Free Culture, Lawrence Lessig [best value ebook reader txt] 📗
- Author: Lawrence Lessig
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Barnes & Noble, 147
Barry, Hank, 189, 191 BBC, 270
Beatles, 57
Beckett, Thomas, 92
Bell, Alexander Graham, 3 Berlin Act (1908), 327n Berman, Howard L., 322n, 324n Berne Convention (1908), 250, 327 n Bernstein, Leonard, 72
Betamax, 75-76
biomedical research, 262-63
Black, Jane, 70
blogs (Web-logs), 41, 42-45, 310n-11n BMG, 162
BMW, 191
Boies, David, 105
Boland, Lois, 265, 266-68
Bolling, Ruben, 246, 247
Bono, Mary, 215, 326n
Bono, Sonny, 215, 325n
books:
English copyright law developed for,
85-94 free on-line releases of, 72-73, 284-85 on Internet, 143, 144, 148-53
out of print, 72, 113, 134, 299, 317n resales of, 72, 134, 299, 314n
three types of uses of, 141-43
total number of, 114
booksellers, English, 88-94, 316n Boswell, James, 91
bots, 108, 161
Boyle, James, 129
Braithwaite, John, 267
Branagh, Kenneth, 85, 88
Brandeis, Louis, 34
Brazil, free culture in, 270
Breyer, Stephen, 234, 235, 242, 243 Brezhnev, Leonid, 128
British Parliament, 86, 87, 89-90, 91-92,
94 broadcast flag, 193, 324n Bromberg, Dan, 230
Brown, John Seely, 45, 46, 47, 127 browsing, 145, 147, 277-78 Buchanan, James, 232 Bunyan, John, 93
Burdick, Quentin, 60
Bush, George W., 323n
cable television, 59-61, 74-75, 162, 163, 302 camera technology, 32-33, 34, 35, 127 Camp Chaos, 106
CARP (Copyright Arbitration Royalty
Panel), 324n cars, MP3 sound systems in, 191 Carson, Rachel, 129
cartoon films, 21-25
Casablanca, 148
cassette recording, 69-70, 314n
VCRs, 75-76, 77, 158-60, 194, 297, 320n Causby, Thomas Lee, 2, 3, 7, 11, 12, 256,
307n
Causby, Tinie, 2, 3, 7, 11, 12, 256, 307n CBS, 164
CD-ROMs, film clips used in, 100-104 CDs:
copyright marking of, 291
foreign piracy of, 63, 64
mix technology and, 203-4 preference data on, 189-90
prices of, 70, 302
sales levels of, 70-71, 314n
cell phones, music streamed over, 298 chimeras, 178-79
Christensen, Clayton M., 166, 313n, 321n circumvention technologies, 156, 157-60 civil liberties, 205-7
Clark, Kim B., 321n
CNN, 44
Coase, Ronald, 232
Code (Lessig), xiii, xiv, 121, 318n CodePink Women for Peace, xiv, 269 Coe, Brian, 33
Comcast, 321n
comics, Japanese, 25-26, 27-28, 29, 309n commerce, interstate, 219, 236, 326n Commerce, U.S. Department of, 126 commercials, 36, 45-46, 127, 167-68, 321n common law, 86, 90, 91, 92
Commons, John R., 318n Communications Decency Act (1996), 325 n composers, copyright protections of,
55-59, 74
compulsory license, 57-58 computer games, 37
Conger, 85, 87, 88-89, 90, 91 Congress, U.S.:
on cable television, 61, 74-75 challenge of CTEA legislation of,
228-48 constitutional powers of, 215-16,
219-20, 233, 234-35, 238-39, 240 in constitutional Progress Clause,
130-31, 236 on copyright laws, 56-57, 61, 74-75, 76,
77-78, 133, 134-35, 193, 194, 196, 197, 294, 324n
copyright terms extended by, 134-35,
214-18, 219-21, 228, 236 on derivative rights, 294
on digital audio tape, 315n lobbying of, 217-18
on radio, 196, 197
on recording industry, 56-57, 74, 196 Supreme Court restraint on, 218-19,
220, 234 on VCR technology, 76, 77 Conrad, Paul, 158, 159, 160 Constitution, U.S.:
Commerce Clause of, 219, 233, 244,
326n copyright purpose established in, 130-31,
220, 221, 308n, 326n on creative property, 119-20, 130 Fifth Amendment to, 119
First Amendment to, 10, 128, 142, 168,
228, 230, 234, 244, 319n originalist interpretation of, 243 Progress Clause of, 130-31, 215, 218,
232, 236, 243-44 structural checks and balances of, 131 Takings Clause of, 119
Consumer Broadband and Digital
Television Promotion Act, 324n contracts, 320n
Conyers, John, Jr., 322n
cookies, Internet, 278
"copyleft" licenses, 328n
copyright:
constitutional purpose of, 130-31, 220,
221, 308n, 326n
Creative Commons licenses for material in, 282-86
duration of, 24-25, 86, 89-94, 130, 131,
133-35, 172, 214-18, 220, 221-22,
292-93, 294-95, 309n, 319n
four regulatory modalities on, 124-26,
132 infringement lawsuits on, see copyright infringement lawsuits
marking of, 137, 288, 290-91
