The Golden Bough, Sir James George Frazer [e book reader android TXT] 📗
- Author: Sir James George Frazer
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The explanation here given of the custom of killing divine persons assumes, or at least is readily combined with, the idea that the soul of the slain divinity is transmitted to his successor. Of this transmission I have no direct proof except in the case of the Shilluk, among whom the practice of killing the divine king prevails in a typical form, and with whom it is a fundamental article of faith that the soul of the divine founder of the dynasty is immanent in every one of his slain successors. But if this is the only actual example of such a belief which I can adduce, analogy seems to render it probable that a similar succession to the soul of the slain god has been supposed to take place in other instances, though direct evidence of it is wanting. For it has been already shown that the soul of the incarnate deity is often supposed to transmigrate at death into another incarnation; and if this takes place when the death is a natural one, there seems no reason why it should not take place when the death has been brought about by violence. Certainly the idea that the soul of a dying person may be transmitted to his successor is perfectly familiar to primitive peoples. In Nias the eldest son usually succeeds his father in the chieftainship. But if from any bodily or mental defect the eldest son is disqualified for ruling, the father determines in his lifetime which of his sons shall succeed him. In order, however, to establish his right of succession, it is necessary that the son upon whom his father’s choice falls shall catch in his mouth or in a bag the last breath, and with it the soul, of the dying chief. For whoever catches his last breath is chief equally with the appointed successor. Hence the other brothers, and sometimes also strangers, crowd round the dying man to catch his soul as it passes. The houses in Nias are raised above the ground on posts, and it has happened that when the dying man lay with his face on the floor, one of the candidates has bored a hole in the floor and sucked in the chief’s last breath through a bamboo tube. When the chief has no son, his soul is caught in a bag, which is fastened to an image made to represent the deceased; the soul is then believed to pass into the image.
Sometimes it would appear that the spiritual link between a king and the souls of his predecessors is formed by the possession of some part of their persons. In southern Celebes the regalia often consist of corporeal portions of deceased rajahs, which are treasured as sacred relics and confer the right to the throne. Similarly among the Sakalavas of southern Madagascar a vertebra of the neck, a nail, and a lock of hair of a deceased king are placed in a crocodile’s tooth and carefully kept along with the similar relics of his predecessors in a house set apart for the purpose. The possession of these relics constitutes the right to the throne. A legitimate heir who should be deprived of them would lose all his authority over the people, and on the contrary a usurper who should make himself master of the relics would be acknowledged king without dispute. When the Alake or king of Abeokuta in West Africa dies, the principal men decapitate his body, and placing the head in a large earthen vessel deliver it to the new sovereign; it becomes his fetish and he is bound to pay it honours. Sometimes, in order apparently that the new sovereign may inherit more surely the magical and other virtues of the royal line, he is required to eat a piece of his dead predecessor. Thus at Abeokuta not only was the head of the late king presented to his successor, but the tongue was cut out and given him to eat. Hence, when the natives wish to signify that the sovereign reigns, they say, “He has eaten the king.” A custom of the same sort is still practised at Ibadan, a large town in the interior of Lagos, West Africa. When the king dies his head is cut off and sent to his nominal suzerain, the Alafin of Oyo, the paramount king of Yoruba land; but his heart is eaten by his successor. This ceremony was performed not very many years ago at the accession of a new king of Ibadan.
Taking the whole of the preceding evidence into account, we may fairly suppose that when the divine king or priest is put to death his spirit is believed to pass into his successor. In point of fact, among the Shilluk of the White Nile, who regularly kill their divine kings, every king on his accession has to perform a ceremony which appears designed to convey to him the same sacred and worshipful spirit which animated all his predecessors, one after the other, on the throne.
