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losing your way, and keeping your mind in perfect health, by the perpetual exercise of an interminable quest; and for these reasons I have christened my eldest son Emanuel Kant Flosky. The Reverend Mr. Larynx

Nothing can be more luminous.

The Honourable Mr. Listless

And what has all that to do with Dante, and the blue devils?

Mr. Hilary

Not much, I should think, with Dante, but a great deal with the blue devils.

Mr. Flosky

It is very certain, and much to be rejoiced at, that our literature is hag-ridden. Tea has shattered our nerves; late dinners make us slaves of indigestion; the French Revolution has made us shrink from the name of philosophy, and has destroyed, in the more refined part of the community (of which number I am one), all enthusiasm for political liberty. That part of the reading public which shuns the solid food of reason for the light diet of fiction, requires a perpetual adhibition of sauce piquante to the palate of its depraved imagination. It lived upon ghosts, goblins, and skeletons (I and my friend Mr. Sackbut served up a few of the best), till even the devil himself, though magnified to the size of Mount Athos, became too base, common, and popular, for its surfeited appetite. The ghosts have therefore been laid, and the devil has been cast into outer darkness, and now the delight of our spirits is to dwell on all the vices and blackest passions of our nature, tricked out in a masquerade dress of heroism and disappointed benevolence; the whole secret of which lies in forming combinations that contradict all our experience, and affixing the purple shred of some particular virtue to that precise character, in which we should be most certain not to find it in the living world; and making this single virtue not only redeem all the real and manifest vices of the character, but make them actually pass for necessary adjuncts, and indispensable accompaniments and characteristics of the said virtue.

Mr. Toobad

That is, because the devil is come among us, and finds it for his interest to destroy all our perceptions of the distinctions of right and wrong.

Marionetta

I do not precisely enter into your meaning, Mr. Flosky, and should be glad if you would make it a little more plain to me.

Mr. Flosky

One or two examples will do it, Miss O’Carroll. If I were to take all the mean and sordid qualities of a money-dealing Jew, and tack on to them, as with a nail, the quality of extreme benevolence, I should have a very decent hero for a modern novel; and should contribute my quota to the fashionable method of administering a mass of vice, under a thin and unnatural covering of virtue, like a spider wrapt in a bit of gold leaf, and administered as a wholesome pill. On the same principle, if a man knocks me down, and takes my purse and watch by main force, I turn him to account, and set him forth in a tragedy as a dashing young fellow, disinherited for his romantic generosity, and full of a most amiable hatred of the world in general, and his own country in particular, and of a most enlightened and chivalrous affection for himself: then, with the addition of a wild girl to fall in love with him, and a series of adventures in which they break all the Ten Commandments in succession (always, you will observe, for some sublime motive, which must be carefully analysed in its progress), I have as amiable a pair of tragic characters as ever issued from that new region of the belles lettres, which I have called the Morbid Anatomy of Black Bile, and which is greatly to be admired and rejoiced at, as affording a fine scope for the exhibition of mental power.

Mr. Hilary

Which is about as well employed as the power of a hothouse would be in forcing up a nettle to the size of an elm. If we go on in this way, we shall have a new art of poetry, of which one of the first rules will be: To remember to forget that there are any such things as sunshine and music in the world.

The Honourable Mr. Listless

It seems to be the case with us at present, or we should not have interrupted Miss O’Carroll’s music with this exceedingly dry conversation.

Mr. Flosky

I should be most happy if Miss O’Carroll would remind us that there are yet both music and sunshine⁠—

The Honourable Mr. Listless

In the voice and the smile of beauty. May I entreat the favour of⁠—turning over the pages of music.

All were silent, and Marionetta sung:

Why are thy looks so blank, grey friar?
Why are thy looks so blue?
Thou seem’st more pale and lank, grey friar,
Than thou wast used to do:⁠—
Say, what has made thee rue?

Thy form was plump, and a light did shine
In thy round and ruby face,
Which showed an outward visible sign
Of an inward spiritual grace:⁠—
Say, what has changed thy case?

Yet will I tell thee true, grey friar,
I very well can see,
That, if thy looks are blue, grey friar,
’Tis all for love of me⁠—
’Tis all for love of me.

But breathe not thy vows to me, grey friar,
Oh, breathe them not, I pray;
For ill beseems in a reverend friar,
The love of a mortal may;
And I needs must say thee nay.

But, could’st thou think my heart to move
With that pale and silent scowl?
Know, he who would win a maiden’s love,
Whether clad in cap or cowl,
Must be more of a lark than an owl.

Scythrop immediately replaced Dante on the shelf, and joined the circle round the beautiful singer. Marionetta gave him a smile of approbation that fully restored his complacency, and they continued on the best possible terms during the remainder of the evening. The Honourable Mr. Listless turned over the leaves with double alacrity, saying, “You are severe upon invalids, Miss O’Carroll: to escape your satire, I must try to be sprightly, though the exertion is too much for me.”

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