Telepathy, W. W. Baggally [romance book recommendations .txt] 📗

The patience of the Acting Committee became exhausted, and one of the members advanced to the front of the stage, interrupted Yoga Rama, and, appealing to the audience, said he had no doubt but that he had their support when he asserted that they had come to the theatre not to hear speeches but to witness experiments. Yoga Rama brought his speech abruptly to a close after saying he would now demonstrate the power he had acquired of controlling the functions of his body and of rendering it insensible to pain. To show the control over his body he asked two members of the Committee to stand by his side and to look at their watches and note the length of time he was able to cease from breathing. To show his insensibility to pain he said he would stand barefooted on a board studded with long nails, and also stand on broken glass.

I have given an account of the nature of the performance with which Yoga Rama favoured us. I will now proceed to describe the experiments more in detail and to comment upon them.

Mr. Marriott was the first person to sit on the chair in front of Yoga Rama. He was told to hold his left hand in front of his face, to trace the first letter of the name thought of on the palm of his left hand with the forefinger of the right, and give the taps or make the movements in the air with his right hand in the manner already described. Mr. Marriott, instead of holding his left hand up, held his right hand. Yoga Rama immediately said, "Not your right hand but your left." This was a suspicious circumstance, as it indicated that Yoga Rama could see notwithstanding he was blindfolded. Now conjurers know that blindfolding in the manner above described is not a precaution against seeing, as at the time of blindfolding what the conjurer does is to shut his eyes tightly and bring his eyebrows well down. When the blindfolding is finished, the conjurer opens his eyes and draws his eyebrows up; the bandages will then be displaced and drawn up from their original position and he will be able to see under the bandages through the spaces between the bridge of his nose and his cheeks. This, in the joint opinion of Mr. Zancig, Mr. Marriott, and myself, is what Yoga Rama did, and our opinion was confirmed when we examined the bandages at the time they were removed from the performer's eyes, as will be described later.

Yoga Rama's method of telling the name thought of is to watch the movement of the finger of the sitter's right hand while he traces the first letter of the name on the palm of the left. This indicates to him the first letter of the name, then he counts the number of taps or movements given by the sitter's right hand. Thus, if the first letter were W and the number of taps or movements seven, the name in all likelihood would be William, or, if the first letter were W and the number of taps or movements six, the name would probably be Walter. Ordinary Christian names are limited in number, and Yoga Rama took care to know beforehand whether the sitter were thinking of a female name or of a male name. It was therefore not a difficult matter for him to hit upon the name. Moreover, when he was in doubt, as was often the case, he not only asked that the first letter should be traced, but the second and the third and the fourth, etc. Before hazarding a guess Yoga Rama often asked whether the second or third or fourth, etc., letter of the name were a letter that he mentioned. Thus, if he were not quite sure that W had been traced, but he had noticed that seven taps or movements had been given, he would say is not the fourth letter of the name L. If the sitter answered in the affirmative, he would be pretty sure that William was the name, but if the sitter's answer were a negative one, Yoga Rama asked that the letters should be traced again and the taps, etc., repeated. Yoga Rama resorted to the above-described method when he asked the sitter to think of the name of a flower or of a city, but he only tried one or two experiments with the names of flowers or cities, the reason being, obviously, that as the names of flowers or cities are not so limited in number as Christian names, he fought shy of them. The reason he gave for not being able to guess readily the name of a flower was, he said, that he was not a botanist.

As regards the titles of Shakespeare's plays he only asked that one or two of the first letters of the title should be traced on the left hand, and did not require any taps or movements of the right hand. Any person acquainted with Shakespeare's plays and knowing the first one or two letters of the title could have guessed with equal facility which play was in the mind of the sitter. After getting the name of the play, Yoga Rama asked the sitter to think of a personage in that play. He only requested that this should be done once or twice, and was not successful in getting the name of the personage at the first guess, but only after making two or three guesses.

