I Say No, Wilkie Collins [top 10 books of all time TXT] 📗

future occasions, Emily and Mirabel would be brought more closely together, and Alban himself would be the unhappy cause of it. Francine rose, on the Sunday morning, before the table was laid for breakfast—resolved to try the effect of a timely word of advice.

Her bedroom was situated in the front of the house. The man she was looking for presently passed within her range of view from the window, on his way to take a morning walk in the park. She followed him immediately.

“Good-morning, Mr. Morris.”

He raised his hat and bowed—without speaking, and without looking at her.

“We resemble each other in one particular,” she proceeded, graciously; “we both like to breathe the fresh air before breakfast.”

He said exactly what common politeness obliged him to say, and no more—he said, “Yes.”

Some girls might have been discouraged. Francine went on.

“It is no fault of mine, Mr. Morris, that we have not been better friends. For some reason, into which I don’t presume to inquire, you seem to distrust me. I really don’t know what I have done to deserve it.”

“Are you sure of that?” he asked—eying her suddenly and searchingly as he spoke.

Her hard face settled into a rigid look; her eyes met his eyes with a stony defiant stare. Now, for the first time, she knew that he suspected her of having written the anonymous letter. Every evil quality in her nature steadily defied him. A hardened old woman could not have sustained the shock of discovery with a more devilish composure than this girl displayed. “Perhaps you will explain yourself,” she said.

“I have explained myself,” he answered.

“Then I must be content,” she rejoined, “to remain in the dark. I had intended, out of my regard for Emily, to suggest that you might—with advantage to yourself, and to interests that are very dear to you—be more careful in your behavior to Mr. Mirabel. Are you disposed to listen to me?”

“Do you wish me to answer that question plainly, Miss de Sor?”

“I insist on your answering it plainly.”

“Then I am not disposed to listen to you.”

“May I know why? or am I to be left in the dark again?”

“You are to be left, if you please, to your own ingenuity.”

Francine looked at him, with a malignant smile. “One of these days, Mr. Morris—I will deserve your confidence in my ingenuity.” She said it, and went back to the house.

This was the only element of disturbance that troubled the perfect tranquillity of the day. What Francine had proposed to do, with the one idea of making Alban serve her purpose, was accomplished a few hours later by Emily’s influence for good over the man who loved her.

They passed the afternoon together uninterruptedly in the distant solitudes of the park. In the course of conversation Emily found an opportunity of discreetly alluding to Mirabel. “You mustn’t be jealous of our clever little friend,” she said; “I like him, and admire him; but—”

“But you don’t love him?”

She smiled at the eager way in which Alban put the question.

“There is no fear of that,” she answered brightly.

“Not even if you discovered that he loves you?”

“Not even then. Are you content at last? Promise me not to be rude to Mr. Mirabel again.”

“For his sake?”

“No—for my sake. I don’t like to see you place yourself at a disadvantage toward another man; I don’t like you to disappoint me.”

The happiness of hearing her say those words transfigured him—the manly beauty of his earlier and happier years seemed to have returned to Alban. He took her hand—he was too agitated to speak.

“You are forgetting Mr. Mirabel,” she reminded him gently.

“I will be all that is civil and kind to Mr. Mirabel; I will like him and admire him as you do. Oh, Emily, are you a little, only a very little, fond of me?”

“I don’t quite know.”

“May I try to find out?”

“How?” she asked.

Her fair cheek was very near to him. The softly-rising color on it said, Answer me here—and he answered.

 

CHAPTER XLV.

MISCHIEF—MAKING.

On Monday, Mirabel made his appearance—and the demon of discord returned with him.

Alban had employed the earlier part of the day in making a sketch in the park—intended as a little present for Emily. Presenting himself in the drawing-room, when his work was completed, he found Cecilia and Francine alone. He asked where Emily was.

The question had been addressed to Cecilia. Francine answered it.

“Emily mustn’t be disturbed,” she said.

“Why not?”

“She is with Mr. Mirabel in the rose garden. I saw them talking together—evidently feeling the deepest interest in what they were saying to each other. Don’t interrupt them—you will only be in the way.”

Cecilia at once protested against this last assertion. “She is trying to make mischief, Mr. Morris—don’t believe her. I am sure they will be glad to see you, if you join them in the garden.”

Francine rose, and left the room. She turned, and looked at Alban as she opened the door. “Try it,” she said—“and you will find I am right.”

“Francine sometimes talks in a very ill-natured way,” Cecilia gently remarked. “Do you think she means it, Mr. Morris?’

“I had better not offer an opinion,” Alban replied.

“Why?”

“I can’t speak impartially; I dislike Miss de Sor.”

There was a pause. Alban’s sense of self-respect forbade him to try the experiment which Francine had maliciously suggested. His thoughts—less easy to restrain—wandered in the direction of the garden. The attempt to make him jealous had failed; but he was conscious, at the same time, that Emily had disappointed him. After what they had said to each other in the park, she ought to have remembered that women are at the mercy of appearances. If Mirabel had something of importance to say to her, she might have avoided exposing herself to Francine’s spiteful misconstruction: it would have been easy to arrange with Cecilia that a third person should be present at the interview.

