Practical Essays, Alexander Bain [reading e books .txt] 📗

to be confounded with a pure material sequence, as the fall of rain, or the explosion of gunpowder. The phenomena, in both kinds, are phenomena of sequence, and of _regular_ or _uniform_ sequence; but the things that make up the sequence are widely different: in the one, a feeling of the mind, or a concurrence of feelings, is followed by a conscious muscular exertion; in the other, both steps are made up of purely material circumstances. It is the difference between a mental or psychological, and a material or physical sequence--in short, the difference between mind and matter; the greatest contrast within the whole compass of nature, within the universe of being. Now language must be found to give ample explicitness to this diametrical antithesis; still, I am satisfied that rarely in the usages of human speech has a more unfortunate choice been made than to employ, in the present instance, the antithetic couple--Freedom and Necessity. It misses the real point, and introduces meanings alien to the case. It converts the glory of the human character into a reproach (although its leading motive throughout has been to pay us a compliment). The _constancy_ of man's emotional nature (but for which our life would be a chaos, an impossibility) has to be explained away, for no other reason than that, at one time, a blundering epithet was applied to designate the mental sequences. Great is the difference between Mind and Matter; but the terms Freedom and Necessity represent the point of agreement as the point of difference; and this being made familiar, through iteration, as the mode of expressing the contrast, the rectification is supposed to unsettle everything, and to obliterate the wide distinction of the two natures.

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[SEIZING A QUESTION BY THE WRONG END.]

V. What is called Moral Ability and Inability is another artificial perplexity in regard to the will, and might also be the text for a sermon on prevailing errors. More especially, it exemplifies what may be termed _seizing a question by the wrong end_.

The votary, we shall say, of alcoholic liquor is found fault with, and makes the excuse, he cannot help it--he cannot resist the temptation. So far, the language may pass. But what shall we say to the not uncommon reply,--You could help it if you would. Surely there is some mystification here; it is not one of those plain statements that we desire in practical affairs. Whether we are dealing with matter or with mind, we ought to point out some clear and practicable method of attaining an end in view. To get a good crop, we till and enrich the soil; to make a youth knowing in mathematics, we send him to a good master, and stimulate his attention by combined reward and punishment. There are also intelligible courses of reforming the vicious: withdraw them from temptation till their habits are remodelled; entice them to other courses, by presenting objects of superior attraction; or, at lowest, keep the fact of punishment before their eyes. By these methods many are kept from vices, and not a few reclaimed after having fallen. But to say, "You can be virtuous if you will," is either unmeaning, or it disguises a real meaning. If it have any force at all--and it would not be used unless, some efficacy had been found attaching to it,--the force must be in the indirect circumstances or accompaniments. What, then, is the meaning that is so unhappily expressed? In the first place, it is a vehicle for conveying the strong wish and determination of the speaker; it is a clumsy substitute for--"I do wish you would amend your conduct"; an expression containing a real efficacy, greater or less according to the estimate formed of the speaker by the person spoken to. In the next place, it presents to the mind of the delinquent the _ideal_ of improvement, which might also be done in unexceptionable phrase; as one might say--"Reflect upon your own state, and compare yourself with the correct and virtuous liver". Then, there is a touch of the stoical dignity and pride of will. Lastly, there may be a hint or suggestion to the mind of good and evil consequences, which is the most powerful motive of all. In giving rise to these various considerations, even the objectionable expression may have a genuine efficacy; but that does not justify the form itself, which by no interpretation can be construed into sense or intelligibility.

[MEANING OF MORAL INABILITY.]

Moral Inability means that ordinary motives are insufficient, but not all motives. The confirmed drunkard or thief has got into the stage of moral inability; the common motives that keep mankind sober and honest have failed. Yet there are motives that would succeed, if we could command them. Men may be sometimes cured of intemperance when the constitution is so susceptible that pain follows at once on indulgence. And so long as pleasure and pain, in fact and in prospect, operate upon the will, so long as the individual is in a state wherein motives operate, there may be moral weakness, but there is nothing more. In such cases, punishment may be properly employed as a corrective, and is likely to answer its end. This is the state termed accountability, or, with more correctness, PUNISHABILITY, for being accountable is merely an incident bound up with liability to punishment. Moral weakness is a matter of a degree, and in its lowest grades shades into insanity, the state wherein motives have lost their usual power--when pleasure and pain cease to be apprehended by the mind in their proper character. At _this_ point, punishment is unavailing; the moral inability has passed into something like physical inability; the loss of self-control is as complete as if the muscles were paralysed.

