At the Villa Rose, A. E. W. Mason [short story to read .TXT] 📗

light. He turned to Hanaud.

"The room is empty," he whispered.

Hanaud turned to Ricardo.

"Pass under the sill, or the light from the window will throw your shadow upon the lawn."

The party came to the back door of the house. Lemerre tried the handle of the door, and to his surprise it yielded. They crept into the passage. The last man closed the door noiselessly, locked it, and removed the key. A panel of light shone upon the wall a few paces ahead. The door of the lighted room was open. As Ricardo stepped silently past it, he looked in. It was a parlour meanly furnished. Hanaud touched him on the arm and pointed to the table.

Ricardo had seen the objects at which Hanaud pointed often enough without uneasiness; but now, in this silent house of crime, they had the most sinister and appalling aspect. There was a tiny phial half full of a dark-brown liquid, beside it a little leather case lay open, and across the case, ready for use or waiting to be filled, was a bright morphia needle. Ricardo felt the cold creep along his spine, and shivered.

"Come," whispered Hanaud.

They reached the foot of a flight of stairs, and cautiously mounted it. They came out in a passage which ran along the side of the house from the back to the front. It was unlighted, but they were now on the level of the street, and a fan-shaped glass window over the front door admitted a pale light. There was a street lamp near to the door, Ricardo remembered. For by the light of it Marthe Gobin had seen Celia Harland run so nimbly into this house.

For a moment the men in the passage held their breath. Some one strode heavily by on the pavement outside—to Mr. Ricardo's ear a most companionable sound. Then a clock upon a church struck the half-hour musically, distantly. It was half-past eight. And a second afterwards a tiny bright light shone. Hanaud was directing the light of a pocket electric torch to the next flight of stairs.

Here the steps were carpeted, and once more the men crept up. One after another they came out upon the next landing. It ran, like those below it, along the side of the house from the back to the front, and the doors were all upon their left hand. From beneath the door nearest to them a yellow line of light streamed out.

They stood in the darkness listening. But not a sound came from behind the door. Was this room empty, too? In each one's mind was the fear that the birds had flown. Lemerre carefully took the handle of the door and turned it. Very slowly and cautiously he opened the door. A strong light beat out through the widening gap upon his face. And then, though his feet did not move, his shoulders and his face drew back. The action was significant enough. This room, at all events, was not empty. But of what Lemerre saw in the room his face gave no hint. He opened the door wider, and now Hanaud saw. Ricardo, trembling with excitement, watched him. But again there was no expression of surprise, consternation, or delight. He stood stolidly and watched. Then he turned to Ricardo, placed a finger on his lips, and made room. Ricardo crept on tiptoe to his side. And now he too could look in. He saw a brightly lit bedroom with a made bed. On his left were the shuttered windows overlooking the lake. On his right in the partition wall a door stood open. Through the door he could see a dark, windowless closet, with a small bed from which the bedclothes hung and trailed upon the floor, as though some one had been but now roughly dragged from it. On a table, close by the door, lay a big green hat with a brown ostrich feather, and a white cloak. But the amazing spectacle which kept him riveted was just in front of him. An old hag of a woman was sitting in a chair with her back towards them. She was mending with a big needle the holes in an old sack, and while she bent over her work she crooned to herself some French song. Every now and then she raised her eyes, for in front of her, under her charge, Mlle. Celie, the girl of whom Hanaud was in search, lay helpless upon a sofa. The train of her delicate green frock swept the floor. She was dressed as Helene Vauquier had described. Her gloved hands were tightly bound behind her back, her feet were crossed so that she could not have stood, and her ankles were cruelly strapped together. Over her face and eyes a piece of coarse sacking was stretched like a mask, and the ends were roughly sewn together at the back of her head. She lay so still that, but for the labouring of her bosom and a tremor which now and again shook her limbs, the watchers would have thought her dead. She made no struggle of resistance; she lay quiet and still. Once she writhed, but it was with the uneasiness of one in pain, and the moment she stirred the old woman's hand went out to a bright aluminium flask which stood on a little table at her side.

"Keep quiet, little one!" she ordered in a careless, chiding voice, and she rapped with the flask peremptorily upon the table. Immediately, as though the tapping had some strange message of terror for the girl's ear, she stiffened her whole body and lay rigid.

"I am not ready for you yet, little fool," said the old woman, and she bent again to her work.

Ricardo's brain whirled. Here was the girl whom they had come to arrest, who had sprung from the salon with so much activity of youth across the stretch of grass, who had run so quickly and lightly across the pavement into this very house, so that she should not be seen. And now she was lying in her fine and delicate attire a captive, at the mercy of the very people who were her accomplices.

