From a College Window, Arthur Christopher Benson [best novels to read for beginners TXT] 📗

porter sate, with his feet on the fender, in his comfortable den, reading a paper. The lights were beginning to appear in the court, and the firelight flickered briskly upon walls hung with all the pleasant signs of youthful life, the groups, the family photographs, the suspended oar, the cap of glory. So when I entered my book-lined rooms, and heard the kettle sing its comfortable song on the hearth, and reflected that I had a few letters to write, an interesting book to turn over, a pleasant Hall dinner to look forward to, and that, after a space of talk, an undergraduate or two were coming to talk over a leisurely piece of work, an essay or a paper, I was more than ever inclined to acquiesce in my disabilities, to purr like an elderly cat, and to feel that while I had the priceless boon of leisure, set in a framework of small duties, there was much to be said for life, and that I was a poor creature if I could not be soberly content.

Of course I know that I have missed the nearer ties of life, the hearth, the home, the companionship of a wife, the joys and interests of growing girls and boys. But if a man is fatherly and kind-hearted, he will find plenty of young men who are responsive to a paternal interest, and intensely grateful for the good-humoured care of one who will listen to their troubles, their difficulties, and their dreams. I have two or three young friends who tell me what they are doing, and what they hope to do; I have many correspondents who were friends of mine as boys, who tell me from time to time how it goes with them in the bigger world, and who like in return to hear something of my own doings.

And so I sit, while the clock on the mantelpiece ticks out the pleasant minutes, and the fire winks and crumbles on the hearth, till the old gyp comes tapping at the door to learn my intentions for the evening; and then, again, I pass out into the court, the lighted windows of the Hall gleam with the ancient armorial glass, from staircase after staircase come troops of alert, gowned figures, while overhead, above all the pleasant stir and murmur of life, hang in the dark sky the unchanging stars.


III


BOOKS

The one room in my College which I always enter with a certain sense of desolation and sadness is the College library. There used to be a story in my days at Cambridge of a book-collecting Don who was fond of discoursing in public of the various crosses he had to bear. He was lamenting one day in Hall the unwieldy size of his library. "I really don't know what to do with my books," he said, and looked round for sympathy. "Why not read them?" said a sharp and caustic Fellow opposite. It may be thought that I am in need of the same advice, but it is not the case. There are, indeed, many books in our library; but most of them, as D. G. Rossetti used to say in his childhood of his father's learned volumes, are "no good for reading." The books of the College library are delightful, indeed, to look at; rows upon rows of big irregular volumes, with tarnished tooling and faded gilding on the sun-scorched backs. What are they? old editions of classics, old volumes of controversial divinity, folios of the Fathers, topographical treatises, cumbrous philosophers, pamphlets from which, like dry ashes, the heat of the fire that warmed them once has fled. Take one down: it is an agreeable sight enough; there is a gentle scent of antiquity; the bumpy page crackles faintly; the big irregular print meets the eye with a pleasant and leisurely mellowness. But what do they tell one? Very little, alas! that one need know, very much which it would be a positive mistake to believe. That is the worst of erudition--that the next scholar sucks the few drops of honey that you have accumulated, sets right your blunders, and you are superseded. You have handed on the torch, perhaps, and even trimmed it. Your errors, your patient explanations, were a necessary step in the progress of knowledge; but now the procession has turned the corner, and is out of sight.

Yet even here, it pleases me to think, some mute and unsuspected treasure may lurk unknown. In a room like this, for over a couple of centuries, stood on one of the shelves an old rudely bound volume of blank paper, the pages covered with a curious straggling cipher; no one paid any heed to it, no one tried to spell its secrets. But the day came when a Fellow who was both inquisitive and leisurely took up the old volume, and formed a resolve to decipher it. Through many baffling delays, through many patient windings, he carried his purpose out; and the result was a celebrated Day-book, which cast much light upon the social conditions of a past age, as well as revealed one of the most simple and genial personalities that ever marched blithely through the pages of a Diary.

