Tono-Bungay, H. G. Wells [reading like a writer .TXT] 📗

passion, now high, now low, now exalted, and now intensely physical. No one has ever yet dared to tell a love story completely, its alternations, its comings and goings, its debased moments, its hate. The love stories we tell, tell only the net consequence, the ruling effect.⁠ ⁠…

How can I rescue from the past now the mystical quality of Beatrice; my intense longing for her; the overwhelming, irrational, formless desire? How can I explain how intimately that worship mingled with a high, impatient resolve to make her mine, to take her by strength and courage, to do my loving in a violent heroic manner? And then the doubts, the puzzled arrest at the fact of her fluctuations, at her refusal to marry me, at the fact that even when at last she returned to Bedley Corner she seemed to evade me?

That exasperated me and perplexed me beyond measure.

I felt that it was treachery. I thought of every conceivable explanation, and the most exalted and romantic confidence in her did not simply alternate, but mingled with the basest misgivings.

And into the tangle of memories comes the figure of Carnaby, coming out slowly from the background to a position of significance, as an influence, as a predominant strand in the nets that kept us apart, as a rival. What were the forces that pulled her away from me when it was so clearly manifest she loved me? Did she think of marrying him? Had I invaded some long-planned scheme? It was evident he did not like me, that in some way I spoilt the world for him. She returned to Bedley Corner, and for some weeks she was flitting about me, and never once could I have talk with her alone. When she came to my sheds Carnaby was always with her, jealously observant. (Why the devil couldn’t she send him about his business?) The days slipped by and my anger gathered.

All this mingles with the making of Lord Roberts β. I had resolved upon that one night as I lay awake at Bedley Corner; I got it planned out before the bandages were off my face. I conceived this second navigable balloon in a grandiose manner. It was to be a second Lord Roberts α, only more so; it was to be three times as big, large enough to carry three men, and it was to be an altogether triumphant vindication of my claims upon the air. The framework was to be hollow like a bird’s bones, airtight, and the air pumped in or out, and the weight of fuel I carried changed. I talked much and boasted to Cothope⁠—whom I suspected of scepticisms about this new type⁠—of what it would do, and it progressed⁠—slowly. It progressed slowly because I was restless and uncertain. At times I would go away to London to snatch some chance of seeing Beatrice there, at times nothing but a day of gliding and hard and dangerous exercise would satisfy me. And now in the newspapers, in conversation, in everything about me, arose a new invader of my mental states. Something was happening to the great schemes of my uncle’s affairs; people were beginning to doubt, to question. It was the first quiver of his tremendous insecurity, the first wobble of that gigantic credit top he had kept spinning so long.

There were comings and goings, November and December slipped by. I had two unsatisfactory meetings with Beatrice, meetings that had no privacy⁠—in which we said things of the sort that need atmosphere, baldly and furtively. I wrote to her several times and she wrote back notes that I would sometimes respond to altogether, sometimes condemn as insincere evasions. “You don’t understand. I can’t just now explain. Be patient with me. Leave things a little while to me.” So she wrote.

I would talk aloud to these notes and wrangle over them in my workroom⁠—while the plans of Lord Roberts β waited.

“You don’t give me a chance!” I would say. “Why don’t you let me know the secret? That’s what I’m for⁠—to settle difficulties! to tell difficulties to!”

And at last I could hold out no longer against these accumulating pressures.

I took an arrogant, outrageous line that left her no loopholes; I behaved as though we were living in a melodrama.

“You must come and talk to me,” I wrote, “or I will come and take you. I want you⁠—and the time runs away.”

We met in a ride in the upper plantations. It must have been early in January, for there was snow on the ground and on the branches of the trees. We walked to and fro for an hour or more, and from the first I pitched the key high in romance and made understandings impossible. It was our worst time together. I boasted like an actor, and she, I know not why, was tired and spiritless.

Now I think over that talk in the light of all that has happened since, I can imagine how she came to me full of a human appeal I was too foolish to let her make. I don’t know. I confess I have never completely understood Beatrice. I confess I am still perplexed at many things she said and did. That afternoon, anyhow, I was impossible. I posed and scolded. I was⁠—I said it⁠—for “taking the Universe by the throat!”

“If it was only that,” she said, but though I heard, I did not heed her.

At last she gave way to me and talked no more. Instead she looked at me⁠—as a thing beyond her controlling, but none the less interesting⁠—much as she had looked at me from behind the skirts of Lady Drew in the Warren when we were children together.

Once even I thought she smiled faintly.

“What are the difficulties?” I cried. “There’s no difficulty I will not overcome for you! Do your people think I’m no equal for you? Who says it? My dear, tell me to win a title! I’ll do it in five years!⁠ ⁠…

“Here