The plant-lore & garden-craft of Shakespear, Henry Nicholson Ellacombe [read with me .TXT] 📗
- Author: Henry Nicholson Ellacombe
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2nd Henry IV, act iv, sc. 3 (126).
And in the same way Iago says—
Either to have it (a garden) sterile with idleness or manured with industry.
Othello, act i, sc. 3 (296).
Milton and many other writers used the word in this its original sense; and Johnson explains it "to cultivate by manual labour," according to its literal derivation. In one passage Shakespeare uses the word somewhat in the modern sense—
Carlisle. The blood of English shall manure the ground. Richard II, act iv, sc. 1 (137).But generally he and the writers of that and the next century expressed the operation more simply and plainly, as "covering with ordure," or as in the English Bible, "I shall dig about it and dung it."
C. Grafting. (1) Buckingham. Her royal stock graft with ignoble plants. Richard III, act iii, sc. 7 (127). (2) Dauphin. O Dieu vivant! shall a few sprays of us,The emptying of our fathers' luxury,
Our scions, put in wild and savage stock,
Spirt up so suddenly into the clouds,
And overlook their grafters? Henry V, act iii, sc. 5 (5). (3) King. His plausive words
He scatter'd not in ears, but grafted them,
To grow there and to bear. All's Well that Ends Well, act i, sc. 2 (53). (4) Perdita. The fairest flowers o' the season
Are our Carnations and streak'd Gillyvors,
Which some call nature's bastards: of that kind
Our rustic garden's barren; I care not
To get slips of them. Polixenes. Wherefore, gentle maiden,
Do you neglect them? Perdita. For I have heard it said
There is an art which in their piedness shares
With great creating Nature. Polixenes. Say there be;
Yet Nature is made better by no mean,
But Nature makes that mean: so, over that art
Which you say adds to Nature, is an art
That Nature makes. You see, sweet maid, we marry
A gentle scion to the wildest stock,
And make conceive a bark of baser kind
By bud of nobler race: this is an art
Which does mend nature, change it rather, but
The art itself is nature. Perdita. So it is.
Polixenes. Then make your garden rich in Gillyvors,
And do not call them bastards. Perdita. I'll not put
The dibble in the earth to set one slip of them. Winter's Tale, act iv, sc. 4 (81).
The various ways of propagating plants by grafts, cuttings, slips, and artificial impregnation (all mentioned in the above passages), as used in Shakespeare's day, seem to have been exactly like those of our own time, and so they need no further comment.
FOOTNOTES:[353:1] The Act 31 Eliz. c. 7, enacts that "noe person shall within this Realme of England make buylde or erect any Buyldinge or Howsinge . . . . as a Cottage for habitation . . . . unlesse the same person do assigne and laye to the same Cottage or Buyldinge fower acres of Grounde at the least . . . to be contynuallie occupied and manured therewith." Gerard's Chapter on Vines is headed, "Of the manured Vine."
V.—GARDEN ENEMIES. A. Weeds. (1) Hamlet. How weary, stale, flat, and unprofitableSeem to me all the uses of this world!
Fye on it, ah fye! 'tis an unweeded garden
That grows to seed; things rank and gross in nature
Possess it merely. Hamlet, act i, sc. 2 (133). (2) Titus. Such withered herbs as these
Are meet for plucking up. Titus Andronicus, act iii, sc. 1 (178). (3) York. Grandam, one night, as we did sit at supper,
My Uncle Rivers talk'd how I did grow
More than my brother. "Ay," quoth my Uncle Glo'ster,
"Small herbs have grace, great weeds do grow apace;"
And since, methinks, I would not grow so fast,
Because sweet flowers are slow and weeds make haste. Richard III, act ii, sc. 4 (10). (4) Queen. Now 'tis the spring, and weeds are shallow-rooted;
Suffer them now, and they'll o'ergrow the garden,
And choke the herbs for want of husbandry. 2nd Henry VI, act iii, sc. 1 (31). (5) Unruly blasts wait on the tender spring, Unwholesome weeds take root with precious flowers. Lucrece (869). (6) K. Henry. Most subject is the fattest soil to weeds. 2nd Henry IV, act iv, sc. 4 (54).
The weeds of Shakespeare need no remark; they were the same as ours; and, in spite of our improved cultivation, our fields and gardens are probably as full of weeds as they were three centuries ago.
