English Literature: Its History and Significance for the Life of the English-Speaking World, William J. Long [suggested reading .txt] 📗

write a dictionary of the English language. It was an enormous work, taking nearly eight years of his time, and long before he had finished it he had eaten up the money which he received for his labor. In the leisure intervals of this work he wrote "The Vanity of Human Wishes" and other poems, and finished his classic tragedy of Irene.

Led by the great success of the Spectator, Johnson started two magazines, The Rambler (1750--1752) and The Idler (1758--1760). Later the Rambler essays were published in book form and ran rapidly through ten editions; but the financial returns were small, and Johnson spent a large part of his earnings in charity. When his mother died, in 1759, Johnson, although one of the best known men in London, had no money, and hurriedly finished Rasselas, his only romance, in order, it is said, to pay for his mother's burial.

It was not till 1762, when Johnson was fifty-three years old, that his literary labors were rewarded in the usual way by royalty, and he received from George III a yearly pension of three hundred pounds. Then began a little sunshine in his life. With Joshua Reynolds, the artist, he founded the famous Literary Club, of which Burke, Pitt, Fox, Gibbon, Goldsmith, and indeed all the great literary men and politicians of the time, were members. This is the period of Johnson's famous conversations, which were caught in minutest detail by Boswell and given to the world. His idea of conversation, as shown in a hundred places in Boswell, is to overcome your adversary at any cost; to knock him down by arguments, or, when these fail, by personal ridicule; to dogmatize on every possible question, pronounce a few oracles, and then desist with the air of victory. Concerning the philosopher Hume's view of death he says: "Sir, if he really thinks so, his perceptions are disturbed, he is mad. If he does not think so, he lies." Exit opposition. There is nothing more to be said. Curiously enough, it is often the palpable blunders of these monologues that now attract us, as if we were enjoying a good joke at the dictator's expense. Once a lady asked him, "Dr. Johnson, why did you define pastern as the knee of a horse?" "Ignorance, madame, pure ignorance," thundered the great authority.

When seventy years of age, Johnson was visited by several booksellers of the city, who were about to bring out a new edition of the English poets, and who wanted Johnson, as the leading literary man of London, to write the prefaces to the several volumes. The result was his Lives of the Poets, as it is now known, and this is his last literary work. He died in his poor Fleet Street house, in 1784, and was buried among England's honored poets in Westminster Abbey.

The English DictionaryJohnson's Works. "A book," says Dr. Johnson, "should help us either to enjoy life or to endure it." Judged by this standard, one is puzzled what to recommend among Johnson's numerous books. The two things which belong among the things "worthy to be remembered" are his Dictionary and his Lives of the Poets, though both these are valuable, not as literature, but rather as a study of literature. The Dictionary, as the first ambitious attempt at an English lexicon, is extremely valuable, notwithstanding the fact that his derivations are often faulty, and that he frequently exercises his humor or prejudice in his curious definitions. In defining "oats," for example, as a grain given in England to horses and in Scotland to the people, he indulges his prejudice against the Scotch, whom he never understood, just as, in his definition of "pension," he takes occasion to rap the writers who had flattered their patrons since the days of Elizabeth; though he afterwards accepted a comfortable pension for himself. With characteristic honesty he refused to alter his definition in subsequent editions of the Dictionary.

Lives of the PoetsThe Lives of the Poets are the simplest and most readable of his literary works. For ten years before beginning these biographies he had given himself up to conversation, and the ponderous style of his Rambler essays here gives way to a lighter and more natural expression. As criticisms they are often misleading, giving praise to artificial poets, like Cowley and Pope, and doing scant justice or abundant injustice to nobler poets like Gray and Milton; and they are not to be compared with those found in Thomas Warton's History of English Poetry, which was published in the same generation. As biographies, however, they are excellent reading, and we owe to them some of our best known pictures of the early English poets.

Poems and EssaysOf Johnson's poems the reader will have enough if he glance over "The Vanity of Human Wishes." His only story, Rasselas, Prince of Abyssinia, is a matter of rhetoric rather than of romance, but is interesting still to the reader who wants to hear Johnson's personal views of society, philosophy, and religion. Any one of his Essays, like that on "Reading," or "The Pernicious Effects of Revery," will be enough to acquaint the reader with the Johnsonese style, which was once much admired and copied by orators, but which happily has been replaced by a more natural way of speaking. Most of his works, it must be confessed, are rather tiresome. It is not to his books, but rather to the picture of the man himself, as given by Boswell, that Johnson owes his great place in our literature.