as narrow monopoly right, 87-94
of natural authors vs. corporations, 135 no registration of works, 222-23, 249 in perpetuity, 89-90, 91, 92-93, 170,
215, 243, 246, 318n, 325n-26n as property, 83-84, 172 renewability of, 86, 133-34, 135, 289-90,
293, 309n, 319n scope of, 136-39, 140, 169-72, 295, 320 n usage restrictions attached to, 87-88,
143-44, 146, 320n voluntary reform efforts on, 275, 277-86 see also copyright law
Copyright Act (1790), 133, 137-38, 319n Copyright Arbitration Royalty Panel
(CARP), 324n copyright infringement lawsuits: distribution technology targeted in,
75-77, 190, 191, 323n exaggerated claims of, 51, 180, 185, 187,
190, 206, 322n individual defendants intimidated by,
51-52, 185, 187, 200, 270 in recording industry, 50-52, 180, 185,
190, 200, 270, 322n, 323n statutory damages of, 51 against student file sharing, 50-52, 180,
322n willful infringement findings in, 146 zero tolerance in, 73-74, 180-81 copyright law:
authors vs. composers in, 56-57
on cable television rebroadcasting,
59-61, 74-75 circumvention technology banned by,
156, 157-60 commercial creativity as primary purpose of, 8, 204, 308 n
copyright law (cont.) copies as core issue of, 139-40, 141-44,
146, 171, 319n, 320n creativity impeded by, 19, 184-88, 308n development of, 85-94, 316n
English, 17, 85-94, 316n
European, 137, 250, 327n
as ex post regulation modality, 121-22 fair use and, 95-99, 107, 141-42, 143,
145, 146, 157, 160, 172, 186-87, 283, 292, 316n
felony punishment for infringement of,
180, 215, 223, 322n formalities reinstated in, 287-91, 329n government reforms proposed on,
287-306 history of American, 132-38, 170-71 illegal behavior as broad response to,
199-207 innovation hampered by, 188-99 innovative freedom balanced with fair compensation in, 75, 77-79, 120, 129-30, 172-73
international compliance with, 63-64,
313n
Japanese, 26, 27-28 lawyers as detriment to, 292, 304-6 malpractice lawsuits against lawyers advising on, 190-91
on music recordings, 55-58, 74, 181,
195, 291 privacy interests in, 308n as protection of creators, 10, 131, 204 registration requirement of, 137, 170-71,
248-54, 288, 289-90, 291, 327n on republishing vs. transformation of original work, 19, 136, 138-39, 144-45, 170-72, 294-96, 319n royalty proposal on derivative reuse in, 106 statutory licenses in, 56-58, 64, 74, 194,
295-96, 300
Supreme Court case on term extension of, 218, 228-48
technology as automatic enforcer of, 147,
148-61, 181, 186, 203, 320n, 324n term extensions in, 134-35, 214-18,
219-21, 228-48 two central goals of, 75 Copyright Office, 252-53, 289, 291 corporations:
copyright terms for, 135
in pharmaceutical industry, 260
"Country of the Blind, The" (Wells),
177-78
Court of Appeals:
D.C. Circuit, 228-29, 231, 235
Ninth Circuit, 76, 105, 323n cover songs, 57
Creative Commons, 270, 282-86 creative property:
of authors vs. composers, 56-57 common law protections of, 133 constitutional tradition on, 118-20,
130-31 "if value, then right" theory of, 18-19,
53 noncommercial second life of, 112-13,
114-15 other property rights vs., 117-24, 140 see also intellectual property rights creativity:
labor shift to, 308n
legal restrictions on, 19, 184-88, 308n by transforming previous works,
22-24, 25-29 see also innovation
Crichton, Michael, 37 criminal justice system, 167 Crosskey, William W., 318n CTEA, see Sonny Bono Copyright Term
Extension Act culture:
archives of, 108-15, 173, 226-27 commerical vs. noncommercial, 7-8,
170-72, 225 see also free culture
Cyber Rights (Godwin), 40
Daguerre, Louis, 31
Daley, Elizabeth, 36-37, 38, 39-40, 46 DAT (digital audio tape), 315 n, 330n Data General, 279
Day After Trinity, The, 97
D.C. Court of Appeals, 228-29, 231, 235 DDT, 129-30
Dean, Howard, 43
democracy: digital sharing within, 184 media concentration and, 166 public discourse in, 42, 45 semiotic, 301-2
in technologies of expression, 33, 35,
41-42, 43, 44-45
Democratic Party, 249 derivative works, 329n fair use vs., 145
First Amendment and, 319n historical shift in copyright coverage of,
136, 170-72 piracy vs., 22-24, 25-29, 138-39, 141 reform of copyright term and scope on,
