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and his manner was almost solemn. “You must not take it for granted,” he went on, his green eyes twinkling with a curious light, “that all wisdom comes from Boston. We in Sutherlandtown have some sparks of it, if they have not yet been recognised. You are satisfied”—here he addressed himself to Knapp—“that the blow which killed Agatha Webb was struck by this respectable old man?”

Knapp smiled as if a child had asked him this question; but he answered him good-humouredly enough.

“You see the dagger lying here with which the deed was done, and you see the bread that was bought from Loton with a twenty-dollar bill of Agatha Webb’s money. In these you can read my answer.”

“Good evidence,” acknowledged Sweetwater—“very good evidence, especially when we remember that Mr. Crane met an old man rushing from her gateway with something glittering in his hand. I never was so beat in my life, and yet—and yet—if I could have a few minutes of quiet thought all by myself I am certain I could show you that there is more to this matter than you think. Indeed, I know that there is, but I do not like to give my reasons till I have conquered the difficulties presented by these men having had the twenty-dollar bill.”

“What fellow is this?” suddenly broke in Knapp.

“A fiddler, a nobody,” quietly whispered Mr. Fenton in his ear.

Sweetwater heard him and changed in a twinkling from the uncertain, half-baffled, wholly humble person they had just seen, to a man with a purpose strong enough to make him hold up his head with the best.

“I am a musician,” he admitted, “and I play on the violin for money whenever the occasion offers, something which you will yet congratulate yourselves upon if you wish to reach the root of this mysterious and dastardly crime. But that I am a nobody I deny, and I even dare to hope that you will agree with me in this estimate of myself before this very night is over. Only give me an opportunity for considering this subject, and the permission to walk for a few minutes about this house.”

“That is my prerogative,” protested the detective firmly, but without any display of feeling. “I am the man employed to pick up whatever clews the place may present.”

“Have you picked up all that are to be found in this room?” asked Sweetwater calmly.

Knapp shrugged his shoulders. He was very well satisfied with himself.

“Then give me a chance,” prayed Sweetwater. “Mr. Fenton,” he urged more earnestly, “I am not the fool you take me for. I feel, I know, I have a genius for this kind of thing, and though I am not prepossessing to look at, and though I do play the fiddle, I swear there are depths to this affair which none of you have as yet sounded. Sirs, where are the nine hundred and eighty dollars in bills which go to make up the clean thousand that was taken from the small drawer at the back of Agatha Webb’s cupboard?”

“They are in some secret hiding-place, no doubt, which we will presently come upon as we go through the house,” answered Knapp.

“Umph! Then I advise you to put your hand on them as soon as possible,” retorted Sweetwater. “I will confine myself to going over the ground you have already investigated.” And with a sudden ignoring of the others’ presence, which could only have sprung from an intense egotism or from an overwhelming belief in his own theory, he began an investigation of the room that threw the other’s more commonplace efforts entirely in the shade.

Knapp, with a slight compression of his lips, which was the sole expression of anger he ever allowed himself, took up his hat and made his bow to Mr. Fenton.

“I see,” said he, “that the sympathy of those present is with local talent. Let local talent work, then, sir, and when you feel the need of a man of training and experience, send to the tavern on the docks, where I will be found till I am notified that my services are no longer required.”

“No, no!” protested Mr. Fenton. “This boy’s enthusiasm will soon evaporate. Let him fuss away if he will. His petty business need not interrupt us.”

“But he understands himself,” whispered Knapp. “I should think he had been on our own force for years.”

“All the more reason to see what he’s up to. Wait, if only to satisfy your curiosity. I shan’t let many minutes go by before I pull him up.”

Knapp, who was really of a cold and unimpressionable temperament, refrained from further argument, and confined himself to watching the young man, whose movements seemed to fascinate him.

“Astonishing!” Mr. Fenton heard him mutter to himself. “He’s more like an eel than a man.” And indeed the way Sweetwater wound himself out and in through that room, seeing everything that came under his eye, was a sight well worth any professional’s attention. Pausing before the dead man on the floor, he held the lantern close to the white, worn face. “Ha!” said he, picking something from the long beard, “here’s a crumb of that same bread. Did you see that, Mr. Knapp?”

The question was so sudden and so sharp that the detective came near replying to it; but he bethought himself, and said nothing.

“That settles which of the two gnawed the loaf,” continued Sweetwater.

The next minute he was hovering over the still more pathetic figure of John, sitting in the chair.

“Sad! Sad!” he murmured.

Suddenly he laid his finger on a small rent in the old man’s faded vest. “You saw this, of course,” said he, with a quick glance over his shoulder at the silent detective.

No answer, as before.

“It’s a new slit,” declared the officious youth, looking closer, “and—yes—there’s blood on its edges. Here, take the lantern, Mr. Fenton, I must see how the skin looks underneath. Oh, gentlemen, no shirt! The poorest dockhand has a shirt! Brocaded vest and no shirt; but he’s past our pity now. Ah, only a bruise over the heart. Sirs, what did you make out of this?”

