English Literature: Its History and Significance for the Life of the English-Speaking World, William J. Long [suggested reading .txt] 📗

a glance that the above is the most important of Bacon's works. The Organum was to be in several books, only two of which he completed, and these he wrote and rewrote twelve times until they satisfied him.

3. Historic Naturalis et Experimentalis, the study of all the phenomena of nature. Of four parts of this work which he completed, one of them at least, the Sylva Sylvarum, is decidedly at variance with his own idea of fact and experiment. It abounds in fanciful explanations, more worthy of the poetic than of the scientific mind. Nature is seen to be full of desires and instincts; the air "thirsts" for light and fragrance; bodies rise or sink because they have an "appetite" for height or depth; the qualities of bodies are the result of an "essence," so that when we discover the essences of gold and silver and diamonds it will be a simple matter to create as much of them as we may need.

4. Scala Intellectus, or "Ladder of the Mind," is the rational application of the Organum to all problems. By it the mind should ascend step by step from particular facts and instances to general laws and abstract principles.

5. Prodromi, "Prophecies or Anticipations," is a list of discoveries that men shall make when they have applied Bacon's methods of study and experimentation.

6. Philosophia Secunda, which was to be a record of practical results of the new philosophy when the succeeding ages should have applied it faithfully.

It is impossible to regard even the outline of such a vast work without an involuntary thrill of admiration for the bold and original mind which conceived it. "We may," said Bacon, "make no despicable beginnings. The destinies of the human race must complete the work ... for upon this will depend not only a speculative good but all the fortunes of mankind and all their power." There is the unconscious expression of one of the great minds of the world. Bacon was like one of the architects of the Middle Ages, who drew his plans for a mighty cathedral, perfect in every detail from the deep foundation stone to the cross on the highest spire, and who gave over his plans to the builders, knowing that, in his own lifetime, only one tiny chapel would be completed; but knowing also that the very beauty of his plans would appeal to others, and that succeeding ages would finish the work which he dared to begin.

The Essays. Bacon's famous Essays is the one work which will interest all students of our literature. His Instauratio was in Latin, written mostly by paid helpers from short English abstracts. He regarded Latin as the only language worthy of a great work; but the world neglected his Latin to seize upon his English,--marvelous English, terse, pithy, packed with thought, in an age that used endless circumlocutions. The first ten essays, published in 1597, were brief notebook jottings of Bacon's observations. Their success astonished the author, but not till fifteen years later were they republished and enlarged. Their charm grew upon Bacon himself, and during his retirement he gave more thought to the wonderful language which he had at first despised as much as Aristotle's philosophy. In 1612 appeared a second edition containing thirty-eight essays, and in 1625, the year before his death, he republished the Essays in their present form, polishing and enlarging the original ten to fifty-eight, covering a wide variety of subjects suggested by the life of men around him.

Concerning the best of these essays there are as many opinions as there are readers, and what one gets out of them depends largely upon his own thought and intelligence. In this respect they are like that Nature to which Bacon directed men's thoughts. The whole volume may be read through in an evening; but after one has read them a dozen times he still finds as many places to pause and reflect as at the first reading. If one must choose out of such a storehouse, we would suggest "Studies," "Goodness," "Riches," "Atheism," "Unity in Religion," "Adversity," "Friendship," and "Great Place" as an introduction to Bacon's worldly-wise philosophy.

Miscellaneous Works. Other works of Bacon are interesting as a revelation of the Elizabethan mind, rather than because of any literary value. The New Atlantis is a kind of scientific novel describing another Utopia as seen by Bacon. The inhabitants of Atlantis have banished Philosophy and applied Bacon's method of investigating Nature, using the results to better their own condition. They have a wonderful civilization, in which many of our later discoveries--academies of the sciences, observatories, balloons, submarines, the modification of species, and several others--were foreshadowed with a strange mixture of cold reason and poetic intuition. De Sapientia Veterum is a fanciful attempt to show the deep meaning underlying ancient myths,--a meaning which would have astonished the myth makers themselves. The History of Henry VII is a calm, dispassionate, and remarkably accurate history, which makes us regret that Bacon did not do more historical work. Besides these are metrical versions of certain Psalms--which are valuable, in view of the controversy anent Shakespeare's plays, for showing Bacon's utter inability to write poetry--and a large number of letters and state papers showing the range and power of his intellect.

Bacon's Place and Work. Although Bacon was for the greater part of his life a busy man of affairs, one cannot read his work without becoming conscious of two things,--a perennial freshness, which the world insists upon in all literature that is to endure, and an intellectual power which marks him as one of the great minds of the world.

