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Miss Crayne's bedroom window. A few of the earlier group were posted in the neighbouring town of Whitchurch, some on days that Blade was certainly not there."

"That was going to be one of my strongest points," remarked Freynes.

"The letters always imply that there is some obstacle existing between the writer and the girl he desires. What possible object could Blade have in writing letters to various people suggesting an intrigue between his vicar's daughter and himself; yet these letters were clearly written by the same hand that addressed those to the girl, her father and her mother."

Freynes nodded his head comprehendingly.

"If Blade were in love with the girl," continued Malcolm Sage, "what was there to prevent him from pressing his suit along legitimate and accepted lines. Murdy frankly acknowledges that there has been nothing in Blade's outward demeanour to suggest that Miss Crayne was to him anything more than the daughter of his vicar."

"What do you make of the story of the assault?"

"As evidence it is worthless," replied Malcolm Sage, "being without corroboration. The farmhand did not actually see Blade."

Freynes nodded his agreement.

"Having convinced myself that Blade had nothing to do with the writing of the letters, I next tried to discover if there were anything throwing suspicion on others in the neighbourhood, who were known to use 'Olympic Script' as note-paper.

"The schoolmaster, John Gray, was one. He is an admirer of Miss Crayne, according to local gossip; but it was obvious from the first that he had nothing to do with the affair. One by one I eliminated all the others, until I came back once more to Blade.

"It was clear that the letters were written with a fountain-pen, and Blade always uses one. That, however, is not evidence, as millions of people use fountain-pens. By the way, what is your line of defence?" he enquired.

"Smashing the handwriting experts," was the reply. "I was calling four myself, on the principle that God is on the side of the big battalions; but now I shall depend entirely on your evidence."

"The assault?" queried Malcolm Sage.

"There I'm done," said Freynes, "for although Miss Crayne's evidence is not proof, it will be sufficient for a jury. Besides, she's a very pretty and charming girl. I suppose," he added, "Blade must have made some sort of declaration, which she, in the light of the anonymous letters, entirely misunderstood."

"What does he say?"

"Denies it absolutely, although he admits being in the neighbourhood of the 'Gipsies Wood,' and actually catching sight of Miss Crayne in the distance; but he says he did not speak to her."

"Is he going into the witness-box?"

"Certainly"; then after a pause he added, "Kelton is prosecuting, and he's as moral as a swan. He'll appeal to the jury as fathers of daughters, and brothers of sisters."

Malcolm Sage made no comment; but continued smoking mechanically, his attention apparently absorbed in the cards before him.

"If you can smash the handwriting experts," continued the K.C., "I may be able to manage the girl's testimony."

"It will not be necessary," said Malcolm Sage, carefully placing a nine of clubs upon an eight of diamonds.

"Not necessary?"

"I have asked Murdy to come round," continued Malcolm Sage, still intent upon his game. "I think that was his ring."

A minute later the door opened to admit the burly inspector, more blue-eyed and genial than ever, and obviously in the best of spirits.

"Good evening, Mr. Sage," he cried cheerfully. "Congratulations on the Adair business. Good evening, sir," he added, as he shook hands with Freynes.

He dropped heavily into a seat, and taking a cigar from the box on the table, which Malcolm Sage had indicated with a nod, he proceeded to light it. No man enjoyed a good cigar more than Inspector Murdy.

"Well, what do you think of it?" he enquired, looking from Malcolm Sage to Freynes. "It's a clear case now, I think." He slightly stressed the word "now."

"You mean it's Blade?" enquired Malcolm Sage, as he proceeded to gather up the cards.

"Who else?" enquired the inspector, through a cloud of smoke.

"That is the question which involves your being here now, Murdy," said Malcolm Sage dryly.

"We've got three handwriting experts behind us," said the inspector complacently.

"That is precisely where they should be," retorted Malcolm Sage quietly. "In the biblical sense," he added.

Freynes laughed, whilst Inspector Murdy looked from one to the other.
He did not quite catch the allusion.

"You have done as I suggested?" enquired Malcolm Sage, when he had placed the cards in their box and removed the card-table.

"Here are all the letters received up to a fortnight ago," said the inspector, holding out a bulky packet. "Those received since have each been sealed up separately by the vicar, who is keeping half of them, whilst I have the other half; but really, Mr. Sage, I don't understand——"

"Thank you, Murdy," said Malcolm Sage, as he took the packet. "It is always a pleasure to work with Scotland Yard, It is so thorough."

The inspector beamed; for he knew the compliment was sincere.

Without a word Malcolm Sage left the room, taking the packet with him.

"A bit quaint at times, ain't he, sir?" remarked Inspector Murdy to
Freynes; "but one of the best. I'd trust him with anything."

Freynes nodded encouragingly.

"There are some of them down at the Yard that don't like him," he continued. "They call him 'Sage and Onions'; but most of us who have worked with him swear by Mr. Sage. He's never out for the limelight himself, and he's always willing to give another fellow a leg-up. After all, it's our living," he added, a little inconsequently.

Freynes appreciated the inspector's delicacy in refraining from any mention of the Gylston case during Malcolm Sage's absence. After all, they represented respectively the prosecution and the defence. For nearly half an hour the two talked together upon unprofessional subjects. When Malcolm Sage returned, he found them discussing the prospects of Dempsey against Carpentier.

Handing back the packet of letters to Inspector Murdy, Malcolm Sage resumed his seat, and proceeded to re-light his pipe.

"Spotted the culprit, Mr. Sage?" enquired the inspector, with something that was very much like a wink in the direction of Freynes.