B. Blights, Frosts, etc. (1) York. Thus are my blossoms blasted in the bud,And caterpillars eat my leaves away. 2nd Henry VI, act iii, sc. 1 (89). (2) Montague. But he, his own affection's counsellor,
Is to himself—I will not say, how true—
But to himself so sweet and close,
So far from sounding and discovery,
As is the bud bit with an envious worm,
Ere he can spread his sweet leaves to the air,
Or dedicate his beauty to the sun. Romeo and Juliet, act i, sc. 1 (153). (3) Imogene. Comes in my father,
And like the tyrannous breathing of the north
Shakes all our buds from growing. Cymbeline, act i, sc. 3 (35). (4) Bardolph. A cause on foot
Lives so in hope as in an early spring
We see the appearing buds—which to prove fruit,
Hope gives not so much warrant as despair
That frost will bite them. 2nd Henry IV, act i, sc. 3 (37). (5) Violet. She never told her love,
But let concealment, like a worm i' the bud,
Feed on her damask cheek. Twelfth Night, act ii, sc. 4 (113). (6) Proteus. Yet writers say, as in the sweetest bud
The eating canker dwells, so eating love
Inhabits in the finest wits of all. Valentine. And writers say as the most forward bud
Is eaten by the canker ere it blow,
Even so by love the young and tender wit
Is turn'd to folly, blasting in the bud,
Losing his verdure even in the prime
And all the fair effects of future hopes. Two Gentlemen of Verona, act i, sc. 1 (42). (7) Capulet. Death lies on her like an untimely frost Upon the sweetest flower of the field. Romeo and Juliet, act iv, sc. 5 (28). (8) Lysimachus. O sir, a courtesy
Which if we should deny, the most just gods
For every graff would send a caterpillar,
And so afflict our province. Pericles, act v, sc. 1 (58). (9) Wolsey. This is the state of man: to-day he puts forth
The tender leaves of hopes, to-morrow blossoms,
And bears his blushing honours thick upon him:
The third day comes a frost, a killing frost,
And, when he thinks, good easy man, full surely
His greatness is a-ripening, nips his root,
And then he falls, as I do. Henry VIII, act iii, sc. 2 (352). (10) Saturninus. These tidings nip me, and I hang the head
As Flowers with frost, or Grass beat down with storms. Titus Andronicus, act iv, sc. 4 (70). (11) No man inveigh against the withered flower,
But chide rough winter that the flower hath kill'd;
Not that devour'd, but that which doth devour,
Is worthy blame. Lucrece (1254). (12) For never-resting time leads summer on
To hideous winter, and confounds him there;
Sap check'd with frost and lusty leaves quite gone,
Beauty o'ersnow'd, and bareness everywhere;
Then, were not summer's distillation left,
A liquid prisoner pent in walls of glass,
Beauty's effect with beauty were bereft,
Nor it, nor no remembrance what it was;
But flowers distill'd, though they with winter meet,
Leese but their show; their substance still lives sweet.[357:1] Sonnet v.
With this beautiful description of the winter-life of hardy perennial plants, I may well close the "Plant-lore and Garden-craft of Shakespeare." The subject has stretched to a much greater extent than I at all anticipated when I commenced it, but this only shows how large and interesting a task I undertook, for I can truly say that my difficulty has been in the necessity for condensing my matter, which I soon found might be made to cover a much larger space than I have given to it; for my object was in no case to give an exhaustive account of the flowers, but only to give such an account of each plant as might illustrate its special use by Shakespeare.
Having often quoted my favourite authority in gardening matters, old "John Parkinson, Apothecary, of London," I will again make use of him to help me to say my last words: "Herein I have spent my time, pains, and charge, which, if well accepted, I shall think well employed. And thus I have finished this work, and have furnished it with whatsoever could bring delight to those that take pleasure in those things, which how well or ill done I must abide every one's censure; the judicious and courteous I only respect; and so Farewell."
FOOTNOTES:[357:1]
To see their mother-root, when they have blown;
Where they together,
All the hard weather
Dead to the world, keep house unknown."
G. Herbert, The Flower.
APPENDIX I. THE DAISY: ITS HISTORY, POETRY, AND BOTANY.
There's a Daisy.—Ophelia.
Daisies smel-lesse, yet most quaint.
Two Noble Kinsmen, Introd. song.
The following Paper on the Daisy was written for the Bath Natural History and Antiquarian Field Club, and read at their meeting, January 14th, 1874. It was then published in "The Garden," and a few copies were reprinted for private circulation. I now publish it as an Appendix to the "Plant-lore of Shakespeare," with very few alterations from its original form, preferring thus to reprint it in extenso than to make an abstract of it for the illustration of Shakespeare's Daisies.
I ALMOST feel that I ought to apologize to the Field Club for asking them to listen to a paper on so small a subject as the Daisy. But, indeed, I have selected that subject because I think it is one especially suited to a Naturalists' Field Club. The members of such a club, as I think, should take notice of everything. Nothing should be beneath their notice. It should be their province to note a multitude of little facts unnoticed by others; they should be "minute philosophers," and they might almost take as their motto the wise words which Milton put into the mouth of Adam, after he had been instructed to "be lowlie wise" (especially in the study of the endless wonders of sea, and earth, and sky that surrounded him)—
That which before us lies in daily life,
Is the prime wisdom."—Paradise Lost, viii. (192).
I do not apologize for the lowness and humbleness of my subject, but, with "no delay of preface" (Milton), I take you at once to it. In speaking of the Daisy, I mean to confine myself to the Daisy, commonly so-called, merely reminding you that there are also the Great or Ox-eye, or Moon Daisy (Chrysanthemum leucanthemum), the Michaelmas Daisy (Aster), and the Blue Daisy of the South of Europe (Globularia). The name has been also given to a few other plants, but none of them are true Daisies.
I begin with its
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