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and strong with him, he would have cut him down on my hearth.’

The phrase smites home. ‘Ah!’ thinks Mr. Crisparkle, ‘his own words!’

‘Seeing what I have seen to-night, and hearing what I have heard,’ adds Jasper, with great earnestness, ‘I shall never know peace of mind when there is danger of those two coming together, with no one else to interfere. It was horrible. There is something of the tiger in his dark blood.’

‘Ah!’ thinks Mr. Crisparkle, ‘so he said!’

‘You, my dear sir,’ pursues Jasper, taking his hand, ‘even you, have accepted a dangerous charge.’

‘You need have no fear for me, Jasper,’ returns Mr. Crisparkle, with a quiet smile. ‘I have none for myself.’

‘I have none for myself,’ returns Jasper, with an emphasis on the last pronoun, ‘because I am not, nor am I in the way of being, the object of his hostility. But you may be, and my dear boy has been. Good night!’

Mr. Crisparkle goes in, with the hat that has so easily, so almost imperceptibly, acquired the right to be hung up in his hall; hangs it up; and goes thoughtfully to bed.

CHAPTER IX—BIRDS IN THE BUSH

Rosa, having no relation that she knew of in the world, had, from the seventh year of her age, known no home but the Nuns’ House, and no mother but Miss Twinkleton. Her remembrance of her own mother was of a pretty little creature like herself (not much older than herself it seemed to her), who had been brought home in her father’s arms, drowned. The fatal accident had happened at a party of pleasure. Every fold and colour in the pretty summer dress, and even the long wet hair, with scattered petals of ruined flowers still clinging to it, as the dead young figure, in its sad, sad beauty lay upon the bed, were fixed indelibly in Rosa’s recollection. So were the wild despair and the subsequent bowed-down grief of her poor young father, who died broken-hearted on the first anniversary of that hard day.

The betrothal of Rosa grew out of the soothing of his year of mental distress by his fast friend and old college companion, Drood: who likewise had been left a widower in his youth. But he, too, went the silent road into which all earthly pilgrimages merge, some sooner, and some later; and thus the young couple had come to be as they were.

The atmosphere of pity surrounding the little orphan girl when she first came to Cloisterham, had never cleared away. It had taken brighter hues as she grew older, happier, prettier; now it had been golden, now roseate, and now azure; but it had always adorned her with some soft light of its own. The general desire to console and caress her, had caused her to be treated in the beginning as a child much younger than her years; the same desire had caused her to be still petted when she was a child no longer. Who should be her favourite, who should anticipate this or that small present, or do her this or that small service; who should take her home for the holidays; who should write to her the oftenest when they were separated, and whom she would most rejoice to see again when they were reunited; even these gentle rivalries were not without their slight dashes of bitterness in the Nuns’ House. Well for the poor Nuns in their day, if they hid no harder strife under their veils and rosaries!

Thus Rosa had grown to be an amiable, giddy, wilful, winning little creature; spoilt, in the sense of counting upon kindness from all around her; but not in the sense of repaying it with indifference. Possessing an exhaustless well of affection in her nature, its sparkling waters had freshened and brightened the Nuns’ House for years, and yet its depths had never yet been moved: what might betide when that came to pass; what developing changes might fall upon the heedless head, and light heart, then; remained to be seen.

By what means the news that there had been a quarrel between the two young men overnight, involving even some kind of onslaught by Mr. Neville upon Edwin Drood, got into Miss Twinkleton’s establishment before breakfast, it is impossible to say. Whether it was brought in by the birds of the air, or came blowing in with the very air itself, when the casement windows were set open; whether the baker brought it kneaded into the bread, or the milkman delivered it as part of the adulteration of his milk; or the housemaids, beating the dust out of their mats against the gateposts, received it in exchange deposited on the mats by the town atmosphere; certain it is that the news permeated every gable of the old building before Miss Twinkleton was down, and that Miss Twinkleton herself received it through Mrs. Tisher, while yet in the act of dressing; or (as she might have expressed the phrase to a parent or guardian of a mythological turn) of sacrificing to the Graces.

Miss Landless’s brother had thrown a bottle at Mr. Edwin Drood.

Miss Landless’s brother had thrown a knife at Mr. Edwin Drood.

A knife became suggestive of a fork; and Miss Landless’s brother had thrown a fork at Mr. Edwin Drood.

As in the governing precedence of Peter Piper, alleged to have picked the peck of pickled pepper, it was held physically desirable to have evidence of the existence of the peck of pickled pepper which Peter Piper was alleged to have picked; so, in this case, it was held psychologically important to know why Miss Landless’s brother threw a bottle, knife, or fork-or bottle, knife, AND fork— for the cook had been given to understand it was all three—at Mr. Edwin Drood?

