A Modern Utopia, H. G. Wells [i like reading books .txt] 📗
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curiosities. People, very unrepresentative people, people just as
casual as people in the real world, come into personal relations
with us, and little threads of private and immediate interest spin
themselves rapidly into a thickening grey veil across the general
view. I lose the comprehensive interrogation of my first arrival; I
find myself interested in the grain of the wood I work, in birds
among the tree branches, in little irrelevant things, and it is only
now and then that I get fairly back to the mood that takes all
Utopia for its picture.
We spend our first surplus of Utopian money in the reorganisation
of our wardrobes upon more Utopian lines; we develop acquaintance
with several of our fellow workers, and of those who share our
table at the inn. We pass insensibly into acquaintanceships and the
beginnings of friendships. The World Utopia, I say, seems for a time
to be swallowing me up. At the thought of detail it looms too big
for me. The question of government, of its sustaining ideas, of
race, and the wider future, hang like the arch of the sky over these
daily incidents, very great indeed, but very remote. These people
about me are everyday people, people not so very far from the
minimum wage, accustomed much as the everyday people of earth are
accustomed to take their world as they find it. Such enquiries as
I attempt are pretty obviously a bore to them, pass outside their
range as completely as Utopian speculation on earth outranges a
stevedore or a member of Parliament or a working plumber. Even the
little things of daily life interest them in a different way. So
I get on with my facts and reasoning rather slowly. I find myself
looking among the pleasant multitudes of the streets for types that
promise congenial conversation.
My sense of loneliness is increased during this interlude by the
better social success of the botanist. I find him presently falling
into conversation with two women who are accustomed to sit at a
table near our own. They wear the loose, coloured robes of soft
material that are the usual wear of common adult Utopian women; they
are both dark and sallow, and they affect amber and crimson in their
garments. Their faces strike me as a little unintelligent, and there
is a faint touch of middle-aged coquetry in their bearing that I do
not like. Yet on earth we should consider them women of exceptional
refinement. But the botanist evidently sees in this direction scope
for the feelings that have wilted a little under my inattention, and
he begins that petty intercourse of a word, of a slight civility, of
vague enquiries and comparisons that leads at last to associations
and confidences. Such superficial confidences, that is to say, as he
finds satisfactory.
This throws me back upon my private observations.
The general effect of a Utopian population is vigour. Everyone one
meets seems to be not only in good health but in training; one
rarely meets fat people, bald people, or bent or grey. People who
would be obese or bent and obviously aged on earth are here in
good repair, and as a consequence the whole effect of a crowd
is livelier and more invigorating than on earth. The dress is
varied and graceful; that of the women reminds one most of the
Italian fifteenth century; they have an abundance of soft and
beautifully-coloured stuffs, and the clothes, even of the poorest,
fit admirably. Their hair is very simply but very carefully and
beautifully dressed, and except in very sunny weather they do not
wear hats or bonnets. There is little difference in deportment
between one class and another; they all are graceful and bear
themselves with quiet dignity, and among a group of them a European
woman of fashion in her lace and feathers, her hat and metal
ornaments, her mixed accumulations of “trimmings,” would look like a
barbarian tricked out with the miscellaneous plunder of a museum.
Boys and girls wear much the same sort of costume—brown leather
shoes, then a sort of combination of hose and close-fitting trousers
that reaches from toe to waist, and over this a beltless jacket
fitting very well, or a belted tunic. Many slender women wear the
same sort of costume. We should see them in it very often in such
a place as Lucerne, as they returned from expeditions in the
mountains. The older men would wear long robes very frequently, but
the greater proportion of the men would go in variations of much the
same costume as the children. There would certainly be hooded cloaks
and umbrellas for rainy weather, high boots for mud and snow, and
cloaks and coats and furry robes for the winter. There would be no
doubt a freer use of colour than terrestrial Europe sees in these
days, but the costume of the women at least would be soberer and
more practical, and (in harmony with our discussion in the previous
chapter) less differentiated from the men’s.
But these, of course, are generalisations. These are the mere
translation of the social facts we have hypotheticated into the
language of costume. There will be a great variety of costume and
no compulsions. The doubles of people who are naturally foppish on
earth will be foppish in Utopia, and people who have no natural
taste on earth will have inartistic equivalents. Everyone will not
be quiet in tone, or harmonious, or beautiful. Occasionally, as I go
through the streets to my work, I shall turn round to glance again
at some robe shot with gold embroidery, some slashing of the
sleeves, some eccentricity of cut, or some discord or untidiness.