While he was absorbed in these reflections, Cecilia—embarrassed by the silence—was trying to find a topic of conversation. Alban roughly pushed his sketch-book away from him, on the table. Was he displeased with Emily? The same question had occurred to Cecilia at the time of the correspondence, on the subject of Miss Jethro. To recall those letters led her, by natural sequence, to another effort of memory. She was reminded of the person who had been the cause of the correspondence: her interest was revived in the mystery of Miss Jethro.

“Has Emily told you that I have seen your letter?” she asked.

He roused himself with a start. “I beg your pardon. What letter are you thinking of?”

“I was thinking of the letter which mentions Miss Jethro’s strange visit. Emily was so puzzled and so surprised that she showed it to me—and we both consulted my father. Have you spoken to Emily about Miss Jethro?”

“I have tried—but she seemed to be unwilling to pursue the subject.”

“Have you made any discoveries since you wrote to Emily?”

“No. The mystery is as impenetrable as ever.”

As he replied in those terms, Mirabel entered the conservatory from the garden, evidently on his way to the drawing-room.

To see the man, whose introduction to Emily it had been Miss Jethro’s mysterious object to prevent—at the very moment when he had been speaking of Miss Jethro herself—was, not only a temptation of curiosity, but a direct incentive (in Emily’s own interests) to make an effort at discovery. Alban pursued the conversation with Cecilia, in a tone which was loud enough to be heard in the conservatory.

“The one chance of getting any information that I can see,” he proceeded, “is to speak to Mr. Mirabel.”

“I shall be only too glad, if I can be of any service to Miss Wyvil and Mr. Morris.”

With those obliging words, Mirabel made a dramatic entry, and looked at Cecilia with his irresistible smile. Startled by his sudden appearance, she unconsciously assisted Alban’s design. Her silence gave him the opportunity of speaking in her place.

“We were talking,” he said quietly to Mirabel, “of a lady with whom you are acquainted.”

“Indeed! May I ask the lady’s name?”

“Miss Jethro.”

Mirabel sustained the shock with extraordinary self-possession—so far as any betrayal by sudden movement was concerned. But his color told the truth: it faded to paleness—it revealed, even to Cecilia’s eyes, a man overpowered by fright.

Alban offered him a chair. He refused to take it by a gesture. Alban tried an apology next. “I am afraid I have ignorantly revived some painful associations. Pray excuse me.”

The apology roused Mirabel: he felt the necessity of offering some explanation. In timid animals, the one defensive capacity which is always ready for action is cunning. Mirabel was too wily to dispute the inference—the inevitable inference—which any one must have drawn, after seeing the effect on him that the name of Miss Jethro had produced. He admitted that “painful associations” had been revived, and deplored the “nervous sensibility” which had permitted it to be seen.

“No blame can possibly attach to you, my dear sir,” he continued, in his most amiable manner. “Will it be indiscreet, on my part, if I ask how you first became acquainted with Miss Jethro?”

“I first became acquainted with her at Miss Ladd’s school,” Alban answered. “She was, for a short time only, one of the teachers; and she left her situation rather suddenly.” He paused—but Mirabel made no remark. “After an interval of a few months,” he resumed, “I saw Miss Jethro again. She called on me at my lodgings, near Netherwoods.”

“Merely to renew your former acquaintance?”

Mirabel made that inquiry with an eager anxiety for the reply which he was quite unable to conceal. Had he any reason to dread what Miss Jethro might have it in her power to say of him to another person? Alban was in no way pledged to secrecy, and he was determined to leave no means untried of throwing light on Miss Jethro’s mysterious warning. He repeated the plain narrative of the interview, which he had communicated by letter to Emily. Mirabel listened without making any remark.

“After what I have told you, can you give me no explanation?” Alban asked.

“I am quite unable, Mr. Morris, to help you.”

Was he lying? or speaking, the truth? The impression produced on Alban was that he had spoken the truth.

Women are never so ready as men to resign themselves to the disappointment of their hopes. Cecilia, silently listening up to this time, now ventured to speak—animated by her sisterly interest in Emily.

“Can you not tell us,” she said to Mirabel, “why Miss Jethro tried to prevent Emily Brown from meeting you here?”

“I know no more of her motive than you do,” Mirabel replied.

Alban interposed. “Miss Jethro left me,” he said, “with the intention—quite openly expressed—of trying to prevent you from accepting Mr. Wyvil’s invitation. Did she make the attempt?”

Mirabel admitted that she had made the attempt. “But,” he added, “without mentioning Miss Emily’s name. I was asked to postpone my visit, as a favor to herself, because she had her own reasons for wishing it. I had my reasons” (he bowed with gallantry to Cecilia) “for being eager to have the honor of knowing Mr. Wyvil and his daughter; and I refused.”

Once more, the doubt arose: was he lying? or speaking the truth? And, once more, Alban could not resist the conclusion that he was speaking the truth.

“There is one thing I should like to know,” Mirabel continued, after some hesitation. “Has Miss Emily been informed of this strange affair?”

“Certainly!”

Mirabel seemed to be disposed to continue his inquiries—and suddenly changed his mind. Was he beginning to