As none of them had even seen it, Knapp was not the only one to remain silent.

“Shall I tell you what I make out of it?” said the lad, rising hurriedly from the floor, which he had as hurriedly examined. “This old man has tried to take his life with the dagger already wet with the blood of Agatha Webb. But his arm was too feeble. The point only pierced the vest, wiping off a little blood in its passage, then the weapon fell from his hand and struck the floor, as you will see by the fresh dent in the old board I am standing on. Have you anything to say against these simple deductions?”

Again the detective opened his lips and might have spoken, but Sweetwater gave him no chance.

“Where is the letter he was writing?” he demanded. “Have any of you seen any paper lying about here?”

“He was not writing,” objected Knapp; “he was reading; reading in that old Bible you see there.”

Sweetwater caught up the book, looked it over, and laid it down, with that same curious twinkle of his eye they had noted in him before.

“He was writing,” he insisted. “See, here is his pencil.” And he showed them the battered end of a small lead-pencil lying on the edge of his chair.

“Writing at some time,” admitted Knapp.

“Writing just before the deed,” insisted Sweetwater. “Look at the fingers of his right hand. They have not moved since the pencil fell out of them.”

“The letter, or whatever it was, shall be looked for,” declared the constable.

Sweetwater bowed, his eyes roving restlessly into every nook and corner of the room.

“James was the stronger of the two,” he remarked; “yet there is no evidence that he made any attempt at suicide.”

“How do you know that it was suicide John attempted?” asked someone. “Why might not the dagger have fallen from James’s hand in an effort to kill his brother?”

“Because the dent in the floor would have been to the right of the chair instead of to the left,” he returned. “Besides, James’s hand would not have failed so utterly, since he had strength to pick up the weapon afterward and lay it where you found it.”

“True, we found it lying on the table,” observed Abel, scratching his head in forced admiration of his old schoolmate.

“All easy, very easy,” Sweetwater remarked, seeing the wonder in every eye. “Matters like those are for a child’s reading, but what is difficult, and what I find hard to come by, is how the twenty-dollar bill got into the old man’s hand. He found it here, but how—”

“Found it here? How do you know that?”

“Gentlemen, that is a point I will make clear to you later, when I have laid my hand on a certain clew I am anxiously seeking. You know this is new work for me and I have to advance warily. Did any of you gentlemen, when you came into this room, detect the faintest odour of any kind of perfume?”

“Perfume?” echoed Abel, with a glance about the musty apartment. “Rats, rather.”

Sweetwater shook his head with a discouraged air, but suddenly brightened, and stepping quickly across the floor, paused at one of the windows. It was that one in which the shade had been drawn.

Peering at this shade he gave a grunt.

“You must excuse me for a minute,” said he; “I have not found what I wanted in this room and now must look outside for it. Will someone bring the lantern?”

“I will,” volunteered Knapp, with grim good humour. Indeed, the situation was almost ludicrous to him.

“Bring it round the house, then, to the ground under this window,” ordered Sweetwater, without giving any sign that he noticed or even recognised the other’s air of condescension. “And, gentlemen, please don’t follow. It’s footsteps I am after, and the fewer we make ourselves, the easier will it be for me to establish the clew I am after.”

Mr. Fenton stared. What had got into the fellow?

The lantern gone, the room resumed its former appearance.

Abel, who had been much struck by Sweetwater’s mysterious manoeuvres, drew near Dr. Talbot and whispered in his ear: “We might have done without that fellow from Boston.”

To which the coroner replied:

“Perhaps so, and perhaps not. Sweetwater has not yet proved his case; let us wait till he explains himself.” Then, turning to the constable, he showed him an old-fashioned miniature, which he had found lying on James’s breast, when he made his first examination. It was set with pearls and backed with gold and was worth many meals, for the lack of which its devoted owner had perished.

“Agatha Webb’s portrait,” explained Talbot, “or rather Agatha Gilchrist’s; for I presume this was painted when she and James were lovers.”

“She was certainly a beauty,” commented Fenton, as he bent over the miniature in the moonlight. “I do not wonder she queened it over the whole country.”

“He must have worn it where I found it for the last forty years,” mused the doctor. “And yet men say that love is a fleeting passion. Well, after coming upon this proof of devotion, I find it impossible to believe James Zabel accountable for the death of one so fondly remembered. Sweetwater’s instinct was truer than Knapp’s.”

“Or ours,” muttered Fenton.

“Gentlemen,” interposed Abel, pointing to a bright spot that just then made its appearance in the dark outline of the shade before alluded to, “do you see that hole? It was the sight of that prick in the shade which sent Sweetwater outside looking for footprints. See! Now his eye

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