The Book-Hunter, John Hill Burton [essential reading TXT] 📗
- Author: John Hill Burton
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[44] This case has been often referred to in law-books, but I have never met with so full a statement of the contents of the declaration as in the Retrospective Review (vol. v. p. 81).
[45] It is curious to observe how bitter a prejudice Themis has against her own humbler ministers. Most of the bitterest legal jokes are at the expense of the class who have to carry the law into effect. Take, for instance, the case of the bailiff who had been compelled to swallow a writ, and, rushing into Lord Norbury's court to proclaim the indignity done to justice in his person, was met by the expression of a hope that the writ was "not returnable in this court."
[46] A late venerable practitioner in a humble department of the law, who wanted to write a book, and was recommended to try his hand at a translation of Latin law-maxims as a thing much wanted, was considerably puzzled by the maxim, "Catella realis non potest legari;" nor was he quite relieved when he turned up his Ainsworth and found that catella means a "little puppy." There was nothing for it, however, but obedience, so that he had to give currency to the remarkable principle of law, that "a genuine little whelp cannot be left in legacy." He also translated "messis sequitur sementem," with a fine simplicity, into "the harvest follows the seed-time;" and "actor sequitur forum rei," he made "the agent must be in court when the case is going on." Copies of the book containing these gems are exceedingly rare, some malicious person having put the author up to their absurdity.
[47] There are two old methods of paying rent in Scotland—Kane and Carriages; the one being rent in kind from the farmyard, the other being an obligation to furnish the landlord with a certain amount of carriage, or rather cartage. In one of the vexed cases of domicile, which had found its way into the House of Lords, a Scotch lawyer argued that a landed gentleman had shown his determination to abandon his residence in Scotland by having given up his "kane and carriages." It is said that the argument went further than he expected—the English lawyers admitting that it was indeed very strong evidence of an intended change of domicile when the laird not only ceased to keep a carriage, but actually divested himself of his walking-cane.
[48] A polite correspondent reminds me of the Registration Act, 52 G. III. c. 156, in which the fruit of penalties is divided between the informer, who gets one half, and certain charitable purposes, to which the other is devoted, while the only penalty set forth in the Act is transportation for fourteen years.
[49] "In this catalogue of books which are no books—biblia a biblia—I reckon court calendars, directories, pocket-books, draught-boards bound and lettered on the back, scientific treatises, almanacs, statutes at large; the works of Hume, Gibbon, Robertson, Beattie, Soame Jenyns, and generally all those volumes which 'no gentleman's library should be without;' the histories of Flavius Josephus (that learned Jew) and Paley's Moral Philosophy. With these exceptions, I can read almost anything. I bless my stars for a taste so catholic, so unexcluding. I confess that it moves my spleen to see these things in books' clothing perched upon shelves, like false saints, usurpers of true shrines, intruders into the sanctuary, thrusting out the legitimate occupants. To reach down a well-bound semblance of a volume, and hope it some kind-hearted play-book, then, opening what 'seem its leaves,' to come bolt upon a withering population essay. To expect a Steele, or a Farquhar, and find—Adam Smith. To view a well-arranged assortment of block-headed encyclopædias (Anglicanas or Metropolitanas) set out in an array of russia or morocco, when a tithe of that good leather would comfortably reclothe my shivering folios, would renovate Paracelsus himself, and enable old Raymund Lully to look like himself again in the world. I never see these impostors but I long to strip them, to warm my ragged veterans in their spoils."—Essays of Elia.
[50] Take, for instance, the announcement of the wants of an affluent and pious elderly lady, desirous of having the services of a domestic like-minded with herself, who appeals to the public for a "groom to take charge of two carriage-horses of a serious turn of mind." So also the simple-hearted innkeeper, who founds on his "limited charges and civility;" or the description given by a distracted family of a runaway member, who consider that they are affording valuable means for his identification by saying, "age not precisely known—but looks older than he is."
[51] Library Companion, p. 699.