But these will be but transient flashes in a general flow of
harmonious graciousness; dress will have scarcely any of that effect
of disorderly conflict, of self-assertion qualified by the fear of
ridicule, that it has in the crudely competitive civilisations of
earth.
I shall have the seeker’s attitude of mind during those few days at
Lucerne. I shall become a student of faces. I shall be, as it were,
looking for someone. I shall see heavy faces, dull faces, faces with
an uncongenial animation, alien faces, and among these some with an
immediate quality of appeal. I should see desirable men approaching
me, and I should think; “Now, if I were to speak to you?” Many of
these latter I should note wore the same clothing as the man who
spoke to us at Wassen; I should begin to think of it as a sort of
uniform….
Then I should see grave-faced girls, girls of that budding age when
their bearing becomes delusively wise, and the old deception of
my youth will recur to me; “Could you and I but talk together?”
I should think. Women will pass me lightly, women with open and
inviting faces, but they will not attract me, and there will come
beautiful women, women with that touch of claustral preoccupation
which forbids the thought of any near approach. They are private and
secret, and I may not enter, I know, into their thoughts….
I go as often as I can to the seat by the end of old Kapelbrucke,
and watch the people passing over.
I shall find a quality of dissatisfaction throughout all these days.
I shall come to see this period more and more distinctly as a pause,
as a waiting interlude, and the idea of an encounter with my double,
which came at first as if it were a witticism, as something verbal
and surprising, begins to take substance. The idea grows in my mind
that after all this is the “someone” I am seeking, this Utopian self
of mine. I had at first an idea of a grotesque encounter, as of
something happening in a looking glass, but presently it dawns on me
that my Utopian self must be a very different person from me. His
training will be different, his mental content different. But
between us there will be a strange link of essential identity, a
sympathy, an understanding. I find the thing rising suddenly to a
preponderance in my mind. I find the interest of details dwindling
to the vanishing point. That I have come to Utopia is the lesser
thing now; the greater is that I have come to meet myself.
I spend hours trying to imagine the encounter, inventing little
dialogues. I go alone to the Bureau to find if any news has come to
hand from the Great Index in Paris, but I am told to wait another
twenty-four hours. I cease absolutely to be interested in anything
else, except so far as it leads towards intercourse with this being
who is to be at once so strangely alien and so totally mine.
Section 4
Wrapped up in these preoccupations as I am, it will certainly be the
botanist who will notice the comparative absence of animals about
us.
He will put it in the form of a temperate objection to the Utopian
planet.
He is a professed lover of dogs and there are none. We have seen no
horses and only one or two mules on the day of our arrival, and
there seems not a cat in the world. I bring my mind round to his
suggestion. “This follows,” I say.
It is only reluctantly that I allow myself to be drawn from my
secret musings into a discussion of Utopian pets.
I try to explain that a phase in the world’s development is
inevitable when a systematic world-wide attempt will be made to
destroy for ever a great number of contagious and infectious
diseases, and that this will involve, for a time at any rate, a
stringent suppression of the free movement of familiar animals.
Utopian houses, streets and drains will be planned and built to make
rats, mice, and such-like house parasites impossible; the race of
cats and dogs—providing, as it does, living fastnesses to which
such diseases as plague, influenza, catarrhs and the like, can
retreat to sally forth again—must pass for a time out of freedom,
and the filth made by horses and the other brutes of the highway
vanish from the face of the earth. These things make an old story to
me, and perhaps explicitness suffers through my brevity.
My botanist fails altogether to grasp what the disappearance of
diseases means. His mind has no imaginative organ of that compass.
As I talk his mind rests on one fixed image. This presents what the
botanist would probably call a “dear old doggie”—which the botanist
would make believe did not possess any sensible odour—and it has
faithful brown eyes and understands everything you say. The botanist
would make believe it understood him mystically, and I figure his
long white hand—which seems to me, in my more jaundiced moments, to
exist entirely for picking things and holding a lens—patting its
head, while the brute looked things unspeakable….
The botanist shakes his head after my explanation and says quietly,
“I do not like your Utopia, if there are to be no dogs.”
Perhaps that makes me a little malicious. Indeed I do not hate dogs,
but I care ten thousand times more for a man than for all the brutes
on the earth, and I can see, what the botanist I think cannot, that
a life spent in the delightful atmosphere of many pet animals may
have too dear a price….
I find myself back again at the comparison of the botanist and
myself. There is a profound difference in our imaginations, and I
wonder whether it is the consequence of innate character or of
training and whether he is really the human type or I. I am not
altogether without imagination, but what imagination I
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