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selection; in the great things of life I only long for satisfaction. When my appetite is sated, and food is almost a matter of indifference to me, I like to be invited to choose between this, that, and the other. But when I am starving, I do not hanker after a choice. I do not want to choose. Put food before me, and I am content. If I am taking a stroll for the mere pleasure of walking, I like to come to a place where several roads meet, and to select the path that seems to be most tempting. But if, weary and travelworn, I am struggling desperately homewards, I do not want to have to choose my path. I dread the place where many roads meet--the place where I may go astray. My felicity lies in simplicity: I want but one road if that road leads home. Robinson Crusoe climbs the hills of his island solitude and shades his eyes with his hand as he sweeps the watery horizon. He is looking for a sail. One ship will do: he does not want a fleet. There is but one way of salvation for my storm-tossed soul: there is but one Name given under heaven among men whereby we must be saved: 'there is one God and one Mediator between God and Men'--and one is ample. The difference between 'no Mediator' and 'one Mediator' is a difference that has all eternity within it. VI

But it is time that we came to close quarters. There are two people in every congregation with whom the minister finds it very difficult to deal. There is the man upon whose conscience sin lies very heavily, and there is the man upon whose soul it sits very lightly.

The first of these two perplexing individuals is afraid to approach the Mediator. He feels it to be a kind of presumption. It is difficult to argue with him. It is better to introduce him to Robert Murray McCheyne. McCheyne had the same feeling. 'I am ashamed to go to Christ,' he says. 'I feel, when I have sinned, that it would do no good to go. It seems to be making Christ a Minister of Sin to go straight from the swine-trough to the best robe.' But he came to see that there is no other way, and that all his plausible reasonings were but the folly of his own beclouded heart. 'The weight of my sin,' he writes, 'should act like the weight of a clock; the heavier it is, the faster it makes it go!'

And the second of these difficult cases--the man upon whose conscience sin sits so lightly--I shall introduce to Dr. MacLure. As Drumsheugh told Dr. Davidson on that snowy Christmas night, 'if ever there was a man who could have stood on his own feet in the Day of Judgment, it was William MacLure.' Through all his long years in the glen, the old doctor had simply lived for others. As long as he could cure his patients he was content; and he was never happier than in handing the sick child back to its parents or in restoring the wife to the husband who had despaired of her recovery. If ever there was a man who could have stood on his own feet in the Day of Judgment, it was William MacLure. Yet when the old doctor came to the end of his long journey, his soul was feeling after the same thing--a Friend in the Great Court, an Intercessor, a Mediator between God and men!

'We have done our best,' said the old minister, in that last talk with his elder, 'we have done our best, but the less we say about it the better. We need a Friend to say a good word for us in the Great Court.'

'A've thocht that masel,' replied the agonized elder, 'mair than aince. Weelum MacLure was 'ettling aifter the same thing the nicht he slippit awa, an' gin ony man cud hae stude on his ain feet yonder, it was Weelum.'

And for minister and elder and doctor--and me--'there is one God and one Mediator between God and men, the man Christ Jesus.'

VII HENRY MARTYN'S TEXT I

With Henry Martyn the making of history became a habit, a habit so inveterate that not even death itself could break him of it. He only lived to be thirty-two; but he made vast quantities of history in that meager handful of years. 'His,' says Sir James Stephen, 'is the one heroic name which adorns the annals of the English church from the days of Elizabeth to our own.' And Dr. George Smith, his biographer, boasts that Martyn's life constitutes itself the priceless and perpetual heritage of all English-speaking Christendom, whilst the native churches of India, Arabia, Persia and Anatolia will treasure the thought of it through all time to come. Appropriately enough, Macaulay, who dedicated his brilliant powers to the great task of worthily recording the history that other men had made, composed the epitaph for that lonely Eastern tomb.

Here Martyn lies! In manhood's early bloom
The Christian hero found a Pagan tomb:
Religion, sorrowing o'er her favorite son,
Points to the glorious trophies which he won.
Eternal trophies, not with slaughter red,
Not stained with tears by hopeless captives shed;
But trophies of the Cross. For that dear Name
Through every form of danger, death and shame,
Onward he journeyed to a happier shore,
Where danger, death and shame are known no more.

