Walden, Henry David Thoreau [top ten ebook reader .TXT] 📗
- Author: Henry David Thoreau
- Performer: 0486284956
Book online «Walden, Henry David Thoreau [top ten ebook reader .TXT] 📗». Author Henry David Thoreau
Every incident connected with the breaking up of the rivers and ponds and the settling of the weather is particularly interesting to us who live in a climate of so great extremes. When the warmer days come, they who dwell near the river hear the ice crack at night with a startling whoop as loud as artillery, as if its icy fetters were rent from end to end, and within a few days see it rapidly going out. So the alligator comes out of the mud with quakings of the earth. One old man, who has been a close observer of Nature, and seems as thoroughly wise in regard to all her operations as if she had been put upon the stocks when he was a boy, and he had helped to lay her keel—who has come to his growth, and can hardly acquire more of natural lore if he should live to the age of Methuselah—told me—and I was surprised to hear him express wonder at any of Nature's operations, for I thought that there were no secrets between them—that one spring day he took his gun and boat, and thought that he would have a little sport with the ducks. There was ice still on the meadows, but it was all gone out of the river, and he dropped down without obstruction from Sudbury, where he lived, to Fair Haven Pond, which he found, unexpectedly, covered for the most part with a firm field of ice. It was a warm day, and he was surprised to see so great a body of ice remaining. Not seeing any ducks, he hid his boat on the north or back side of an island in the pond, and then concealed himself in the bushes on the south side, to await them. The ice was melted for three or four rods from the shore, and there was a smooth and warm sheet of water, with a muddy bottom, such as the ducks love, within, and he thought it likely that some would be along pretty soon. After he had lain still there about an hour he heard a low and seemingly very distant sound, but singularly grand and impressive, unlike anything he had ever heard, gradually swelling and increasing as if it would have a universal and memorable ending, a sullen rush and roar, which seemed to him all at once like the sound of a vast body of fowl coming in to settle there, and, seizing his gun, he started up in haste and excited; but he found, to his surprise, that the whole body of the ice had started while he lay there, and drifted in to the shore, and the sound he had heard was made by its edge grating on the shore—at first gently nibbled and crumbled off, but at length heaving up and scattering its wrecks along the island to a considerable height before it came to a standstill.
At length the sun's rays have attained the right angle, and warm winds blow up mist and rain and melt the snowbanks, and the sun, dispersing the mist, smiles on a checkered landscape of russet and white smoking with incense, through which the traveller picks his way from islet to islet, cheered by the music of a thousand tinkling rills and rivulets whose veins are filled with the blood of winter which they are bearing off.
Few phenomena gave me more delight than to observe the forms which thawing sand and clay assume in flowing down the sides of a deep cut on the railroad through which I passed on my way to the village, a phenomenon not very common on so large a scale, though the number of freshly exposed banks of the right material must have been greatly multiplied since railroads were invented. The material was sand of every degree of fineness and of various rich colors, commonly mixed with a little clay. When the frost comes out in the spring, and even in a thawing day in the winter, the sand begins to flow down the slopes like lava, sometimes bursting out through the snow and overflowing it where no sand was to be seen before. Innumerable little streams overlap and interlace one with another, exhibiting a sort of hybrid product, which obeys half way the law of currents, and half way that of vegetation. As it flows it takes the forms of sappy leaves or vines, making heaps of pulpy sprays a foot or more in depth, and resembling, as you look down on them, the laciniated, lobed, and imbricated thalluses of some lichens; or you are reminded of coral, of leopard's paws or birds' feet, of brains or lungs or bowels, and excrements of all kinds. It is a truly grotesque vegetation, whose forms and color we see imitated in bronze, a sort of architectural foliage more ancient and typical than acanthus, chiccory, ivy, vine, or any vegetable leaves; destined perhaps, under some circumstances, to become a puzzle to future geologists. The whole cut impressed me as if it were a cave with its stalactites laid open to the light. The various shades of the sand are singularly rich and agreeable, embracing the different iron colors, brown, gray, yellowish, and reddish. When the flowing mass reaches the drain at the foot of the bank it spreads out flatter into strands, the separate streams losing their semi-cylindrical form and gradually becoming more flat and broad, running together as they are more moist, till they form an almost flat sand, still variously and beautifully shaded, but in which you can trace the original forms of vegetation; till at length, in the water itself, they are converted into banks, like those formed off the mouths of rivers, and the forms of vegetation are lost in the ripple marks on the bottom.