BOSWELL'S "LIFE OF JOHNSON"

In James Boswell (1740-1795) we have another extraordinary figure,--a shallow little Scotch barrister, who trots about like a dog at the heels of his big master, frantic at a caress and groveling at a cuff, and abundantly contented if only he can be near him and record his oracles. All his life long Boswell's one ambition seems to have been to shine in the reflected glory of great men, and his chief task to record their sayings and doings. When he came to London, at twenty-two years of age, Johnson, then at the beginning of his great fame, was to this insatiable little glory-seeker like a Silver Doctor to a hungry trout. He sought an introduction as a man seeks gold, haunted every place where Johnson declaimed, until in Davies's bookstore the supreme opportunity came. This is his record of the great event:

I was much agitated [says Boswell] and recollecting his prejudice against the Scotch, of which I had heard much, I said to Davies, "Don't tell him where I come from." "From Scotland," cried Davies roguishly. "Mr. Johnson," said I, "I do indeed come from Scotland, but I cannot help it."... "That, sir" [cried Johnson], "I find is what a very great many of your countrymen cannot help." This stroke stunned me a good deal; and when we had sat down I felt myself not a little embarrassed, and apprehensive of what might come next.

Then for several years, with a persistency that no rebuffs could abate, and with a thick skin that no amount of ridicule could render sensitive, he follows Johnson; forces his way into the Literary Club, where he is not welcome, in order to be near his idol; carries him off on a visit to the Hebrides; talks with him on every possible occasion; and, when he is not invited to a feast, waits outside the house or tavern in order to walk home with his master in the thick fog of the early morning. And the moment the oracle is out of sight and in bed, Boswell patters home to record in detail all that he has seen and heard. It is to his minute record that we owe our only perfect picture of a great man; all his vanity as well as his greatness, his prejudices, superstitions, and even the details of his personal appearance:

There is the gigantic body, the huge face seamed with the scars of disease, the brown coat, the black worsted stockings, the gray wig with the scorched foretop, the dirty hands, the nails bitten and pared to the quick. We see the eyes and mouth moving with convulsive twitches; we see the heavy form rolling; we hear it puffing; and then comes the "Why, sir!" and the "What then, sir?" and the "No, sir!" and the "You don't see your way through the question, sir!"[196]

To Boswell's record we are indebted also for our knowledge of those famous conversations, those wordy, knockdown battles, which made Johnson famous in his time and which still move us to wonder. Here is a specimen conversation, taken almost at random from a hundred such in Boswell's incomparable biography. After listening to Johnson's prejudice against Scotland, and his dogmatic utterances on Voltaire, Robertson, and twenty others, an unfortunate theorist brings up a recent essay on the possible future life of brutes, quoting some possible authority from the sacred scriptures:

Johnson, who did not like to hear anything concerning a future state which was not authorized by the regular canons of orthodoxy, discouraged this talk; and being offended at its continuation, he watched an opportunity to give the gentleman a blow of reprehension. So when the poor speculatist, with a serious, metaphysical, pensive face, addressed him, "But really, sir, when we see a very sensible dog, we don't know what to think of him"; Johnson, rolling with joy at the thought which beamed in his eye, turned quickly round and replied, "True, sir; and when we see a very foolish fellow, we don't know what to think of him." He then rose up, strided to the fire, and stood for some time laughing and exulting.

Then the oracle proceeds to talk of scorpions and natural history, denying facts, and demanding proofs which nobody could possibly furnish:

He seemed pleased to talk of natural philosophy. "That woodcocks," said he, "fly over the northern countries is proved, because they have been observed at sea. Swallows certainly sleep all the winter. A number of them conglobulate together by flying round and round, and then all in a heap throw themselves under water and lie in the bed of a river." He told us one of his first essays was a Latin poem upon the glowworm: I am sorry I did not ask where it was to be found.

Then follows an astonishing array of subjects and opinions. He catalogues libraries, settles affairs in China, pronounces judgment on men who marry women superior to themselves, flouts popular liberty, hammers Swift unmercifully, and adds a few miscellaneous oracles, most of which are about as reliable as his knowledge of the hibernation of swallows.

When I called upon Dr. Johnson next morning I found him highly satisfied with his colloquial prowess the preceding evening. "Well," said he, "we had good talk." "Yes, sir" [says I], "you tossed and gored several persons."

Far from resenting this curious mental dictatorship, his auditors never seem to weary. They hang upon his words, praise him, flatter him, repeat his judgments all over London the next day, and return in the evening hungry for more. Whenever the conversation begins to flag, Boswell is like a woman with a parrot, or like a man with a dancing bear. He must excite the creature, make him talk or dance for the edification of the company. He sidles obsequiously towards his hero and, with utter irrelevancy, propounds a question of theology, a social theory, a fashion of dress or marriage, a philosophical conundrum: "Do you think, sir, that natural affections are born with us?" or, "Sir, if you were shut up in a castle and a newborn babe with you, what would you do?" Then follow more Johnsonian laws, judgments, oracles; the insatiable audience clusters around him and applauds; while Boswell listens, with shining face, and presently goes home to write the wonder down. It is an astonishing spectacle; one does not know whether to laugh or grieve over it. But we know the man,