El Dorado, Baroness Orczy [read the beginning after the end novel .TXT] 📗

smiled through life, and would smile, she knew, even in the face of death.

She tried to open the carriage door, but it was held from without, and a harsh voice cursed her, ordering her to sit still.

But she could lean out of the window and strain her eyes to see. They were by now accustomed to the gloom, the dilated pupils taking in pictures of vague forms moving like ghouls in the shadows. The other coach was not far, and she could hear Héron’s voice, still subdued and calm, and the curses of the men. But not a sound from Percy.

“I think the prisoner is unconscious,” she heard one of the men say.

“Lift him out of the carriage, then,” was Héron’s curt command; “and you go and throw open the chapel gates.”

Marguerite saw it all. The movement, the crowd of men, two vague, black forms lifting another one, which appeared heavy and inert, out of the coach, and carrying it staggering up towards the chapel.

Then the forms disappeared, swallowed up by the more dense mass of the little building, merged in with it, immovable as the stone itself.

Only a few words reached her now.

“He is unconscious.”

“Leave him there, then; he’ll not move!”

“Now close the gates!”

There was a loud clang, and Marguerite gave a piercing scream. She tore at the handle of the carriage door.

“Armand, Armand, go to him!” she cried; and all her self-control, all her enforced calm, vanished in an outburst of wild, agonising passion. “Let me get to him, Armand! This is the end; get me to him, in the name of God!”

“Stop that woman screaming,” came Héron’s voice clearly through the night. “Put her and the other prisoner in irons⁠—quick!”

But while Marguerite expended her feeble strength in a mad, pathetic effort to reach her husband, even now at this last hour, when all hope was dead and Death was so nigh, Armand had already wrenched the carriage door from the grasp of the soldier who was guarding it. He was of the South, and knew the trick of charging an unsuspecting adversary with head thrust forward like a bull inside a ring. Thus he knocked one of the soldiers down and made a quick rush for the chapel gates.

The men, attacked so suddenly and in such complete darkness, did not wait for orders. They closed in round Armand; one man drew his sabre and hacked away with it in aimless rage.

But for the moment he evaded them all, pushing his way through them, not heeding the blows that came on him from out the darkness. At last he reached the chapel. With one bound he was at the gate, his numb fingers fumbling for the lock, which he could not see.

It was a vigorous blow from Héron’s fist that brought him at last to his knees, and even then his hands did not relax their hold; they gripped the ornamental scroll of the gate, shook the gate itself in its rusty hinges, pushed and pulled with the unreasoning strength of despair. He had a sabre cut across his brow, and the blood flowed in a warm, trickling stream down his face. But of this he was unconscious; all that he wanted, all that he was striving for with agonising heartbeats and cracking sinews, was to get to his friend, who was lying in there unconscious, abandoned⁠—dead, perhaps.

“Curse you,” struck Héron’s voice close to his ear. “Cannot some of you stop this raving maniac?”

Then it was that the heavy blow on his head caused him a sensation of sickness, and he fell on his knees, still gripping the ironwork.

Stronger hands than his were forcing him to loosen his hold; blows that hurt terribly rained on his numbed fingers; he felt himself dragged away, carried like an inert mass further and further from that gate which he would have given his lifeblood to force open.

And Marguerite heard all this from the inside of the coach where she was imprisoned as effectually as was Percy’s unconscious body inside that dark chapel. She could hear the noise and scramble, and Héron’s hoarse commands, the swift sabre strokes as they cut through the air.

Already a trooper had clapped irons on her wrists, two others held the carriage doors. Now Armand was lifted back into the coach, and she could not even help to make him comfortable, though as he was lifted in she heard him feebly moaning. Then the carriage doors were banged to again.

“Do not allow either of the prisoners out again, on peril of your lives!” came with a vigorous curse from Héron.

After which there was a moment’s silence; whispered commands came spasmodically in deadened sound to her ear.

“Will the key turn?”

“Yes, citizen.”

“All secure?”

“Yes, citizen. The prisoner is groaning.”

“Let him groan.”

“The empty coach, citizen? The horses have been taken out.”

“Leave it standing where it is, then; citizen Chauvelin will need it in the morning.”

“Armand,” whispered Marguerite inside the coach, “did you see Percy?”

“It was so dark,” murmured Armand feebly; “but I saw him, just inside the gates, where they had laid him down. I heard him groaning. Oh, my God!”

“Hush, dear!” she said. “We can do nothing more, only die, as he lived, bravely and with a smile on our lips, in memory of him.”

“Number 35 is wounded, citizen,” said one of the men.

“Curse the fool who did the mischief,” was the placid response. “Leave him here with the guard.”

“How many of you are there left, then?” asked the same voice a moment later.

“Only two, citizen; if one whole section remains with me at the chapel door, and also the wounded man.”

“Two are enough for me, and five are not too many at the chapel door.” And Héron’s coarse, cruel laugh echoed against the stone walls of the little chapel. “Now then, one of you get into the coach, and the other go to the horses’ heads; and remember, Corporal Cassard, that you and your men who stay here to guard that chapel door are answerable to the whole nation