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I do not know Mother Peter. But I want you to tell me who lives in the house opposite?"

Her Parisian French greatly surprised the two girls, who giggled at each other, and one of them cried—

"Oh, here's a lark!"

But they scented an intrigue, and were quite ready to give all the information in their power.

"A lot of people live there," said the elder one, trying, with the ready tact of her nation, to accommodate her words to the understanding of the stranger. "It all depends who you want to know about. On the ground floor is Josef the barber and his wife, with three little ones. It cannot be them, I am sure, and it cannot be Monsieur Ducrot, who is their lodger, for he is seventy years old and a sacristan in the Church of the Sacred Heart. Then on the first floor there are three men, not a woman amongst them. One is a bill-sticker, another a fisherman, and the third a waiter in the Café du Midi. I do not know their proper names. We call the bill-sticker 'Paste-pot,' and the fisherman 'Crab.' The waiter is called 'Thomas' in the café, but when a letter comes for him it is in another name. Then, on the second floor—by the way, Marie, who is it that lives on the second floor?"

Edith with difficulty restrained her excitement. She felt that if only these youngsters rattled on a little longer she might gain some valuable information.

Marie, thus appealed to, was evidently of a more cautious temperament than her companion.

"If the young lady will tell us why she wants to know, we may be able to help her?" she stipulated.

"Certainly," cried Edith, instantly resolving to pursue the tactics of the penny novelette. "I have been deserted. My lover has been taken away from me by another woman—at least, that is what I am informed. I do not wish to make any trouble about it. There are plenty as good men as he left in the world; but, on the other hand, I must not act unjustly. I have been told that he lives in this house—that he is living with her here at this moment, in fact. If I can make sure of it, I will go away and never set eyes on him again unless by chance, and then you may be sure I will take no notice of him. I am not one of those silly girls who break their hearts over a faithless sweetheart."

Marie was reassured.

"I should think not," she said, with a sympathetic and defiant sniff. "I had the very same experience last Sunday, when Phillippe—the grocer's boy at the corner, you know—walked along the Corniche Road with a chit of a girl out of a shop. She thinks herself better than we are because she stands behind a counter, and I am sure she made eyes at Phillippe one day when his master sent him there on an errand."

"Phillippe must have bad taste," broke in Edith. "But I am sorry I must hasten away. If you girls will tell me quickly all the other people that live in that house I will give you two francs each. That is all the money I have got."

She produced the coins, which she easily distinguished from the gold in her pocket by their size. She knew that to appear too well supplied with money in that neighbourhood was to court danger, if not disaster, to her undertaking.

Both girls eagerly seized the forty-sous pieces.

"Oh, on the second floor," said Marie, "I am afraid you will find your young man. They are a funny couple that live there. They only came here on Monday. When did your young man leave you?"

"I saw him on Saturday."

"Where?"

This was a poser, but Miss Talbot answered desperately:

"At Lyon."

"What is he like?"

Another haphazard shot.

"He is tall and dark, and, oh! so good-looking, with a beautifully white skin and a pink complexion."

"That is he!" cried both girls together.

"The scoundrel! But tell me," went on Edith, whose excitement was readily construed as the pangs of jealousy, "who is the creature that lives with him?"

"We think she is a music-hall artiste," replied Marie. "At least, that is what the people say. I have not heard yet what hall she appears in. They say she is very pretty. Are you going to throw vitriol over her?"

"Not I," said Edith, with a fine scorn. "Do they live there alone?"

"Yes, quite alone. They rent the place from Père Didon. He owns most of the houses in this street, you know, and is a regular skinflint. He won't let any one get behind with their rent for an hour. He is old, so old that you would not think that he could live another week, yet he is that keen after his francs you would imagine he was a young man anxious to get money for a gay life. You ought to have heard the row here last Saturday when he turned the people out from their rooms where your lover now lives with his mistress. It was terrible. There was a poor woman with two sick children."

How much further the revelations as to Père Didon's iniquity might have gone, Miss Talbot could not say, but at that moment there came an interruption.

From the opposite doorway appeared the figure of Mlle. Beaucaire, carrying a small bag. She was followed by a man, tall, slight, and closely muffled up, who shouldered a larger portmanteau. Edith grabbed both the girls, and pulled them close to her against the closed door behind them.

"It is he!" she whispered tragically. "Silence! Let us watch them!"

The man darted a suspicious glance up and down the street. There was no one whom even the clever Henri Dubois could construe as an enemy—no one save some chattering Marseillais loitering around their doorsteps, and three girls huddled together in close conclave directly opposite.

Thus reassured, he strode after La Belle Chasseuse, who cried out impatiently:

"Come quick, Henri; what are you waiting for?"

"Is his name Henri?" whispered the awe-stricken Marie.