Well, then. Miss Landless’s brother had said he admired Miss Bud. Mr. Edwin Drood had said to Miss Landless’s brother that he had no business to admire Miss Bud. Miss Landless’s brother had then ‘up’d’ (this was the cook’s exact information) with the bottle, knife, fork, and decanter (the decanter now coolly flying at everybody’s head, without the least introduction), and thrown them all at Mr. Edwin Drood.

Poor little Rosa put a forefinger into each of her ears when these rumours began to circulate, and retired into a corner, beseeching not to be told any more; but Miss Landless, begging permission of Miss Twinkleton to go and speak with her brother, and pretty plainly showing that she would take it if it were not given, struck out the more definite course of going to Mr. Crisparkle’s for accurate intelligence.

When she came back (being first closeted with Miss Twinkleton, in order that anything objectionable in her tidings might be retained by that discreet filter), she imparted to Rosa only, what had taken place; dwelling with a flushed cheek on the provocation her brother had received, but almost limiting it to that last gross affront as crowning ‘some other words between them,’ and, out of consideration for her new friend, passing lightly over the fact that the other words had originated in her lover’s taking things in general so very easily. To Rosa direct, she brought a petition from her brother that she would forgive him; and, having delivered it with sisterly earnestness, made an end of the subject.

It was reserved for Miss Twinkleton to tone down the public mind of the Nuns’ House. That lady, therefore, entering in a stately manner what plebeians might have called the school-room, but what, in the patrician language of the head of the Nuns’ House, was euphuistically, not to say round-aboutedly, denominated ‘the apartment allotted to study,’ and saying with a forensic air, ‘Ladies!’ all rose. Mrs. Tisher at the same time grouped herself behind her chief, as representing Queen Elizabeth’s first historical female friend at Tilbury fort. Miss Twinkleton then proceeded to remark that Rumour, Ladies, had been represented by the bard of Avon—needless were it to mention the immortal SHAKESPEARE, also called the Swan of his native river, not improbably with some reference to the ancient superstition that that bird of graceful plumage (Miss Jennings will please stand upright) sang sweetly on the approach of death, for which we have no ornithological authority,—Rumour, Ladies, had been represented by that bard—hem! -

 

‘who drew The celebrated Jew,’

 

as painted full of tongues. Rumour in Cloisterham (Miss Ferdinand will honour me with her attention) was no exception to the great limner’s portrait of Rumour elsewhere. A slight fracas between two young gentlemen occurring last night within a hundred miles of these peaceful walls (Miss Ferdinand, being apparently incorrigible, will have the kindness to write out this evening, in the original language, the first four fables of our vivacious neighbour, Monsieur La Fontaine) had been very grossly exaggerated by Rumour’s voice. In the first alarm and anxiety arising from our sympathy with a sweet young friend, not wholly to be dissociated from one of the gladiators in the bloodless arena in question (the impropriety of Miss Reynolds’s appearing to stab herself in the hand with a pin, is far too obvious, and too glaringly unladylike, to be pointed out), we descended from our maiden elevation to discuss this uncongenial and this unfit theme. Responsible inquiries having assured us that it was but one of those ‘airy nothings’ pointed at by the Poet (whose name and date of birth Miss Giggles will supply within half an hour), we would now discard the subject, and concentrate our minds upon the grateful labours of the day.

But the subject so survived all day, nevertheless, that Miss Ferdinand got into new trouble by surreptitiously clapping on a paper moustache at dinner-time, and going through the motions of aiming a water-bottle at Miss Giggles, who drew a table-spoon in defence.

Now, Rosa thought of this unlucky quarrel a great deal, and thought of it with an uncomfortable feeling that she was involved in it, as cause, or consequence, or what not, through being in a false position altogether as to her marriage engagement. Never free from such uneasiness when she was with her affianced husband, it was not likely that she would be free from it when they were apart. To-day, too, she was cast in upon herself, and deprived of the relief of talking freely with her new friend, because the quarrel had been with Helena’s brother, and Helena undisguisedly avoided the subject as a delicate and difficult one to herself. At this critical time, of all times, Rosa’s guardian was announced as having come to see her.

Mr. Grewgious had been well selected for his trust, as a man of incorruptible integrity, but certainly for no other appropriate quality discernible on the surface. He was an arid, sandy man, who, if he had been put into a grinding-mill, looked as if he would have ground immediately into high-dried snuff. He had a scanty flat crop of hair, in colour and consistency like some very mangy yellow fur tippet; it was so unlike hair, that it must have been a wig, but for the stupendous improbability of anybody’s voluntarily sporting such a head. The little play of feature that his face presented, was cut deep into it, in a few hard curves that made it more like work; and he had certain notches in his forehead, which looked as though Nature had been about to touch them into sensibility or refinement, when she had impatiently thrown away the chisel, and said: ‘I really cannot be worried to finish off this man; let him go as he is.’

With too great length of throat at his upper end, and too much ankle-bone and heel at his lower; with an awkward and hesitating manner; with a shambling walk; and with what is called a near sight—which perhaps prevented his observing how much white cotton stocking he displayed

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