Those Barren Leaves, Aldous Huxley [best ereader for textbooks .txt] 📗

to have to deny the accusation, feebly, for the sake of politeness; to be compelled to pass hours in tedious company⁠—what an affliction, what a martyrdom it is! I came to feel extremely sorry for those pretty women who are perpetually being courted by a swarm of men. But the pretty women, I reflected, had this advantage over me: that they were by nature a good deal more interested in love than I. Love is their natural business, the reason of their existence; however distasteful their suitors may personally be to them, they cannot find them as completely boring and insufferable as would, placed in similar circumstances, a person to whom love as such is fundamentally rather uninteresting. The most tedious lover atones a little, in the eyes of the courted lady, for his personal insupportableness by the generic fact of being a lover. Lacking a native enthusiasm for love, I found it more difficult to support the martyrdom of being loved by Miss Masson.

But such an affair, you will object, is a typical piece of reality. True; but at that time I was not quite such a believer in the real and earnest side of life as I am now. And even now I should regard it as something of a work of supererogation to associate with realities of so exceptionally penetrative a nature. A sober man, if he is logical and courageous, is bound to pass his life between Gog’s Court and Miss Carruthers’s. But he is not bound to make love to Miss Carruthers or to provoke the clinging affections of Fluffy. That would be too much⁠—so it seems to me, at any rate at present; though perhaps the time may come when I shall feel strong enough to take my reality in these stiff doses. There is an electric machine used by masseurs for driving iodine into stiffened joints. Love acts like this machine; it serves to drive the lover’s personality into the mind of the beloved. I am strong enough at present to be able to bathe in the personalities of ordinary human animals; but I should be suffocated, I should faint away, if the muddy swill were to be pumped into my spiritual system by the penetrating electricity of love.

Miss Masson stood one Galtonian class higher than Miss Carruthers or Fluffy. One out of every four people is a Fluffy; only one out of every six is a Dorothy Masson. It makes a slight but perceptible difference. None the less, how much I suffered! When I brought her a few orchids as a present, remarking as I gave them to her that they looked so delightfully like artificial flowers, she would thank me and say she adored orchids, adding after a moment’s pause for thought that she liked them because they looked so like artificial flowers. And she laughed softly to herself, she looked up at me for confirmatory applause. For that little habit alone I sometimes felt that I could have murdered her. But her solicitude, her reproaches, expressed or more often mute (for she rarely made scenes, but only looked at me with those sad brown eyes), her incessant desire to be close to me, to touch me, to kiss and be kissed⁠—these were almost enough to drive me to suicide. It lasted for more than a year, an eternity. And technically it still lasts; for I never broke with her, never dramatically quitted her, but only quietly and gradually faded out of her life like the Cheshire Cat. Sometimes, even, we still meet. And still, as though nothing had happened, I take her in my arms and kiss her, till that strange expression of abject terror comes again into her eyes, till she implores me, in a voice made faint with excessive desire, to spare her well-disciplined everyday soul and not deliver it into the power of the fearful thing that is waking darkly within her. And still as she speaks she presses me closer, she offers her stretched throat to my kisses. And before and after, we talk about politics and common friends. And still as of old she echoes the last phrase I have spoken, still softly laughs and still expects me to admire her original thoughts. Finally I take my leave.

“You’ll come again soon?” she asks, looking up into my face with eyes that are full of sadness and apprehension, of questions unuttered, of unexpressed reproaches. I kiss her hand. “Of course,” I say. And I go away, taking pains as I walk down the street not to speculate on the subject of her thoughts.

But Providence seems to have thought my connection with Dorothy inadequately instructive. Dorothy, after all, was only twenty-six when the episode began. Hers was that vernal and flowery season during which, even in Italy, warblers are not shot. It would be another twenty years before she reached her First of October; thirty, perhaps, before the man-eating season should begin. And it was I who had made the first advances. But for my exhibition of Bosheit und Pläsier the boring history would never have unrolled itself. But Providence, anxious, for some inscrutable reason, to teach me a yet more memorable lesson, went so far as almost to drown me, so determined was it that I should fall into the hands of the suitable schoolmistress. I was to learn how ludicrously dreadful, as well as how boring, love can be.

I made no advances on this occasion. From the first I did nothing but retreat. Mrs. Aldwinkle’s blue danger signals bore down on me; like an agile pedestrian in the London traffic, I stepped aside. When she asked what women had inspired me, I answered that nothing inspired me but the London slums and the vulgarity of Lady Giblet. When she said that one could see by my face that I had been unhappy, I said that that was odd; I had always been perfectly happy. When she talked about experience, meaning, as women generally do