294-96 royalty system proposed for, 106 technological developments and, 144, 171 developing countries, foreign patent costs in, 63, 257-61, 313n
Diamond Multimedia Systems, 323n digital audio tape (DAT), 315 n, 330n digital cameras, 35, 127
Digital Copyright (Litman), 194
Digital Millennium Copyright Act
(DMCA), 156, 157, 159, 160, 181 Diller, Barry, 165-66
DirecTV, 163
Dirty Harry, 101
Disney, Inc., 23-24, 116, 145-46, 218, 231
Sony Betamax technology opposed by,
75-76
Disney, Walt, 21-24, 25, 26, 28-29, 33-34,
78, 115, 139, 213, 220, 309n
DMCA (Digital Millennium Copyright
Act), 156, 157, 159, 160, 181
Doctorow, Cory, 72-73, 284 doctors, malpractice claims against, 185,
323n documentary film, 95-99 domain names, 289
Donaldson, Alexander, 90-91, 92 Donaldson v. Beckett, 92-94 Douglas, William O., 2-3 doujinshi comics, 25-26, 27-28, 29 Down and Out in the Magic Kingdom
(Doctorow), 72-73, 284
Drahos, Peter, 267 DreamWorks, 106-7
Dreyfuss, Rochelle, 18 driving speed, constraints on, 123-24, 207 Drucker, Peter, 103
drugs:
illegal, 166-67, 201, 207, 321n pharmaceutical, 257-61, 266, 327n,
328n
Dryden, John, 316n
"Duck and Cover" film, 112 DVDs:
piracy of, 64
price of, 70
Dylan, Bob, 270
Eagle Forum, 231, 232
Eastman, George, 31-34 Eastwood, Clint, 100-103, 295 e-books, 144, 148-53
Edison, Thomas, 3, 53-54, 55, 69, 78 education:
in media literacy, 35-40 tinkering as means of, 45-47, 50 Eldred, Eric, 213-15, 218, 220, 221, 229,
249, 325n
Eldred Act, 249-54, 255 Eldred v. Ashcroft, 220, 228-48, 292 elections, 41-42, 43
electoral college, 120, 131 Electronic Frontier Foundation, 205 Else, Jon, 95-99, 186
e-mail, 42
EMI, 162, 191
Eminem, 270
eMusic.com, 181-82
encryption systems, 155-56 England, copyright laws developed in,
85-94
Enlightenment, 89 environmentalism, 129-30 ephemeral films, 112
Errors and Omissions insurance, 98 Erskine, Andrew, 91
ethics, 201
expression, technologies of: democratic, 33, 35, 41-42, 43,
44-45 media literacy and, 35-40
Fairbank, Robert, 105 fair use, 141-43 circumvention technology ban and,
157-58
Creative Commons license vs., 283 in documentary film, 95-99, 316n fuzziness of, 292
Internet burdens on, 143, 145 legal intimidation tactics against, 98-99,
146, 172, 186-87 in sampling works, 107 technological restriction of, 160 Fallows, James, 163-64
Fanning, Shawn, 67
Faraday, Michael, 3
farming, 127, 129
FCC:
on FM radio, 5-6
on media bias, 321n
media ownership regulated by, xiv-xv,
162, 269 on television production studios, 165 Felton, Ed, 47, 155-57, 158, 160 feudal system, 267
Fifth Amendment, 119
film industry:
consolidation of, 163
luxury theaters vs. video piracy in, 302 patent piracy at inception of, 53-55 rating system of, 117
trade association of, 116-17, 119, 218,
253-54, 256 trailer advertisements of, 145-46 VCR taping facility opposed by,
75-76 films: animated, 21-24 archive of, 111, 112 clips and collages of, 100-107 digital copies of, 324n
fair use of copyrighted material in,
95-99 multiple copyrights associated with, 95,
101-3, 224 in public domain, 223-25, 254 restoration of, 224, 226
total number of, 114
film sampling, 107 First Amendment, 10, 128, 142, 168, 319n copyright extension as violation of, 228,
230, 234, 244 first-sale doctrine, 146 Fisher, William, 197, 301, 324 n, 330n Florida, Richard, 20, 308n
FM radio, 4-6, 128, 196, 256 Forbes, Steve, 249, 253
formalities, 137, 287-91
Fourneaux, Henri, 55
Fox, William, 54
Fox (film company), 96, 97, 98, 163 free culture:
Creative Commons licenses for recreation of, 282-86 defined, xvi
derivative works based on, 29-30 English legal establishment of, 94 four modalities of constraint on, 121-26,
317n, 318n permission culture vs., xiv, 8, 173 restoration efforts on previous aspects of,
277-82
Free for All (Wayner), 285 free market, technological changes in, 127-28 Free Software Foundation, xv, 231-32, 280 free software/open-source software (FS/
OSS), 45, 65, 264-66, 279-80, 328n French copyright law, 327 n
Fried, Charles, 233, 237
Friedman, Milton,
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