At Large, Arthur Christopher Benson [buy e reader TXT] 📗

the first element of the charm. And then there comes into the picture a further and more reflective charm, that which Tennyson called the passion of the past; the thought that all this beautiful life is slipping away, even as it forms itself, that one cannot stay it for an instant, but that the shadow creeps across the dial, and the church-clock tells the hours of the waning day. It is a mistake to think that such a sense comes of age and experience; it is rather the other way, for never is the regretful sense of the fleeting quality of things realised with greater poignancy than when one is young. When one grows older one begins to expect a good deal of dissatisfaction and anxiety to be mingled with it all, one finds the old Horatian maxim becoming true:


"Vitae summa brevis nos spem vitat inchoare longam,"


and one learns to be grateful for the sunny hour; but when one is young, one feels so capable of enjoying it all, so impatient of shadow and rain, that one cannot bear that the sweet wine of life should be diluted.

That is, I believe, the analysis of the charm of such a scene; the possibility of joy, and permanence, tinged with the pathos that it has no continuance, but rises and falls and fades like a ripple in the stream.

The disillusionment of experience is a very different thing from the pathos of youth; for in youth the very sense of pathos is in itself an added luxury of joy, giving it a delicate beauty which, if it were not so evanescent, it could not possess.

But then comes the real trouble, the heavy anxiety, the illness, the loss; and those things, which looked so romantic in the pages of poets and the scenes of story-writers, turn out not to be romantic at all, but frankly and plainly disagreeable and intolerable things. The boy who swept down the shining reaches with long, deft strokes becomes a man--money runs short, his children give him anxiety, his wife becomes ailing and fretful, he has a serious illness; and when after a day of pain he limps out in the afternoon to the shadow of the old plane-tree, he must be a very wise and tranquil and patient man, if he can still feel to the full the sweet influences of the place, and be still absorbed and comforted by them.

And here lies the weakness of the epicurean and artistic attitude, that it assorts so ill with the harder and grimmer facts of life. Life has a habit of twitching away the artistic chair with all its cushions from under one, with a rude suddenness, so that one has, if one is wise, to learn a mental agility and to avoid the temptation of drowsing in the land where it is always afternoon. The real attitude is to be able to play a robust and manful part in the world, and yet to be able to banish the thought of the bank-book and the ledger from the mind, and to submit oneself to the sweet influences of summer and sun.


"He who of such delights can judge, and spare
To interpose them oft is not unwise."


So sang the old Puritan poet; and there is a large wisdom in the word OFT which I have abundantly envied, being myself an anxious-minded man!

The solution is BALANCE--not to think that the repose of art is all, and yet on the other hand not to believe that life is always jogging and hustling one. The way in which one can test one's progress is by considering whether activities and tiresome engagements are beginning to fret one unduly, for if so one is becoming a hedonist; and on the other hand by being careful to observe whether one becomes incapable of taking a holiday; if one becomes bored and restless and hipped in a cessation of activities, then one is suffering from the disease of Martha in the Gospel story; and of the two sisters we may remember that Martha was the one who incurred a public rebuke.

What one has to try to perceive is that life is designed not wholly for discomfort, or wholly for ease, but that we are here as learners, one and all. Sometimes the lesson comes whispering through the leaves of the plane-tree, with the scent of violets in the air; sometimes it comes in the words and glances of a happy circle full of eager talk, sometimes through the pages of a wise book, and sometimes in grim hours, when one tosses sleepless on one's bed under the pressure of an intolerable thought--but in each and every case we do best when we receive the lesson as willingly and large-heartedly as we can.

Perhaps, in some of my writings, those who have read them have thought that I have unduly emphasised the brighter, sweeter, more tranquil side of life. I have done so deliberately, because I believe that we should follow innocent joy as far as we can. But it is not because I am unaware of the other side. I do not think that any of the windings of the dark wood of which Dante speaks are unknown to me, and there are few tracts of dreariness that I have not trodden reluctantly. I have had physical health and much seeming prosperity; but to be acutely sensitive to the pleasures of happiness and peace is generally to be morbidly sensitive to the burden of cares. Unhappiness is a subjective thing. As Mrs. Gummidge so truly said, when she was reminded that other people had their troubles, "I feel them more." And if I have upheld the duty of seeking peace, it has been like a preacher who preaches most urgently against his own bosom-sins. But I am sure of this, that however impatiently one mourns one's fault and desires to be different, the secret of growth lies in that very sorrow, perhaps in the seeming impotence of that sorrow. What one must desire is to learn the truth, however much one may shudder at it; and the longer that one persists in one's illusions, the longer is one's learning-time. Is it not a bitter comfort to know that the truth is there, and that what we believe or do not believe about it makes no difference at all? Yes, I think it is a comfort; at all events upon that foundation alone is it possible to rest.