The whole bank, which is from twenty to forty feet high, is sometimes overlaid with a mass of this kind of foliage, or sandy rupture, for a quarter of a mile on one or both sides, the produce of one spring day. What makes this sand foliage remarkable is its springing into existence thus suddenly. When I see on the one side the inert bank—for the sun acts on one side first—and on the other this luxuriant foliage, the creation of an hour, I am affected as if in a peculiar sense I stood in the laboratory of the Artist who made the world and me—had come to where he was still at work, sporting on this bank, and with excess of energy strewing his fresh designs about. I feel as if I were nearer to the vitals of the globe, for this sandy overflow is something such a foliaceous mass as the vitals of the animal body. You find thus in the very sands an anticipation of the vegetable leaf. No wonder that the earth expresses itself outwardly in leaves, it so labors with the idea inwardly. The atoms have already learned this law, and are pregnant by it. The overhanging leaf sees here its prototype. Internally, whether in the globe or animal body, it is a moist thick lobe, a word especially applicable to the liver and lungs and the leaves of fat (γεἱβω, labor, lapsus, to flow or slip downward, a lapsing; λοβὁς, globus, lobe, globe; also lap, flap, and many other words); externally a dry thin leaf, even as the f and v are a pressed and dried b. The radicals of lobe are lb, the soft mass of the b (single lobed, or B, double lobed), with the liquid l behind it pressing it forward. In globe, glb, the guttural g adds to the meaning the capacity of the throat. The feathers and wings of birds are still drier and thinner leaves. Thus, also, you pass from the lumpish grub in the earth to the airy and fluttering butterfly. The very globe continually transcends and translates itself, and becomes winged in its orbit. Even ice begins with delicate crystal leaves, as if it had flowed into moulds which the fronds of waterplants have impressed on the watery mirror. The whole tree itself is but one leaf, and rivers are still vaster leaves whose pulp is intervening earth, and towns and cities are the ova of insects in their axils.
When the sun withdraws the sand ceases to flow, but in the morning the streams will start once more and branch and branch again into a myriad of others. You here see perchance how blood-vessels are formed. If you look closely you observe that first there pushes forward from the thawing mass a stream of softened sand with a drop-like point, like the ball of the finger, feeling its way slowly and blindly downward, until at last with more heat and moisture, as the sun gets higher, the most fluid portion, in its effort to obey the law to which the most inert also yields, separates from the latter and forms for itself a meandering channel or artery within that, in which is seen a little silvery stream glancing like lightning from one stage of pulpy leaves or branches to another, and ever and anon swallowed up in the sand. It is wonderful how rapidly yet perfectly the sand organizes itself as it flows, using the best material its mass affords to form the sharp edges of its channel. Such are the sources of rivers. In the silicious matter which the water deposits is perhaps the bony system, and in the still finer soil and organic matter the fleshy fibre or cellular tissue. What is man but a mass of thawing clay? The ball of the human finger is but a drop congealed. The fingers and toes flow to their extent from the thawing mass of the body. Who knows what the human body would expand and flow out to under a more genial heaven? Is not the hand a spreading palm leaf with its lobes and veins? The ear may be regarded, fancifully, as a lichen, Umbilicaria, on the side of the head, with its lobe or drop. The lip—labium, from labor (?)—laps or lapses from the sides of the cavernous mouth. The nose is a manifest congealed drop or stalactite. The chin is a still larger drop, the confluent dripping of the
Comments (0)