"Yes. Isn't he a villain? I wonder where they are going now!"

"Let us follow them and see," suggested Marie.

"Yes, let us follow them and see," chimed in the other one, who delighted in this nocturnal romance. It was a veritable page out of one of Paul de Kock's novels.

The programme suited Miss Talbot exceedingly well.

They strolled off down the street, nestling together, Edith in the centre, and keeping the shrouded couple in front well in sight. This time, when Mademoiselle Beaucaire and her companion reached the point where the street emerged on to the harbour, they did not cross over towards the broad and brilliantly-lighted Cannebiere, but hurried on through the darkness in the direction of a cluster of fishing smacks that lay alongside the Quai de Rive Neuve.

"My faith, Eugenie!" cried Marie, "they must be going on board one of the vessels."

"What a lark!" was the answer. "I suppose they fear you," she added, turning her sharp eyes on Edith. "What is your name?"

"Lucille," came the answer on the spur of the moment.

"Lucille what?"

"Lucille Beauharnais."

"My gracious!" cried Eugenie, "what a swell name!"

"Oh, let us hurry," interrupted Miss Talbot desperately. "You girls know everybody. You must know all the vessels. If they are going on a boat and you find out the name and number for me I will give each of you a whole louis. I will give them to you now—I mean, that is, if you will walk with me afterwards to my lodgings."

Even amidst the exciting circumstances surrounding her, Edith recognized the absolute necessity there was to maintain the credibility of her previous narrative.

Unquestionably Dubois and the lady intended to embark on one of the fishing boats. They hastened to the further end of the harbour, through whose tiny entrance Edith could now see the dark waters of the bay beyond, for the night was beautifully clear and fine, and the bright stars of the south lent some radiance to the scene, when the girls quitted the deep shadow of the houses.

A solitary boat, a decked fishing-smack of some forty tons, was lying by the side of the quay, apart from the others. Edith, who knew something about yachting, recognized that her gearing was not fastened in the trim manner suggestive of a craft laid by for the night. At the same instant, too, she caught sight of a third form—that of a man who had been seated on a fixed capstan, and who now strode forward to peer at the newcomers.

Some few words passed between the three, but it was impossible for the girls to hear a syllable. Instantly the sailor assisted Dubois and Mademoiselle Beaucaire to step down from the quay on board the smack. He followed them, and three other men, who appeared out of the chaos of sails and ropes, commenced to labour with a large pole in order to shove the sturdy vessel out into the harbour.

"Quick!" murmured Edith, in an agony lest the opportunity should slip. "Tell me what vessel it is."

"I think," said Marie, "it is the Belles Sœurs. Anyhow, we can easily make certain. All we have to do is to go back around the top of the harbour, walk down the Quai du Port, and watch her as she passes under the lighthouse of the Fort St. Jean. They will hoist her sail then and we shall see her number."

"Oh, come," cried Edith, "let us run!"

"We can run if you like," replied Marie coolly, "but there is no need. They have to get out by using the sweeps, and we will be underneath the lighthouse at least a minute or two before they pass, even if we walk slowly."

Whilst they were talking the three girls put their words into practice, and Edith found herself battling with a logical dilemma. Dubois was evidently escaping from France—making out from Marseilles at this late hour on a vessel capable of sailing to almost any point of the Mediterranean.

What could she do? Was it possible to invoke the aid of a policeman and get some authority to hail the craft and order her to return, or was there time to take a cab in the Cannebiere and drive furiously to the hotel, where Brett, Fairholme, and her brother must be anxiously awaiting her return?

Rapidly as these alternatives suggested themselves, she dismissed them. It was best to fall in with Marie's suggestion and ascertain beyond doubt the identity of the fishing smack. Then, at any rate, Brett would have a tangible and definite clue.

So she hastened with her companions along the three sides of the now almost deserted quay, and, in accordance with the prediction of her youthful guides, she reached the promenade beyond the small lighthouse of the inner port before the vessel had quitted the harbour. To move a forty-ton boat with oars is a slow matter at the best.

As the craft came creeping steadily through the narrow channel Edith saw, to her great relief, that two of the men drew in their sweeps, and commenced to haul upon ropes whilst the clanking and groaning of pulleys heralded the slow rising of the mainsail.

She thought the sail would never climb up in time, but as it began to yield to the steady pull of the men it mounted more and more rapidly, and at last, feeling the influence of a gentle breeze blowing off the land, it shook out its cumbrous folds and the number stood clearly revealed in huge white letters on the dark brown canvas.

At first, in her eagerness, she could hardly discern it, save a big "M" and an "R."

"There!" cried Eugenie, bubbling over with excitement. "There it is! 'M.R. 107,' Marseilles, No. 107, you know. Why, isn't that Jacques le Bon's boat?" she demanded from her companion.

"Yes,

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