"I think so," was the quiet reply. "You might meet me at Gylston
Vicarage to-morrow at three. I'll telegraph to Blade to be there too.
You had better bring the schoolmaster also."

"You mean——" began the inspector, rising.

"Exactly," said Malcolm Sage. "It's past eleven, and we all require sleep."

II

The next afternoon the study of the vicar of Gylston presented a strange appearance.

Seated at Mr. Crayne's writing-table was Malcolm Sage, a small attaché-case at his side, whilst before him were several piles of sealed packets. Grouped about the room were Inspector Murdy, Robert Freynes, Mr. Gray, and the vicar.

All had their eyes fixed upon Malcolm Sage; but with varying expressions. Those of the schoolmaster were frankly cynical. The inspector and Freynes looked as if they expected to see produced from the attaché-case a guinea-pig or a white rabbit, pink-eyed and kicking; whilst the vicar had obviously not yet recovered from his surprise at discovering that the stranger, who had shown such a remarkable knowledge of monumental brasses and Norman architecture, was none other than the famous investigator about whom he had read so much in the newspapers.

With quiet deliberation Malcolm Sage opened the attaché-case and produced a spirit lamp, which he lighted. He then placed a metal plate upon a rest above the flame. On this he imposed a thicker plate of a similar metal that looked like steel; but it had a handle across the middle, rather resembling that of a tool used by plasterers.

He then glanced up, apparently unconscious of the almost feverish interest with which his every movement was being watched.

"I should like Miss Crayne to be present," he said.

As he spoke the door opened and the curate entered, his dark, handsome face lined and careworn. It was obvious that he had suffered. He bowed, and then looked about him, without any suggestion of embarrassment.

Malcolm Sage rose and held out his hand; Freynes followed suit.

"Ask Miss Muriel to come here," said the vicar to the maid as she was closing the door.

The curate took the seat that Malcolm Sage indicated beside him.
Silently the six men waited.

A few minutes later Miss Crayne entered, pale but self-possessed. She closed the door behind her. Suddenly she caught sight of the curate. Her eyes widened, and her paleness seemed to become accentuated. A moment later it was followed by a crimson flush. She hesitated, her hands clenched at her side, then with a manifest effort she appeared to control herself and, with a slight smile and inclination of her head, took the chair the schoolmaster moved towards her. Instinctively she turned her eyes toward Malcolm Sage.

"Inspector Murdy," he said, without raising his eyes, "will you please open two of those packets?" He indicated the pile upon his left. "I should explain," he continued, "that each of these contains one of the most recent of the series of letters with which we are concerned. Each was sealed up by Mr. Crayne immediately it reached him, in accordance with Inspector Murdy's request. Therefore, only the writer, the recipient and the vicar have had access to these letters."

Malcolm Sage turned his eyes interrogatingly upon Mr. Crayne, who bowed.

Meanwhile the inspector had cut open the two top envelopes, unfolded the sheets of paper they contained, and handed them to Malcolm Sage.

All eyes were fixed upon his long, shapely fingers as he smoothed out one of the sheets of paper upon the vicar's blotting-pad. Then, lifting the steel plate by the handle, he placed it upon the upturned sheet of paper.

The tension was almost unendurable. The heavy breathing of Inspector Murdy seemed like the blowing of a grampus. Mr. Gray glanced across at him irritably. The vicar coughed slightly, then looked startled that he had made so much noise.

Everyone bent forward, eagerly expecting something; yet without quite knowing what. Malcolm Sage lifted the metal plate from the letter. There in the centre of the page, in bluish-coloured letters, which had not been there when the paper was smoothed out upon the blotting-pad, appeared the words:——

   Malcolm Sage,
 August 12th, 1919.
     No. 138.

For some moments they all gazed at the paper as if the mysterious blue letters exercised upon them some hypnotic influence.

"Secret ink!"

It was Robert Freynes who spoke. Accustomed as he was to dramatic moments, he was conscious of a strange dryness at the back of his throat, and a consequent huskiness of voice.

His remark seemed to break the spell. Instinctively everyone turned to him. The significance of the bluish-coloured characters was slowly dawning upon the inspector; but the others still seemed puzzled to account for their presence.

Immediately he had lifted the plate from the letter, Malcolm Sage had drawn a sheet of plain sermon paper from the rack before him. This he subjected to the same treatment as the letter. When a few seconds later he exposed it, there in the centre appeared the same words:——

     Malcolm Sage,
   August 12th, 1919.

but on this sheet the number was 203.

Then the true significance of the two sheets of paper seemed to dawn upon the onlookers.

Suddenly there was a scream, and Muriel Crayne fell forward on to the floor.

"Oh! father, father, forgive me!" she cried, and the next moment she was beating the floor with her hands in violent hysterics.

III

"From the first I suspected the truth," remarked Malcolm Sage, as he, Robert Freynes and Inspector Murdy sat smoking in the car that Tims was taking back to London at its best pace. "Eighty-five years ago a somewhat similar case occurred in France, that of Marie de Morel, when an innocent man was sentenced to ten years' imprisonment, and actually served eight before the truth was discovered."

The inspector whistled under his breath.

"This suspicion was strengthened by the lengthy account of the affair written by Miss Crayne, which Murdy obtained from her. The punctuation, the phrasing, the inaccurate use of auxiliary verbs, were identical with that of the anonymous letters.

"Another point was that the similarity of the handwriting of the anonymous letters to Blade's became more pronounced as the letters themselves multiplied. The writer was becoming more expert as an imitator."

Freynes nodded his head several times.

"The difficulty, however, was to prove it," continued Malcolm Sage. "There was only one way; to substitute secretly marked paper for that in use at the vicarage.

"I

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