How far one drifts in thought away from the sweet scene which grows sweeter every hour. The heat of the day is over now; the breeze curls on the stream, the shadow of the tower falls far across the water. My companion rises and smiles, thinking me lost in indolent content; he hardly guesses how far I have been voyaging


"On strange seas of thought alone."


Does he guess that as I look back over my life, pain has so far preponderated over happiness that I would not, if I could, live it again, and that I would not in truth, if I could choose, have lived it at all? And yet, even so, I recognise that I am glad not to have the choice, for it would be made in an indolent and timid spirit, and I do indeed believe that the end is not yet, and that the hour will assuredly come when I shall rejoice to have lived, and see the meaning even of my fears.

And then we retrace our way, and like the Lady of Shalott step down into the boat, to glide along the darkling water-way in the westering light. Why cannot I speak to my friend of such dark things as these? It would be better perhaps if I could, and yet no hand can help us to bear our own burden.

But the dusk comes slowly on, merging reed and pasture and gliding stream in one indistinguishable shade; the trees stand out black against the sunset, thickening to an emerald green. A star comes out over the dark hill, the lights begin to peep out in the windows of the clustering town as we draw nearer. As we glide beneath the dark houses, with their gables and chimneys dark against the glowing sky, how everything that is dull and trivial and homely is blotted out by the twilight, leaving nothing but a sense of romantic beauty of mysterious peace! The little town becomes an enchanted city full of heroic folk; the figure that leans silently over the bridge to see us pass, to what high-hearted business is he vowed, burgher or angel? A spell is woven of shadow and falling light, and of chimes floating over meadow and stream. Yet this sense of something remotely and unutterably beautiful, this transfiguration of life, is as real and vital an experience as the daily, dreary toil, and to be welcomed as such. Nay, more! it is better, because it gives one a deepened sense of value, of significance, of eternal greatness, to which we must cling as firmly as we may, because it is there that the final secret lies; not in the poor struggles, the anxious delays, which are but the incidents of the voyage, and not the serene life of haven and home.



XV. SYMBOLS

The present time is an era when intellectual persons are ashamed of being credulous. It is the perfectly natural and desirable result of the working of the scientific spirit. Everything is relentlessly investigated, the enormous structure of natural law is being discovered to underlie all the most surprising, delicate, and apparently fortuitous processes, and no one can venture to forecast where the systematisation will end. The result is a great inrush of bracing and invigorating candour. It is not that our liberty of reflection and action is increased. It is rather increasingly limited. But at least we are growing to discern where our boundaries are, and it is deeply refreshing to find that the boundaries erected by humanity are much closer and more cramping than the boundaries determined by God. We are no longer bound by human authority, by subjective theories, by petty tradition. We are no longer required to tremble before thaumaturgy and conjuring and occultism. It is true that science has hitherto confined itself mainly to the investigation of concrete phenomena; but the same process is sure to be applied to metaphysics, to sociology, to psychology; and the day will assuredly come when the human race will analyse the laws which govern progress, which regulate the exact development of religion and morality.

The demolition of credulity is, as I have said, a wholly desirable and beneficial thing. Most intelligent people have found some happiness in learning that the dealings of God--that is, the creative and originative power behind the universe--are at all events not whimsical, however unintelligible they may be. No one at all events is now required to reconcile with his religious faith a detailed belief in the Mosaic cosmogony, or to accept the fact that a Hebrew prophet was enabled to summon bears from a wood to tear to pieces some unhappy boys who found food for mirth in his personal appearance. That is a pure gain. But side by side with this entirely wholesome process, there are a good many people who have thrown overboard, together with their credulity, a quality of a far higher and nobler kind, which may be called faith. Men who have seen many mysteries explained, and many dark riddles solved in nature, have fallen into what is called materialism, from the mistaken idea that the explanation of material phenomena will hold good for the discernment of abstract phenomena. Yet any one who approaches the