Sister Carrie, Theodore Dreiser [ebook reader below 3000 .TXT] 📗

to a book that was having its vogue at the time⁠—Moulding a Maiden, by Albert Ross. Mrs. Vance had read it. Vance had seen it discussed in some of the papers.

“A man can make quite a strike writing a book,” said Vance. “I notice this fellow Ross is very much talked about.” He was looking at Carrie as he spoke.

“I hadn’t heard of him,” said Carrie, honestly.

“Oh, I have,” said Mrs. Vance. “He’s written lots of things. This last story is pretty good.”

“He doesn’t amount to much,” said Ames.

Carrie turned her eyes toward him as to an oracle.

“His stuff is nearly as bad as Dora Thorne,” concluded Ames.

Carrie felt this as a personal reproof. She read Dora Thorne, or had a great deal in the past. It seemed only fair to her, but she supposed that people thought it very fine. Now this clear-eyed, fine-headed youth, who looked something like a student to her, made fun of it. It was poor to him, not worth reading. She looked down, and for the first time felt the pain of not understanding.

Yet there was nothing sarcastic or supercilious in the way Ames spoke. He had very little of that in him. Carrie felt that it was just kindly thought of a high order⁠—the right thing to think, and wondered what else was right, according to him. He seemed to notice that she listened and rather sympathised with him, and from now on he talked mostly to her.

As the waiter bowed and scraped about, felt the dishes to see if they were hot enough, brought spoons and forks, and did all those little attentive things calculated to impress the luxury of the situation upon the diner, Ames also leaned slightly to one side and told her of Indianapolis in an intelligent way. He really had a very bright mind, which was finding its chief development in electrical knowledge. His sympathies for other forms of information, however, and for types of people, were quick and warm. The red glow on his head gave it a sandy tinge and put a bright glint in his eye. Carrie noticed all these things as he leaned toward her and felt exceedingly young. This man was far ahead of her. He seemed wiser than Hurstwood, saner and brighter than Drouet. He seemed innocent and clean, and she thought that he was exceedingly pleasant. She noticed, also, that his interest in her was a far-off one. She was not in his life, nor any of the things that touched his life, and yet now, as he spoke of these things, they appealed to her.

“I shouldn’t care to be rich,” he told her, as the dinner proceeded and the supply of food warmed up his sympathies; “not rich enough to spend my money this way.”

“Oh, wouldn’t you?” said Carrie, the, to her, new attitude forcing itself distinctly upon her for the first time.

“No,” he said. “What good would it do? A man doesn’t need this sort of thing to be happy.”

Carrie thought of this doubtfully; but, coming from him, it had weight with her.

“He probably could be happy,” she thought to herself, “all alone. He’s so strong.”

Mr. and Mrs. Vance kept up a running fire of interruptions, and these impressive things by Ames came at odd moments. They were sufficient, however, for the atmosphere that went with this youth impressed itself upon Carrie without words. There was something in him, or the world he moved in, which appealed to her. He reminded her of scenes she had seen on the stage⁠—the sorrows and sacrifices that always went with she knew not what. He had taken away some of the bitterness of the contrast between this life and her life, and all by a certain calm indifference which concerned only him.

As they went out, he took her arm and helped her into the coach, and then they were off again, and so to the show.

During the acts Carrie found herself listening to him very attentively. He mentioned things in the play which she most approved of⁠—things which swayed her deeply.

“Don’t you think it rather fine to be an actor?” she asked once.

“Yes, I do,” he said, “to be a good one. I think the theatre a great thing.”

Just this little approval set Carrie’s heart bounding. Ah, if she could only be an actress⁠—a good one! This man was wise⁠—he knew⁠—and he approved of it. If she were a fine actress, such men as he would approve of her. She felt that he was good to speak as he had, although it did not concern her at all. She did not know why she felt this way.

At the close of the show it suddenly developed that he was not going back with them.

“Oh, aren’t you?” said Carrie, with an unwarrantable feeling.

“Oh, no,” he said; “I’m stopping right around here in Thirty-third Street.”

Carrie could not say anything else, but somehow this development shocked her. She had been regretting the wane of a pleasant evening, but she had thought there was a half-hour more. Oh, the half-hours, the minutes of the world; what miseries and griefs are crowded into them!

She said goodbye with feigned indifference. What matter could it make? Still, the coach seemed lorn.

When she went into her own flat she had this to think about. She did not know whether she would ever see this man any more. What difference could it make⁠—what difference could it make?

Hurstwood had returned, and was already in bed. His clothes were scattered loosely about. Carrie came to the door and saw him, then retreated. She did not want to go in yet a while. She wanted to think. It was disagreeable to her.

Back in the dining-room she sat in her chair and rocked. Her little hands were folded tightly as she thought. Through a fog of longing and conflicting desires she was beginning to see. Oh, ye legions of hope and pity⁠—of sorrow and pain! She was rocking, and beginning to see.

XXXIII Without