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steady fire were actually burning there.

“What is it, Lucien?” his mother asked.

“If Monsieur David would be so good as to play before I must go to bed⁠—” he murmured entreatingly.

“But, Lucien, I am a soldier now. I have not worked at all for two years. The Amati would think it had fallen into the hands of a Boche.”

Lucien smiled. “Oh, no! It is too intelligent for that. A little, please,” and he sat down on a footstool before the sofa in confident anticipation.

Mlle. Claire went to the piano. David frowned and began to tune the violin. Madame Fleury called the old servant and told him to light the sticks that lay in the fireplace. She took the armchair at the right of the hearth and motioned Claude to a seat on the left. The little boy kept his stool at the other end of the room. Mlle. Claire began the orchestral introduction to the Saint-Saëns concerto.

“Oh, not that!” David lifted his chin and looked at her in perplexity.

She made no reply, but played on, her shoulders bent forward. Lucien drew his knees up under his chin and shivered. When the time came, the violin made its entrance. David had put it back under his chin mechanically, and the instrument broke into that suppressed, bitter melody.

They played for a long while. At last David stopped and wiped his forehead. “I’m afraid I can’t do anything with the third movement, really.”

“Nor can I. But that was the last thing René played on it, the night before he went away, after his last leave.” She began again, and David followed. Madame Fleury sat with half-closed eyes, looking into the fire. Claude, his lips compressed, his hands on his knees, was watching his friend’s back. The music was a part of his own confused emotions. He was torn between generous admiration, and bitter, bitter envy. What would it mean to be able to do anything as well as that, to have a hand capable of delicacy and precision and power? If he had been taught to do anything at all, he would not be sitting here tonight a wooden thing amongst living people. He felt that a man might have been made of him, but nobody had taken the trouble to do it; tongue-tied, foot-tied, hand-tied. If one were born into this world like a bear cub or a bull calf, one could only paw and upset things, break and destroy, all one’s life.

Gerhardt wrapped the violin up in its cloth. The little boy thanked him and carried it away. Madame Fleury and her daughter wished their guests goodnight.

David said he was warm, and suggested going into the garden to smoke before they went to bed. He opened one of the long windows and they stepped out on the terrace. Dry leaves were rustling down on the walks; the yew trees made a solid wall, blacker than the darkness. The fountain must have caught the starlight; it was the only shining thing⁠—a little clear column of twinkling silver. The boys strolled in silence to the end of the walk.

“I guess you’ll go back to your profession, all right,” Claude remarked, in the unnatural tone in which people sometimes speak of things they know nothing about.

“Not I. Of course, I had to play for them. Music has always been like a religion in this house. Listen,” he put up his hand; far away the regular pulsation of the big guns sounded through the still night. “That’s all that matters now. It has killed everything else.”

“I don’t believe it.” Claude stopped for a moment by the edge of the fountain, trying to collect his thoughts. “I don’t believe it has killed anything. It has only scattered things.” He glanced about hurriedly at the sleeping house, the sleeping garden, the clear, starry sky not very far overhead. “It’s men like you that get the worst of it,” he broke out. “But as for me, I never knew there was anything worth living for, till this war came on. Before that, the world seemed like a business proposition.”

“You’ll admit it’s a costly way of providing adventure for the young,” said David drily.

“Maybe so; all the same⁠ ⁠…”

Claude pursued the argument to himself long after they were in their luxurious beds and David was asleep. No battlefield or shattered country he had seen was as ugly as this world would be if men like his brother Bayliss controlled it altogether. Until the war broke out, he had supposed they did control it; his boyhood had been clouded and enervated by that belief. The Prussians had believed it, too, apparently. But the event had shown that there were a great many people left who cared about something else.

The intervals of the distant artillery fire grew shorter, as if the big guns were tuning up, choking to get something out. Claude sat up in his bed and listened. The sound of the guns had from the first been pleasant to him, had given him a feeling of confidence and safety; tonight he knew why. What they said was, that men could still die for an idea; and would burn all they had made to keep their dreams. He knew the future of the world was safe; the careful planners would never be able to put it into a straitjacket⁠—cunning and prudence would never have it to themselves. Why, that little boy downstairs, with the candlelight in his eyes, when it came to the last cry, as they said, could “carry on” forever! Ideals were not archaic things, beautiful and impotent; they were the real sources of power among men. As long as that was true, and now he knew it was true⁠—he had come all this way to find out⁠—he had no quarrel with Destiny. Nor did he envy David. He would give his own adventure for no man’s. On the edge of sleep it seemed to glimmer, like the clear column of the fountain, like the new moon⁠—alluring, half-averted, the bright face of

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