In the experiment of telling the title of a hymn which a lady had in her mind, Yoga Rama resorted to the same method of asking her to trace the first letter of the title of the hymn on the palm of her left hand. She traced the letter L, and he hazarded the guess that it was "Lead, kindly light," which proved to be correct. Apparently the most successful experiments were one carried out with a young lady and one with myself. Yoga Rama asked the young lady to think of something. He then, without asking her to trace any letter or make movements with her right hand, told her that she wished to get married. She acknowledged that that was the thought in her mind. This caused a good deal of amusement amongst the audience. The young lady left the stage immediately after the experiment. This step on her part gave rise in the minds of some of the members of the Committee that she was an accomplice, and that, as the experiment had been carried out, she was no longer required by Yoga Rama. These members of the Committee may be doing an injustice to the young lady, but it was unfortunate she should have left the stage at that moment.

As regards the experiment with myself, I stood in front of Yoga Rama and did not sit down, neither did I place my left hand in front of my face as other experimenters had done, but close against my body when tracing the letters of my second name, which was the one I had in my mind.

My object in standing up was to have my hands out of the line of his vision. I took care that the movement of the forefinger of my right hand when tracing the letters should not be seen by him.

Yoga Rama repeatedly asked me to trace and retrace all the letters of the name. He then gave the name correctly. Although this experiment appeared to indicate that the performer possessed telepathic powers, it must be borne in mind that he might have known who I was, as he had been practising his so-called occult powers for some time in London under the name of Professor Pickens before he assumed that of Yoga Rama. It was not necessary that he should see my face in order to know with whom he was experimenting. It was observed that he took a very careful stock of the dresses of the Acting Committee before he was blindfolded. It was only necessary, therefore, that he should see the lower part of the dress for him to know which member of the Committee stood in front of him. As one member after the other experimented with him he described their dress. He asserted that he was able to do this by a sort of telepathic vision.

The experiment with the playing cards was a simple conjuring trick. Yoga Rama produced a pack of cards and asked the Committee to see that it was unopened. I opened the pack, shuffled the cards, and handed them to Mr. Marriott, who had been asked by the Professor to retire to a corner of the stage and choose a card which he was to show to two members of the Committee. Mr. Guttwoch and I accompanied Mr. Marriott to the corner of the stage and saw which card Mr. Marriott had chosen. Mr. Marriott then shuffled the pack again and handed it to Yoga Rama, who put it in his pocket. Yoga Rama then asked Mr. Marriott what card he had chosen. Mr. Marriott informed him. He then wrote something on a piece of paper which he folded and handed to one of the members of the Committee to hold. He then drew from his pocket another pack of cards similar in appearance to the original pack (that it was not the original pack was evidenced by the fact that the bottom card of the pack which Yoga Rama drew from his pocket was not the same as the bottom card of the original pack), but which had the cards arranged in an order known to Yoga Rama. He proceeded to pass the cards one after the other before Mr. Marriott's eyes, asking him to tell him when he came to the card he had chosen. When Yoga Rama came to the card, Mr. Marriott told him. Yoga Rama then said, "What is the card in front of the one you chose and the one behind it?" He was informed which they were. He then asked that the piece of paper should be opened, and it was found that the names of the cards had been written by him on the piece of paper. What occult power Yoga Rama intended to demonstrate by this simple conjuring trick I fail to see. It could not have been telepathy, as the two cards (the names of which Yoga Rama had written) had not been chosen nor thought of by Mr. Marriott.

A few words will suffice to describe the experiments which Yoga Rama carried out to show (1) the control he had acquired over the functions of his body, and (2) his insensibility to pain. As has already been stated, he asked two members of the Committee to stand by him and note by their watches the length of time that he was able to cease breathing. He retained his breath for fifty seconds. A member of the Committee at the back of the stage called out, when the length of time was announced, "That is nothing. I can stop breathing for a full minute." This exclamation appeared to disconcert Yoga Rama a good deal. The standing barefooted on a board studded with nails and on broken glass are common tricks which can be seen performed by negroes at country fairs. I felt the points of the nails and found they had been filed down and were blunt. Mr. Marriott sat on the nails to the amusement of the audience while