Mary Stuart, Alexandre Dumas père [e manga reader TXT] 📗

had come, the procession returned to the palace, where a splendid funeral repast had been prepared. By a strange contradiction, Elizabeth, who, having punished the living woman as a criminal, had just treated the dead woman as a queen, had also wished that the honours of the funeral banquet should be for the servants, so long forgotten by her. But, as one can imagine, these ill accommodated themselves to that intention, did not seem astonished at this luxury nor rejoiced at this good cheer, but, on the contrary, drowned their bread and wine in tears, without otherwise responding to the questions put to them or the honours granted them. And as soon as the repast was ended, the poor servants left Peterborough and took the road back to Fotheringay, where they heard that they were free at last to withdraw whither they would. They did not need to be told twice; for they lived in perpetual fear, not considering their lives safe so long as they remained in England. They therefore immediately collected all their belongings, each taking his own, and thus went out of Fotheringay Castle on foot, Monday, 13th August, 1587.

Bourgoin went last: having reached the farther side of the drawbridge, he turned, and, Christian as he was, unable to forgive Elizabeth, not for his own sufferings, but for his mistress's, he faced about to those regicide walls, and, with hands outstretched to them, said in a loud and threatening voice, those words of David: "Let vengeance for the blood of Thy servants, which has been shed, O Lord God, be acceptable in Thy sight". The old man's curse was heard, and inflexible history is burdened with Elizabeth's punishment.

We said that the executioner's axe, in striking Mary Stuart's head, had caused the crucifix and the book of Hours which she was holding to fly from her hands. We also said that the two relics had been picked up by people in her following. We are not aware of what became of the crucifix, but the book of Hours is in the royal library, where those curious about these kinds of historical souvenirs can see it: two certificates inscribed on one of the blank leaves of the volume demonstrate its authenticity. These are they:


FIRST CERTIFICATE

"We the undersigned Vicar Superior of the strict observance of the Order of Cluny, certify that this book has been entrusted to us by order of the defunct Dom Michel Nardin, a professed religious priest of our said observance, deceased in our college of Saint-Martial of Avignon, March 28th, 1723, aged about eighty years, of which he has spent about thirty among us, having lived very religiously: he was a German by birth, and had served as an officer in the army a long time.

"He entered Cluny, and made his profession there, much detached from all this world's goods and honours; he only kept, with his superior's permission, this book, which he knew had been in use with Mary Stuart, Queen of England and Scotland, to the end of her life.

"Before dying and being parted from his brethren, he requested that, to be safely remitted to us, it should be sent us by mail, sealed. Just as we have received it, we have begged M. L'abbe Bignon, councillor of state and king's librarian, to accept this precious relic of the piety of a Queen of England, and of a German officer of her religion as well as of ours.

"(Signed) BROTHER GERARD PONCET,

"Vicar-General Superior."


SECOND CERTIFICATE

"We, Jean-Paul Bignon, king's librarian, are very happy to have an opportunity of exhibiting our zeal, in placing the said manuscript in His Majesty's library.

"8th July, 1724."

"(Signed) JEAN-PAUL BIGNAN."

This manuscript, on which was fixed the last gaze of the Queen of Scotland, is a duodecimo, written in the Gothic character and containing Latin prayers; it is adorned with miniatures set off with gold, representing devotional subjects, stories from sacred history, or from the lives of saints and martyrs. Every page is encircled with arabesques mingled with garlands of fruit and flowers, amid which spring up grotesque figures of men and animals.

As to the binding, worn now, or perhaps even then, to the woof, it is in black velvet, of which the flat covers are adorned in the centre with an enamelled pansy, in a silver setting surrounded by a wreath, to which are diagonally attached from one corner of the cover to the other, two twisted silver-gilt knotted cords, finished by a tuft at the two ends.
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Publication Date: 05-28-2010

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