Short Fiction, Herman Melville [read out loud books TXT] 📗

Venetian blinds; while, I repeat, the front of the house hereby presented an incongruous aspect, as if the graft of modernness had not taken in its ancient stock; still, however it might fare without, within little or nothing had been altered. The cellars were full of great grim, arched bins of blackened brick, looking like the ancient tombs of Templars, while overhead were shown the first-floor timbers, huge, square, and massive, all red oak, and through long eld, of a rich and Indian color. So large were those timbers, and so thickly ranked, that to walk in those capacious cellars was much like walking along a line-of-battle ship’s gun-deck.

All the rooms in each story remained just as they stood ninety years ago with all their heavy-moulded, wooden cornices, paneled wainscots, and carved and inaccessible mantels of queer horticultural and zoological devices. Dim with longevity, the very covering of the walls still preserved the patterns of the times of Louis XVI. In the largest parlor (the drawing-room, my daughters called it, in distinction from two smaller parlors, though I did not think the distinction indispensable) the paper hangings were in the most gaudy style. Instantly we knew such paper could only have come from Paris⁠—genuine Versailles paper⁠—the sort of paper that might have hung in Marie Antoinette’s boudoir. It was of great diamond lozenges, divided by massive festoons of roses (onions, Biddy the girl said they were, but my wife soon changed Biddy’s mind on that head); and in those lozenges, one and all, as in an over-arbored garden-cage, sat a grand series of gorgeous illustrations of the natural history of the most imposing Parisian-looking birds; parrots, macaws, and peacocks, but mostly peacocks. Real Prince Esterhazies of birds; all rubies, diamonds and Orders of the Golden Fleece. But, alas! the north side of this old apartment presented a strange look; half mossy and half mildew; something as ancient forest trees on their north sides, to which particular side the moss most clings, and where, they say, internal decay first strikes. In short, the original resplendence of the peacocks had been sadly dimmed on that north side of the room, owing to a small leak in the eaves, from which the rain had slowly trickled its way down the wall, clean down to the first floor. This leak the irreverent tenants, at that period occupying the premises, did not see fit to stop, or rather, did not think it worth their while, seeing that they only kept their fuel and dried their clothes in the parlor of the peacocks. Hence many of the glowing birds seemed as if they had their princely plumage bedraggled in a dusty shower. Most mournfully their starry trains were blurred. Yet so patiently and so pleasantly, nay, here and there so ruddily did they seem to hide their bitter doom, so much of real elegance still lingered in their shapes, and so full, too, seemed they of a sweet engaging pensiveness, meditating all day long, for years and years, among their faded bowers, that though my family repeatedly adjured me (especially my wife, who, I fear, was too young for me) to destroy the whole hen-roost, as Biddy called it, and cover the walls with a beautiful, nice, genteel, cream-colored paper, despite all entreaties, I could not be prevailed upon, however submissive in other things.

But chiefly would I permit no violation of the old parlor of the peacocks or room of roses (I call it by both names) on account of its long association in my mind with one of the original proprietors of the mansion⁠—the gentle Jimmy Rose.

Poor Jimmy Rose!

He was among my earliest acquaintances. It is not many years since he died; and I and two other tottering old fellows took hack, and in sole procession followed him to his grave.

Jimmy was born a man of moderate fortune. In his prime he had an uncommonly handsome person; large and manly, with bright eyes of blue, brown curling hair, and cheeks that seemed painted with carmine; but it was health’s genuine bloom, deepened by the joy of life. He was by nature a great ladies’ man, and like most deep adorers of the sex, never tied up his freedom of general worship by making one willful sacrifice of himself at the altar.

Adding to his fortune by a large and princely business, something like that of the great Florentine trader, Cosmo the Magnificent, he was enabled to entertain on a grand scale. For a long time his dinners, suppers and balls, were not to be surpassed by any given in the party-giving city of New York. His uncommon cheeriness; the splendor of his dress; his sparkling wit; radiant chandeliers; infinite fund of small-talk; French furniture; glowing welcomes to his guests; his bounteous heart and board; his noble graces and his glorious wine; what wonder if all these drew crowds to Jimmy’s hospitable abode? In the winter assemblies he figured first on the manager’s list. James Rose, Esq., too, was the man to be found foremost in all presentations of plate to highly successful actors at the Park, or of swords and guns to highly successful generals in the field. Often, also, was he chosen to present the gift on account of his fine gift of finely saying fine things.

“Sir,” said he, in a great drawing-room in Broadway, as he extended toward General G⁠⸺ a brace of pistols set with turquoise, “Sir,” said Jimmy with a Castilian flourish and a rosy smile, “there would have been more turquoise here set, had the names of your glorious victories left room.”

Ah, Jimmy, Jimmy! Thou didst excel in compliments. But it was inwrought with thy inmost texture to be affluent in all things which give pleasure. And who shall reproach thee with borrowed wit on this occasion, though borrowed indeed it was? Plagiarize otherwise as they may, not often are the men of this world plagiarists in praise.

But times changed. Time, true plagiarist of the seasons.

Sudden and terrible reverses in