Suddenly a scream rang out in the garden—a shrill, loud scream, close beneath the windows. The old woman sprang to her feet. The girl on the sofa raised her head. The old woman took a step towards the window, and then she swiftly turned towards the door. She saw the men upon the threshold. She uttered a bellow of rage. There is no other word to describe the sound. It was not a human cry; it was the bellow of an angry animal. She reached out her hand towards the flask, but before she could grasp it Hanaud seized her. She burst into a torrent of foul oaths. Hanaud flung her across to Lemerre's officer, who dragged her from the room.

"Quick!" said Hanaud, pointing to the girl, who was now struggling helplessly upon the sofa. "Mlle. Celie!"

Ricardo cut the stitches of the sacking. Hanaud unstrapped her hands and feet. They helped her to sit up. She shook her hands in the air as though they tortured her, and then, in a piteous, whimpering voice, like a child's, she babbled incoherently and whispered prayers. Suddenly the prayers ceased. She sat stiff, with eyes fixed and staring. She was watching Lemerre, and she was watching him fascinated with terror. He was holding in his hand the large, bright aluminium flask. He poured a little of the contents very carefully on to a piece of the sack; and then with an exclamation of anger he turned towards Hanaud. But Hanaud was supporting Celia; and so, as Lemerre turned abruptly towards him with the flask in his hand, he turned abruptly towards Celia too. She wrenched herself from Hanaud's arms, she shrank violently away. Her white face flushed scarlet and grew white again. She screamed loudly, terribly; and after the scream she uttered a strange, weak sigh, and so fell sideways in a swoon. Hanaud caught her as she fell. A light broke over his face.

"Now I understand!" he cried. "Good God! That's horrible."

CHAPTER XIII IN THE HOUSE AT GENEVA

It was well, Mr. Ricardo thought, that some one understood. For himself, he frankly admitted that he did not. Indeed, in his view the first principles of reasoning seemed to be set at naught. It was obvious from the solicitude with which Celia Harland was surrounded that every one except himself was convinced of her innocence. Yet it was equally obvious that any one who bore in mind the eight points he had tabulated against her must be convinced of her guilt. Yet again, if she were guilty, how did it happen that she had been so mishandled by her accomplices? He was not allowed, however, to reflect upon these remarkable problems. He had too busy a time of it. At one moment he was running to fetch water wherewith to bathe Celia's forehead. At another, when he had returned with the water, he was distracted by the appearance of Durette, the inspector from Aix, in the doorway.

"We have them both," he said—"Hippolyte and the woman. They were hiding in the garden."

"So I thought," said Hanaud, "when I saw the door open downstairs, and the morphia-needle on the table."

Lemerre turned to one of the officers.

"Let them be taken with old Jeanne in cabs to the depot."

And when the man had gone upon his errand Lemerre spoke to Hanaud.

"You will stay here to-night to arrange for their transfer to Aix?"

"I will leave Durette behind," said Hanaud. "I am needed at Aix. We will make a formal application for the prisoners." He was kneeling by Celia's side and awkwardly dabbing her forehead with a wet handkerchief. He raised a warning hand. Celia Harland moved and opened her eyes. She sat up on the sofa, shivering, and looked with dazed and wondering eyes from one to another of the strangers who surrounded her. She searched in vain for a familiar face.

"You are amongst good friends, Mlle. Celie," said Hanaud with great gentleness.

"Oh, I wonder! I wonder!" she cried piteously.

"Be very sure of it," he said heartily, and she clung to the sleeve of his coat with desperate hands.

"I suppose you ARE friends," she said; "else why—?" and she moved her numbed limbs to make certain that she was free. She looked about the room. Her eyes fell upon the sack and widened with terror.

"They came to me a little while ago in that cupboard there—Adele and the old woman Jeanne. They made me get up. They told me they were going to take me away. They brought my clothes and dressed me in everything I wore when I came, so that no single trace of me might be left behind. Then they tied me." She tore off her gloves and showed them her lacerated wrists. "I think they meant to kill me—horribly." And she caught her breath and whimpered like a child. Her spirit was broken.

"My poor girl, all that is over," said Hanaud. And he stood up.

But at the first movement he made she cried incisively, "No," and tightened the clutch of her fingers upon his sleeve.

"But, mademoiselle, you are safe," he said, with a smile. She stared at him stupidly. It seemed the words had no meaning for her. She would not let him go. It was only the feel of his coat within the clutch of her fingers which gave her any comfort.

"I want to be sure that I am safe," she said, with a wan little smile.

"Tell me, mademoiselle, what have you had to eat and drink during the last two days?"

"Is it two days?" she asked. "I was in the dark there. I did not know. A little bread, a little water."

"That's what is wrong," said Hanaud. "Come, let us go from here!"

"Yes, yes!" Celia cried eagerly. She rose to her feet, and tottered. Hanaud put his arm about