The Complete Celebrated Crimes, Alexandre Dumas [good romance books to read TXT] 📗

a burning chafing dish, in the other a red paper. The three flames of the lamp grew fainter at the same moment, and the room was left lighted up only by the chafing dish; every object now assumed a fantastic air that did not fail to disquiet the two visitors, but it was too late to draw back.

The soothsayer placed the chafing dish in the middle of the room, presented the paper to the young woman who had spoken, and said to her—

“Write down what you wish to know.”

The woman took the paper with a steadier hand than might have been expected, seated herself at a table, and wrote:—

“Am I young? Am I beautiful? Am I maid, wife, or widow? This is for the past.

“Shall I marry, or marry again? Shall I live long, or shall I die young? This is for the future.”

Then, stretching out her hand to the soothsayer, she asked—

“What am I to do now with this?”

“Roll that letter around this ball,” answered the other, handing to the unknown a little ball of virgin wax. “Both ball and letter will be consumed in the flame before your eyes; the spirit knows your secrets already. In three days you will have the answer.”

The unknown did as the sibyl bade her; then the latter took from her hands the ball and the paper in which it was wrapped, and went and threw both into the chafing pan.

” And now all is done as it should be,” said the soothsayer. “Comus!”

The dwarf came in.

“See the lady to her coach.”

The stranger left a purse upon the table, and followed Comus. He conducted her and her companion, who was only a confidential maid, down a back staircase, used as an exit, and leading into a different street from that by which the two women had come in; but the coachman, who had been told beforehand of this circumstance, was awaiting them at the door, and they had only to step into their carriage, which bore them rapidly away in the direction of the rue Dauphine.

Three days later, according to the promise given her, the fair unknown, when she awakened, found on the table beside her a letter in an unfamiliar handwriting; it was addressed “To the beautiful Provencale,” and contained these words—

“You are young; you are beautiful; you are a widow. This is for the present.

“You will marry again; you will die young, and by a violent death. This is for the future. THE SPIRIT.”

 

The answer was written upon a paper like that upon which the questions had been set down.

The marquise turned pale and uttered a faint cry of terror; the answer was so perfectly correct in regard to the past as to call up a fear that it might be equally accurate in regard to the future.

The truth is that the unknown lady wrapped in a mantle whom we have escorted into the modern sibyl’s cavern was no other than the beautiful Marie de Rossan, who before her marriage had borne the name of Mademoiselle de Chateaublanc, from that of an estate belonging to her maternal grandfather, M. Joannis de Nocheres, who owned a fortune of five to six hundred thousand livres. At the age of thirteen—that is to say, in 1649—she had married the Marquis de Castellane, a gentleman of very high birth, who claimed to be descended from John of Castille, the son of Pedro the Cruel, and from Juana de Castro, his mistress. Proud of his young wife’s beauty, the Marquis de Castellane, who was an officer of the king’s galleys, had hastened to present her at court. Louis XIV, who at the time of her presentation was barely twenty years old, was struck by her enchanting face, and to the great despair of the famous beauties of the day danced with her three times in one evening. Finally, as a crowning touch to her reputation, the famous Christina of Sweden, who was then at the French court, said of her that she had never, in any of the kingdoms through which she had passed, seen anything equal to “the beautiful Provencale.” This praise had been so well received, that the name of “the beautiful Provencale” had clung to Madame de Castellane, and she was everywhere known by it.

This favour of Louis XIV and this summing up of Christina’s had been enough to bring the Marquise de Castellane instantly into fashion; and Mignard, who had just received a patent of nobility and been made painter to the king, put the seal to her celebrity by asking leave to paint her portrait. That portrait still exists, and gives a perfect notion of the beauty which it represents; but as the portrait is far from our readers’ eyes, we will content ourselves by repeating, in its own original words, the one given in 1667 by the author of a pamphlet published at Rouen under the following title: True and Principal Circumstances of the Deplorable Death of Madame the Marquise de Ganges:

[Note: It is from this pamphlet, and from the Account of the Death of Madame the Marquise de Ganges, formerly Marquise de Castellane, that we have borrowed the principal circumstances of this tragic story. To these documents we must add—that we may not be constantly referring our readers to original sources—the Celebrated Trials by Guyot de Pitaval, the Life of Marie de Rossan, and the Lettres galantes of Madame Desnoyers.]

