A Sharpness On The Neck (Saberhagen's Dracula Book 9), Fred Saberhagen [some good books to read TXT] 📗

a mood to accept the kind of consolation he might offer; and today, properly clothed, under what appeared to be a dependably cloudy sky, he felt secure in going out.

      He knew that Curtius maintained one exhibition, or museum, at the building which had once been the Palais Royal. But far bigger and more important was his main establishment on the Boulevard du Temple. He had read one of the advertisements:

      A collection of wax figures representing famous personages, living and dead, attired in their everyday costume, and exhibiting their usual pose and attitude … known as a “Cabinet de Cire.”

      For all Radu knew, the relationship between Melanie Romain and Philip Radcliffe might have started years ago, and the child she was so concerned about now might well be Radcliffe’s.

      That was of interest, too. Radu was fond of children.

* * * * * *

      Turning over in his mind various plans for amusing himself with Marie and her small son Auguste, the younger Dracula approached the museum at No. 20, Boulevard du Temple.

      At this hour the place was busy with people engaged in various activities; but a child who wishes to be alone, to play a game that is not approved by the authorities who rule his life, will find a place where he can be alone.

      In the rear of the property at No. 20, Boulevard du Temple, stood a kind of shed, almost abandoned, and enclosing a small deserted yard once used for repairing wagons and the like.

* * *

      Radu took his time, and looked things over. Then he decided that he should first take a look through the museum.

      The latest exhibits currently showing, along with several of those which had recently been dismantled, were being considered as items to be sent on a grand tour of India, where interest in such matters was currently very high.

      Some work in preparation for the voyage (Marie was going to have to decide whether to risk sending her valuable property halfway around the world as scheduled) had been done within the last few hours.

      After inspecting the regular exhibits—the skill of the artist was intriguing, if the subject matter was not—Radu surreptitiously made his way into a storeroom. Here, lined up or piled up for inspection were likenesses of all the villains and heroes—which was which depended of course upon one’s point of view—who filled the ranks of the Revolution and made up its rapidly changing leadership. Wave after wave of them came to power, and in a matter of months, or only weeks, were denounced and carted away in batches of ten and twenty to the cemetery—pausing only briefly en route to have their heads chopped off. Folk rested more contentedly in the cemetery if that was done to them first…

      In 1778 Dr. Curtius, exerting his masterly skill in modeling, had done several studies of Voltaire, posing perhaps the most famous man in Europe as The Dying Socrates. Now, the dying Curtius was still justly proud of the fact.

      Another group in storage showed the late Royal Family dining in public, a ritual they had engaged in on occasion. Here were Voltaire, Rousseau, and dozens of lesser lights, including members of the first National Assembly. Some were clothed in garments worn by their originals, while others, according to no plan that Radu could make out, had been reduced to a crude and sexless nudity.

      The fact that the figures were standing or lying in close proximity to one another seemed to make them all more meaningful. As if they were engaged in dialogue…

      Standing in the lifeless room, he wondered briefly what famous man or woman might be the next unwitting recipient of this waxen, sham immortality. He was not impressed. The horrors depicted were such feeble, melancholy shadows of the real thing that Radu took no pleasure from them, but rather found them quite depressing.

* * *

      The younger Dracula’s ears brought him confirmation that his instincts had been correct: He could hear, proceeding from the disused shed and courtyard in the rear, the small click and minor thud that the toy guillotine made in its operation. He had seen and heard other Parisian children engaged in similar games, and recognized the sound. It seemed to him as he listened that the little blade was not falling uselessly, but encountering living flesh and blood.

      Radu knew a pang of resentment and envy that his own childhood had been deprived of any such toys. Yes, it still rankled that Father had always favored Vlad.

      Well, the world made progress, at least in the types of toys that modern youngsters had available.

      And there was nothing wrong with the itch of resentment—he, Radu, had discovered centuries ago that it could always be scratched, quite satisfactorily, on the tender skin of someone else.

      He had no indication that Vlad was anywhere nearby. One could never be sure about that, of course, but a great part of the joy of life lay in taking chances.

      He would be in no hurry to kill either Melanie or her son when he caught up with them. He intended to savor the sweet child-blood for a long time, before the boy’s heart could pump no more … yes, ten was an interesting age. The endurance, as Radu had proven to his own satisfaction on many occasions down through the centuries, was much greater than at only five or six, for example.

      The pleasure to be obtained from two breathers who were closely related to each other, if one could use them together, was more than twice as great as that to be had from what the total of the two might be in separation. Ideally the mother would, of course, be encouraged to watch what was happening to her baby. And then the mother’s turn would come … or he could do it the other way around…

      The trend of Radu’s thoughts made the roots of his fangs ache in anticipation, and also brought back the Marquis de Sade into his thoughts. The sight of the