But, in these days of cheap print and nasty paper, with a central library into which pours the annual cataract of literature, these little ancient libraries have no use left, save as repositories or store-rooms. They belong to the days when books were few and expensive; when few persons could acquire a library of their own; when lecturers accumulated knowledge that was not the property of the world; when notes were laboriously copied and handed on; when one of the joys of learning was the consciousness of possessing secrets not known to other men. An ancient Dean of Christ Church is said to have given three reasons for the study of Greek: the first was that it enabled you to read the words of the Saviour in the original tongue; the second, that it gave you a proper contempt for those who were ignorant of it; and the third was that it led to situations of emolument. What a rich aroma hangs about this judgment! The first reason is probably erroneous, the second is un-Christian, and the third is a gross motive which would equally apply to any professional training whatsoever.

Well, the knowledge of Greek, except for the schoolmaster and the clergyman, has not now the same obvious commercial value. Knowledge is more diffused, more accessible. It is no longer thought to be a secret, precious, rather terrible possession; the possessor is no longer venerated and revered; on the contrary, a learned man is rather considered likely to be tiresome. Old folios have, indeed, become merely the stock-in-trade of the illustrators of sensational novels. Who does not know the absurd old man, with white silky hair, velvet skull-cap, and venerable appearance, who sits reading a folio at an oak table, and who turns out to be the villain of the piece, a mine of secret and unsuccessful wickedness? But no one in real life reads a folio now, because anything that is worth reprinting, as well as a good deal that is not, is reprinted in convenient form, if not in England, at least in Germany.

And the result of it is that these College libraries are almost wholly unvisited. It seems a pity, but it also seems inevitable. I wish that some use could be devised for them, for these old books make at all events a very dignified and pleasant background, and the fragrance of well-warmed old leather is a delicate thing. But they are not even good places for working in, now that one has one's own books and one's own reading-chair. Moreover, if they were kept up to date, which would in itself be an expensive thing, there would come in the eternal difficulty of where to put the old books, which no one would have the heart to destroy.

Perhaps the best thing for a library like this would be not to attempt to buy books, but to subscribe like a club to a circulating library, and to let a certain number of new volumes flow through the place and lie upon the tables for a time. But, on the other hand, here in the University there seems to be little time for general reading; and indeed it is a great problem, as life goes on, as duties grow more defined, and as one becomes more and more conscious of the shortness of life, what the duty of a cultivated and open-minded man is with regard to general reading. I am inclined to think that as one grows older one may read less; it is impossible to keep up with the vast output of literature, and it is hard enough to find time to follow even the one or two branches in which one is specially interested. Almost the only books which, I think, it is a duty to read, are the lives of great contemporaries; one gets thus to have an idea of what is going on in the world, and to realize it from different points of view. New fiction, new poetry, new travels are very hard to peruse diligently. The effort, I confess, of beginning a new novel, of making acquaintance with an unfamiliar scene, of getting the individualities of a fresh group of people into one's head, is becoming every year harder for me; but there are still one or two authors of fiction for whom I have a predilection, and whose works I look out for. New poetry demands an even greater effort; and as to travels, they are written so much in the journalistic style, and, consist so much of the meals our traveller obtains at wayside stations, of conversations with obviously reticent and even unintelligent persons; they have so many photogravures of places that are exactly like other places, and of complacent people in grotesque costumes, like supers in a play, that one feels the whole thing to be hopelessly superficial and unreal. Imagine a journalistic foreigner visiting the University, lunching at the station refreshment-room, hurrying to half-a-dozen of the best known colleges, driving in a tram through the main thoroughfares, looking on at a football match, interviewing a Town Councillor, and being presented to the Vice-Chancellor--what would be the profit of such a record as he could give us? What would he have seen of the quiet daily life, the interests, the home-current of the place? The only books of travel worth reading are those where a person has settled deliberately in an unknown place, really lived the life of the people, and penetrated the secret of the landscape and the buildings.

I wish very much that there was a really good literary paper, with an editor of catholic tastes, and half-a-dozen stimulating specialists on the staff, whose duty would be to read the books that came out, each in his own line, write reviews of appreciation and not of contemptuous fault-finding, let feeble books alone, and make it their business to tell ordinary people what to read, not saving them the trouble of reading the books that are worth reading, but sparing them the task of glancing at a good many books that are not worth reading. Literary papers, as a rule, either review a book with hopeless rapidity, or tend to lag behind too much. It would be of the essence of such a paper as I have described, that there should be no delay about telling one what to look out for, and at the same time that the reviews should be deliberate and careful.

But I think that as one grows older one may take out a licence, so to speak, to read less. One may go back to the