For more than a hundred years the bones of Henry Martyn have reposed in that far-off Oriental sepulcher; but, as though he had never heard of his own decease, he goes on making history still. Henry Martyn died seven years before George Eliot was born, and they had very little in common. But, in the novel which Dr. Marcus Dods described as 'one of the greatest religious books ever written,' George Eliot makes the spiritual crisis in the experience of her storm-beaten and distracted heroine to turn on the perusal of the Life of Henry Martyn. When Janet Dempster, clad only in her thin nightdress, was driven at dead of night from her husband's home, she took refuge with good old Mrs. Pettifer, and fell into a stupor of utter misery and black despair. Nothing seemed to rouse her. It chanced, however, that Mrs. Pettifer was a subscriber of the Paddiford Lending Library. From that village treasure-trove she had borrowed the biography that was lying on the table when, like a hunted deer, poor Janet took shelter in her home. After a day or two, Janet picked up the book, dipped into it, and at length 'became so arrested by that pathetic missionary story that she could not leave it alone.' It broke the spell of her stupor, gave her a new hold upon life, awoke her dormant energy, and moved her to renewed action.

'I must go,' she said. 'I feel I must be doing something for someone; I must not be a mere useless log any longer. I've been reading about that wonderful Henry Martyn wearing himself out for other people, and I sit thinking of nothing but myself! I must go! Good-bye!'

And, like a frightened dove that, having been driven to shelter by a hawk, recovers from its terror and again takes wing, off she went! Janet Dempster is all the more real because she is unreal. She is all the more a substance because she is only a shadow. She is all the more symbolic and typical because she appears, not in history, but in fiction. If I had found her in the realm of biography, I might have regarded hers as an isolated and exceptional case. But, since I have found her in the realm of romance, I can only regard her--as her creator intended me to regard her--as a great representative character. She represents all those thousands of people upon whom the heroic record of Henry Martyn's brief career has acted as a stimulant and a tonic. She represents all those thousands of people through whom Henry Martyn is making history.

II

The Gospels tell of a certain man who was borne of four to the feet of Jesus. I know his name and I know the names of the four who brought him. The man's name was Henry Martyn, and the quartet consisted of a father, a sister, an author and a minister. Each had a hand in the gracious work, and each in a different way. The father did his part accidentally, indirectly, unconsciously; the sister did her part designedly, deliberately, and of set purpose. The author and the minister did their parts in the ordinary pursuit of their vocations; but the author did his part impersonally and indirectly, whilst the minister did his part personally and face to face. The author's shaft was from a bow drawn at a venture; the minister's was carefully aimed. He set himself to win the young student in his congregation, and he lived to rejoice unfeignedly in his success. Let me introduce each of the four.

The Father bore his Corner. Before Henry Martyn left England, he was one of the most brilliant students in the country, Senior Wrangler of his University, and the proud holder of scholarships and fellowships. But, in his earlier days, he failed at one or two examinations, and, in his mortification, heaped the blame upon his father. In one of these fits of passion, he bounced out of the elder man's presence--never to enter it again. Before he could return and express contrition, the father suddenly died. Henry's remorse was pitiful to see. His heart was filled with grief and his eyes swollen with tears. But that torrent of tears so cleansed those eyes that he was able to see, as he had never seen before, into the abysmal depths of his own heart. He was astonished at the baseness and depravity he found there. Years afterwards he writes with emotion of the distressing discovery that he then made. 'I do not remember a time,' he says, 'in which the wickedness of my heart rose to a greater height than it did then. The consummate selfishness and exquisite instability of my mind were displayed in rage, malice and envy; in pride, vain-glory and contempt for all about me; and in the harsh language which I used to my sister and even to my father. Oh, what an example of patience and mildness was he! I love to think of his excellent qualities; and it is the anguish of my heart that I could ever have been base enough and wicked enough to have pained him. O my God, why is not my heart doubly-agonized at the remembrance of all my great transgressions?' So poor John Martyn, lying silent in his grave, entered into that felicity which, in one of her short poems, Miss Susan Best has so touchingly depicted. 'When I was laid in my coffin,' she makes a dead man say,

When I was laid in my coffin,
Quite done with Time and its fears,
My son came and stood beside me--
He hadn't been home for years;
And right on my face came dripping
The scald of his salty tears;
And I was glad to know his breast
Had turned at last to the old home nest,
That I said to myself in an underbreath:
'This is the recompense of death.'

The Sister bore her Corner. In his letters to her he opens all his heart. He is sometimes angry with her because, when he expected her to show delight in his

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