In the plea of insanity, entered on behalf of any one charged with crime, the business of the jury is to ascertain whether the accused is under the operation of the usual motives--whether pain in prospect has a deterring effect on the conduct. If a man is as ready to jump out of the window as to walk downstairs, of course he is not a moral agent; but so long as he observes, of his own accord, the usual precautions against harm to himself, he is to be punished for his misdeeds.

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These various questions respecting the Will, if stripped of unsuitable phraseology, are not very difficult questions. They are about as easy to comprehend as the air-pump, the law of refraction of light, or the atomic theory of chemistry. Distort them by inapposite metaphors, view them in perplexing attitudes, and you may make them more abstruse than the hardest proposition of the "Principia". What is far worse, by involving a simple fact in inextricable contradictions, they have led people gravely to recognise self-contradiction as the natural and the proper condition of a certain class of questions. Consistency is very well so far, and for the humbler matters of every-day life, but there is a higher and a sacred region where it does not hold; where the principles are to be received all the more readily that they land us in contradictions. In ordinary matters, inconsistency is the test of falsehood; in transcendental subjects, it is accounted the badge of truth.


FOOTNOTES:

[Footnote 1: _Fortnightly Review_, August, 1868.]

[Footnote 2: Donaldson's "History of Christian Literature and Doctrine," Vol. I., p. 277.]

[Footnote 3: Intensity of passion stands confessed in the self-delineations of men of imaginative genius. We forbear to quote the familiar instances of Wordsworth, Shelley, or Burns, but may refer to a remarkable chapter in the life of the famous Scotch preacher, Dr. Thomas Chalmers. The mere title of the chapter is enough for our purpose. It related to his early youth, and ran thus, in his own words:--"A year of mental elysium". It is while living at a white-heat that all the thoughts and conceptions take a lofty, hyperbolical character; and the outpouring of these at the time, or afterwards, is the imagination of the orator or the poet.

The spread of the misconception that we have been combating is perhaps accounted for by the circumstance that imagination in one man is the cause of feeling _in others_. Wordsworth, by his imaginative colouring, has excited a warmer sentiment for nature in many spectators of the lake country. That, however, is a different thing. We may also allow that the poet intensifies his own feelings by his creative embodiments of them.]


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II.

ERRORS OF SUPPRESSED CORRELATIVES.[4]

By Relativity is here meant the all-pervading fact of our nature that we are not impressed, made conscious, or mentally alive, without some change of state or impression. An unvarying action on any of our senses is the same as no action at all. An even temperature, such as that enjoyed by the fishes in the tropical seas, leaves the mind an entire blank as regards heat and cold. We can neither feel nor know without recognising two distinct states. Hence all knowledge is double, or is the knowledge of contrasts or opposites: heavy is relative to light; up supposes down; being awake implies the state of sleep.

The applications of the law in the sphere of emotion are chiefly contemplated in what follows. Pleasure and pain are never absolute states; they have reference always to the previous condition. Until we know what that has been in any case, we cannot pronounce upon the efficacy of a present stimulation. We see a person reposing, apparently in luxurious ease; if the state has been immediately consequent upon a protracted and severe exertion, we are right in calling it highly pleasurable. Under other circumstances, it might be quite the reverse.

There is an offshoot or modification of the principle, arising out of the operation of habit. Impressions made upon us are greatest when they are absolutely new: after repetition they all lose something of their power; although, by remission and alternative, the causes of pleasure and pain have still a very considerable efficacy. Many of the consequences of this great fact are sufficiently acknowledged, or, if they are not, it is from other causes than our ignorance. The weakness is moral, rather than intellectual, that makes us expect that the first flush of a great pleasure, a newly-attained joy or success, will continue unabated. The poor man, probably, does not overrate the gratification of newly-attained wealth; what he fails to allow for is the deadening effect of an unbroken experience of ease and plenty. The author of "Romola" says of the hero and the heroine, in the early moments of their affection, that they could not look forward to a time when their kisses should be common things. So it is with the attainment of all great objects of pursuit: the first access of good fortune may not disappoint us; but as we are more and more removed from the state of privation, as the memory of the prior experience fades away, so does the vividness of the present enjoyment. It is the same with changes for the worse: the agony of a great loss is at first overpowering; gradually, however, the system accommodates itself to the new