 

“Her complexion, which was of a dazzling whiteness, was illumined by not too brilliant a red, and art itself could not have arranged more skilfully the gradations by which this red joined and merged into the whiteness of the complexion. The brilliance of her face was heightened by the decided blackness of her hair, growing, as though drawn by a painter of the finest taste, around a well proportioned brow; her large, well opened eyes were of the same hue as her hair, and shone with a soft and piercing flame that rendered it impossible to gaze upon her steadily; the smallness, the shape, the turn of her mouth, and, the beauty of her teeth were incomparable; the position and the regular proportion of her nose added to her beauty such an air of dignity, as inspired a respect for her equal to the love that might be inspired by her beauty; the rounded contour of her face, produced by a becoming plumpness, exhibited all the vigour and freshness of health; to complete her charms, her glances, the movements of her lips and of her head, appeared to be guided by the graces; her shape corresponded to the beauty of her face; lastly, her arms, her hands, her bearing, and her gait were such that nothing further could be wished to complete the agreeable presentment of a beautiful woman.”

 

[Note: All her contemporaries, indeed, are in agreement as to her marvellous beauty; here is a second portrait of the marquise, delineated in a style and manner still more characteristic of that period:—

“You will remember that she had a complexion smoother and finer than a mirror, that her whiteness was so well commingled with the lively blood as to produce an exact admixture never beheld elsewhere, and imparting to her countenance the tenderest animation; her eyes and hair were blacker than jet; her eyes, I say, of which the gaze could scarce, from their excess of lustre, be supported, which have been celebrated as a miracle of tenderness and sprightliness, which have given rise, a thousand times, to the finest compliments of the day, and have been the torment of many a rash man, must excuse me, if I do not pause longer to praise them, in a letter; her mouth was the feature of her face which compelled the most critical to avow that they had seen none of equal perfection, and that, by its shape, its smallness, and its brilliance, it might furnish a pattern for all those others whose sweetness and charms had been so highly vaunted; her nose conformed to the fair proportion of all her features; it was, that is to say, the finest in the world; the whole shape of her face was perfectly round, and of so charming a fullness that such an assemblage of beauties was never before seen together. The expression of this head was one of unparalleled sweetness and of a majesty which she softened rather by disposition than by study; her figure was opulent, her speech agreeable, her step noble, her demeanour easy, her temper sociable, her wit devoid of malice, and founded upon great goodness of heart.”]

 

It is easy to understand that a woman thus endowed could not, in a court where gallantry was more pursued than in any other spot in the world, escape the calumnies of rivals; such calumnies, however, never produced any result, so correctly, even in the absence of her husband, did the marquise contrive to conduct herself; her cold and serious conversation, rather concise than lively, rather solid than brilliant, contrasted, indeed, with the light turn, the capricious and fanciful expressions employed by the wits of that time; the consequence was that those who had failed to succeed with her, tried to spread a report that the marquise was merely a beautiful idol, virtuous with the virtue of a statue. But though such things might be said and repeated in the absence of the marquise, from the moment that she appeared in a drawing-room, from the moment that her beautiful eyes and sweet smile added their indefinable expression to those brief, hurried, and sensible words that fell from her lips, the most prejudiced came back to her and were forced to own that God had never before created anything that so nearly touched perfection.

She was thus in the enjoyment of a triumph that backbiters failed to shake, and that scandal vainly sought to tarnish, when news came of the wreck of the French galleys in Sicilian waters, and of the death of the Marquis de Castellane, who was in command. The marquise on this occasion, as usual, displayed the greatest piety and propriety: although she had no very violent passion for her husband, with whom she had spent scarcely one of the seven years during which their marriage had lasted, on receipt of the news she went at once into retreat, going to live with Madame d’Ampus, her mother-in-law, and ceasing not only to receive visitors but also to go out.

Six months after the death of her husband, the marquise received letters from her grandfather, M. Joannis de Nocheres, begging her to come and finish her time of mourning at Avignon. Having been fatherless almost from childhood, Mademoiselle de Chateaublanc had been brought up by this good old man, whom she loved dearly; she hastened accordingly to accede to his invitation, and prepared everything for her departure.

This was at the moment when la Voisin, still a young woman, and far from having the reputation which she subsequently acquired, was yet beginning to be talked of. Several friends of the Marquise de Castellane had been to consult her, and had received strange predictions from her, some of which, either through the art of her who framed them, or through some odd concurrence of circumstances, had come true. The marquise could not resist the curiosity with which various tales that she had heard of this woman’s powers had inspired her, and some days before setting out for Avignon she made the visit which we have narrated. What answer she received to her questions we have seen.

The marquise was not superstitious, yet this fatal prophecy impressed itself upon her mind and left behind a deep trace, which neither the pleasure of revisiting her native place, nor the affection of her grandfather, nor the fresh admiration which she did not fail to receive, could succeed in