Of late the general tendency is to give less and less prominence to his work in science and philosophy; but criticism of his Instauratio, in view of his lofty aim, is of small consequence. It is true that his "science" to-day seems woefully inadequate; true also that, though he sought to discover truth, he thought perhaps to monopolize it, and so looked with the same suspicion upon Copernicus as upon the philosophers. The practical man who despises philosophy has simply misunderstood the thing he despises. In being practical and experimental in a romantic age he was not unique, as is often alleged, but only expressed the tendency of the English mind in all ages. Three centuries earlier the monk Roger Bacon did more practical experimenting than the Elizabethan sage; and the latter's famous "idols" are strongly suggestive of the former's "Four Sources of Human Ignorance." Although Bacon did not make any of the scientific discoveries at which he aimed, yet the whole spirit of his work, especially of the Organum, has strongly influenced science in the direction of accurate observation and of carefully testing every theory by practical experiment. "He that regardeth the clouds shall not sow," said a wise writer of old; and Bacon turned men's thoughts from the heavens above, with which they had been too busy, to the earth beneath, which they had too much neglected. In an age when men were busy with romance and philosophy, he insisted that the first object of education is to make a man familiar with his natural environment; from books he turned to men, from theory to fact, from philosophy to nature,--and that is perhaps his greatest contribution to life and literature. Like Moses upon Pisgah, he stood high enough above his fellows to look out over a promised land, which his people would inherit, but into which he himself might never enter.

Richard Hooker (1554?-1600) In strong contrast with Bacon is Richard Hooker, one of the greatest prose writers of the Elizabethan Age. One must read the story of his life, an obscure and lowly life animated by a great spirit, as told by Izaak Walton, to appreciate the full force of this contrast. Bacon took all knowledge for his province, but mastered no single part of it. Hooker, taking a single theme, the law and practice of the English Church, so handled it that no scholar even of the present day would dream of superseding it or of building upon any other foundation than that which Hooker laid down. His one great work is The Laws of Ecclesiastical Polity,[158] a theological and argumentative book; but, entirely apart from its subject, it will be read wherever men desire to hear the power and stateliness of the English language. Here is a single sentence, remarkable not only for its perfect form but also for its expression of the reverence for law which lies at the heart of Anglo-Saxon civilization:

Of law there can be no less acknowledged than that her seat is the bosom of God, her voice the harmony of the world; all things in heaven and earth do her homage; the very least as feeling her care, and the greatest as not exempted from her power; both angels and men, and creatures of what condition soever, though each in different sort and manner, yet all with uniform consent admiring her as the mother of their peace and joy.

Sidney and Raleigh. Among the prose writers of this wonderful literary age there are many others that deserve passing notice, though they fall far below the standard of Bacon and Hooker. Sir Philip Sidney (1554-1586), who has already been considered as a poet, is quite as well known by his prose works, Arcadia, a pastoral romance, and the Defense of Poesie, one of our earliest literary essays. Sidney, whom the poet Shelley has eulogized, represents the whole romantic tendency of his age; while Sir Walter Raleigh (1552?-1618) represents its adventurous spirit and activity. The life of Raleigh is an almost incomprehensible mixture of the poet, scholar, and adventurer; now helping the Huguenots or the struggling Dutch in Europe, and now leading an expedition into the unmapped wilds of the New World; busy here with court intrigues, and there with piratical attempts to capture the gold-laden Spanish galleons; one moment sailing the high seas in utter freedom, and the next writing history and poetry to solace his imprisonment. Such a life in itself is a volume far more interesting than anything that he wrote. He is the restless spirit of the Elizabethan Age personified.

Raleigh's chief prose works are the Discoverie of Guiana, a work which would certainly have been interesting enough had he told simply what he saw, but which was filled with colonization schemes and visions of an El Dorado to fill the eyes and ears of the credulous; and the History of the World, written to occupy his prison hours. The history is a wholly untrustworthy account of events from creation to the downfall of the Macedonian Empire. It is interesting chiefly for its style, which is simple and dignified, and for the flashes of wit and poetry that break into the fantastic combination of miracles, traditions, hearsay, and state records which he called history. In the conclusion is the famous apostrophe to Death, which suggests what Raleigh might have done had he lived less strenuously and written more carefully.

O eloquent, just, and mighty Death! whom none could advise thou hast persuaded; what none hath dared thou hast done; and whom all the world hath flattered thou only hast cast out of the world and despised; thou hast drawn together all the star-stretched greatness, all the pride, cruelty, and ambition of man, and covered it all over with these two narrow words, Hic jacet!

John Foxe (1516-1587). Foxe will be remembered always for his famous Book of Martyrs, a book that our elders gave to us on Sundays when we were young, thinking it good discipline for us to afflict our souls when we wanted to be roaming the sunlit fields, or when in our enforced idleness we would, if our own taste in the matter had been consulted, have made good shift to be quiet and happy with Robinson Crusoe. So we have a gloomy memory of Foxe, and something of a grievance, which prevent a just appreciation of his