XXVIII. The Killing of the Tree-Spirit
1. The Whitsuntide MummersIT remains to ask what light the custom of killing the divine king or priest sheds upon the special subject to our enquiry. In an earlier part of this work we saw reason to suppose that the King of the Wood at Nemi was regarded as an incarnation of a tree-spirit or of the spirit of vegetation, and that as such he would be endowed, in the belief of his worshippers, with a magical power of making the trees to bear fruit, the crops to grow, and so on. His life must therefore have been held very precious by his worshippers, and was probably hedged in by a system of elaborate precautions or taboos like those by which, in so many places, the life of the man-god has been guarded against the malignant influence of demons and sorcerers. But we have seen that the very value attached to the life of the man-god necessitates his violent death as the only means of preserving it from the inevitable decay of age. The same reasoning would apply to the King of the Wood; he, too, had to be killed in order that the divine spirit, incarnate in him, might be transferred in its integrity to his successor. The rule that he held office till a stronger should slay him might be supposed to secure both the preservation of his divine life in full vigour and its transference to a suitable successor as soon as that vigour began to be impaired.
For so long as he could maintain his position by the strong hand, it might be inferred that his natural force was not abated; whereas his defeat and death at the hands of another proved that his strength was beginning to fail and that it was time his divine life should be lodged in a less dilapidated tabernacle. This explanation of the rule that the King of the Wood had to be slain by his successor at least renders that rule perfectly intelligible. It is strongly supported by the theory and practice of the Shilluk, who put their divine king to death at the first signs of failing health, lest his decrepitude should entail a corresponding failure of vital energy on the corn, the cattle, and men. Moreover, it is countenanced by the analogy of the Chitom�, upon whose life the existence of the world was supposed to hang, and who was therefore slain by his successor as soon as he showed signs of breaking up. Again, the terms on which in later times the King of Calicut held office are identical with those attached to the office of King of the Wood, except that whereas the former might be assailed by a candidate at any time, the King of Calicut might only be attacked once every twelve years. But as the leave granted to the King of Calicut to reign so long as he could defend himself against all comers was a mitigation of the old rule which set a fixed term to his life, so we may conjecture that the similar permission granted to the King of the Wood was a mitigation of an older custom of putting him to death at the end of a definite period. In both cases the new rule gave to the god-man at least a chance for his life, which under the old rule was denied him; and people probably reconciled themselves to the change by reflecting that so long as the god-man could maintain himself by the sword against all assaults, there was no reason to apprehend that the fatal decay had set in.
The conjecture that the King of the Wood was formerly put to death at the expiry of a fixed term, without being allowed a chance for his life, will be confirmed if evidence can be adduced of a custom of periodically killing his counterparts, the human representatives of the tree-spirit, in Northern Europe. Now in point of fact such a custom has left unmistakable traces of itself in the rural festivals of the peasantry. To take examples.
At Niederp�ring, in Lower Bavaria, the Whitsuntide representative of the tree-spirit—the Pfingstl as he was called—was clad from top to toe in leaves and flowers. On his head he wore a high pointed cap, the ends of which rested on his shoulders, only two holes being left in it for his eyes. The cap was covered with water-flowers and surmounted with a nosegay of peonies. The sleeves of his coat were also made of water-plants, and the rest of his body was enveloped in alder and hazel leaves. On each side of him marched a boy holding up one of the Pfingstl’s arms. These two boys carried drawn swords, and so did most of the others who formed the procession. They stopped at every house where they hoped to receive a present; and the people, in hiding, soused the leaf-clad boy with water. All rejoiced when he was well drenched. Finally he waded into the brook up to his middle; whereupon one of the boys, standing on the bridge, pretended to cut off his head. At Wurmlingen, in Swabia, a score of young fellows dress themselves on Whit-Monday in white shirts and white trousers, with red scarves round their waists and swords hanging from the scarves. They ride on horseback into the wood, led by two trumpeters blowing their trumpets. In the wood they cut down leafy oak branches, in which they envelop from head to foot him who was the last of their number to ride out of the village. His legs, however, are encased separately, so that he may be able to mount his horse again. Further, they give him a long artificial neck, with an artificial head and a false face on the top of it. Then a May-tree is cut, generally an aspen or beech about ten feet high; and being decked with coloured handkerchiefs and ribbons it is entrusted to a special “May-bearer.” The cavalcade then returns with music and song to the village. Amongst the personages who figure in the procession are a Moorish king with a sooty face and a crown on his head, a Dr.
Iron-Beard, a corporal, and an executioner. They halt on the village green, and each of the characters makes a speech in rhyme. The executioner announces that the leaf-clad man has been condemned to death, and cuts off his false head. Then the riders race
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