[52] Take as a practical commentary on what has been said (p. 82) on "illustrating" books, the following passage describing some of the specialties of a collection, the general features of which are described further on:—
"But the crowning glory is a folio copy of Shakespeare, illustrated by the collector himself, with a prodigality of labour and expense, that places it far above any similar work ever attempted. The letterpress of this great work is a choice specimen of Nichol's types, and each play occupies a separate portfolio. These are accompanied by costly engravings of landscapes, rare portraits, maps, elegantly coloured plates of costumes, and water-colour drawings, executed by some of the best artists of the day. Some of the plays have over 200 folio illustrations, each of which is beautifully inlaid or mounted, and many of the engravings are very valuable. Some of the landscapes, selected from the oldest cosmographies known, illustrating the various places mentioned in the pages of Shakespeare, are exceedingly curious as well as valuable.
"In the historical plays, when possible, every character is portrayed from authoritative sources, as old tapestries, monumental brasses, or illuminated works of the age, in well-executed drawings or recognised engravings. There are in this work a vast number of illustrations, in addition to a very numerous collection of water-colour drawings. In addition to the thirty-seven plays, are two volumes devoted to Shakespeare's life and times, one volume of portraits, one volume devoted to distinguished Shakespearians, one to poems, and two to disputed plays, the whole embracing a series of forty-two folio volumes, and forming, perhaps, the most remarkable and costly monument, in this shape, ever attempted by a devout worshipper of the Bard of Avon. The volume devoted to Shakespeare's portraits was purchased by Mr Burton, at the sale of a gentleman's library, who had spent many years in making the collection, and includes various 'effigies' unknown to many laborious collectors. It contains upwards of 100 plates, for the most part proofs. The value of this collection may be estimated by the fact, that a celebrated English collector recently offered its possessor £60 for this single volume.
"In the reading-room directly beneath the main library, are a number of portfolios of prints illustrative of the plays of Shakespeare, of a size too large to be included in the illustrated collection just noticed. There is likewise another copy of Shakespeare, based upon Knight's pictorial royal octavo, copiously illustrated by the owner; but although the prints are numerous, they are neither as costly nor as rare as those contained in the large folio copy.
"Among the curiosities of the Shakespeare collection are a number of copies of the disputed plays, printed during his lifetime, with the name of Shakespeare as their author. It is remarkable, if these plays were not at least revised by Shakespeare, that no record of a contradiction of their authorship should be found. It is not improbable that many plays written by others were given to Shakespeare to perform in his capacity as a theatrical manager, requiring certain alterations in order to adapt them to the use of the stage, which were arranged by his cunning and skilful hand, and these plays afterward found their way into print, with just sufficient of his emendations to allow his authorship of them, in the carelessness in which he held his literary fame, to pass uncontradicted by him.
"There is a copy of an old play of the period, with manuscript annotations, and the name of Shakespeare written on the title-page. It is either the veritable signature of the poet, or an admirably imitated forgery. Mr Burton inclined to the opinion that the work once belonged to Shakespeare, and that the signature is genuine. If so, it is probably the only scrap of his handwriting on this continent. This work is not included in the list given of Ireland's library, the contents of which were brought into disrepute by the remarkable literary forgeries of the son, but stands forth peculiar and unique, and furnishes much room for curious speculation."—(148-51.)
[53] "This collection [Mr Menzies's] contains four thousand volumes, and is for the most part in the English language. Its chief specialty consists in works on American history and early American printed books. Among the latter may be mentioned a series of the earliest works issued from the press in New York. Of these, is A Letter of Advice to a Young Gentleman, by R.L., printed and sold by William Bradford, in New York, 1696. Richard Lyon, the author, came early to this country, and officiated as a private tutor to a young English student at Cambridge, to whom the letter of advice was written. It is undoubtedly the earliest work which issued from the press in New York, and is so extremely rare, that it is questionable whether another copy is to be found in the State. There is a collection of tracts comprised in seven volumes, written by the Rev. George Keith, and published by Bradford, at New York, 1702-4. Keith was born in Scotland, and settled in East Jersey, in the capacity of surveyor-general, in 1682. The several tracts in the collection are on religious subjects, and are controversial in their character. As early specimens of printing, and as models of the manner in which the religious controversies of the day were conducted, they are both instructive and curious. In addition to these is a work entitled The Rebuker Rebuked, by Daniel Leeds, 1703; A Sermon preached at Kingston in Jamaica, by William Corbin, 1703; The Great Mystery of Foxcraft, by Daniel Leeds, 1705; A Sermon preached at Trinity Church, in New York, by John Sharp, 1706; An Alarm Sounded to the Inhabitants of the World, by Bath Bowers,
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