coffee house, before it lost anything of its generous social traditions and whilst the issue of the struggle for political liberty was as yet uncertain, was to lead to something more than a mere jumbling or huddling together of opposites. The diverse elements gradually united in the bonds of common sympathy, or were forcibly combined by persecution from without until there resulted a social, political and moral force of almost irresistible strength."


Coffee-House Keepers' Tokens

The great London fire of 1666 destroyed some of the coffee houses; but prominent among those that survived was the Rainbow, whose proprietor, James Farr, issued one of the earliest coffee-house tokens, doubtless in grateful memory of his escape. Farr's token shows an arched rainbow emerging from the clouds of the "great fire," indicating that all was well with him, and the Rainbow still radiant. On the reverse the medal was inscribed, "In Fleet Street—His Half Penny."

A large number of these trade coins were put out by coffee-house keepers and other tradesmen in the seventeenth century as evidence of an amount due, as stated thereon, by the issuer to the holder. Tokens originated because of the scarcity of small change. They were of brass, copper, pewter, and even leather, gilded. They bore the name, address, and calling of the issuer, the nominal value of the piece, and some reference to his trade. They were readily redeemed, on presentation, at their face value. They were passable in the immediate neighborhood, seldom reaching farther than the next street. C.G. Williamson writes:

Tokens are essentially democratic; they would never have been issued but for the indifference of the Government to a public need; and in them we have a remarkable instance of a people forcing a legislature to comply with demands at once reasonable and imperative. Taken as a whole series, they are homely and quaint, wanting in beauty, but not without a curious domestic art of their own.

Robinson finds an exception to the general simplicity in the tokens issued by one of the Exchange Alley houses. The dies of these tokens are such as to have suggested the skilled workmanship of John Roettier. The most ornate has the head of a Turkish sultan at that time famed for his horrible deeds, ending in suicide; its inscription runs:

Morat ye Great Men did mee call;
Where Eare I came I conquer'd all.

A number of the most interesting coffee-house keepers' tokens in the Beaufoy collection in the Guildhall Museum were photographed for this work, and are shown herewith. It will be observed that many of the traders of 1660–75 adopted as their trade sign a hand pouring coffee from a pot, invariably of the Turkish-ewer pattern. Morat (Amurath) and Soliman were frequent coffee-house signs in the seventeenth century.

J.H. Burn, in his Catalogue of Traders' Tokens, recites that in 1672 "divers persons who presumed ... to stamp, coin, exchange and distribute farthings, halfpence and pence of brass and copper" were "taken into custody, in order to a severe prosecution"; but upon submission, their offenses were forgiven, and it was not until the year 1675 that the private token ceased to pass current.

PLATE 1—COFFEE-HOUSE KEEPERS' TOKENS OF THE 17TH CENTURY PLATE 1—COFFEE-HOUSE KEEPERS' TOKENS OF THE 17TH CENTURY

Drawn for this work from the originals in the British Museum, and in the Beaufoy collection at the Guildhall Museum

A royal proclamation at the close of 1674 enjoined the prosecution of any who should "utter base metals with private stamps," or "hinder the vending of those half pence and farthings which are provided for necessary exchange." After this, tokens were issued stamped "necessary change."

A Broad-side of 1663 A Broad-side of 1663


Opposition to the Coffee House

It is easy to see why the coffee houses at once found favor among men of intelligence in all classes. Until they came, the average Englishman had only the tavern as a place of common resort. But here was a public house offering a non-intoxicating beverage, and its appeal was instant and universal. As a meeting place for the exchange of ideas it soon attained wide popularity. But not without opposition. The publicans and ale-house keepers, seeing business slipping away from them, made strenuous propaganda against this new social center; and not a few attacks were launched against the coffee drink. Between the Restoration and the year 1675, of eight tracts written upon the subject of the London coffee houses, four have the words "character of a coffee

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