Short Fiction, Poul Anderson [simple e reader .TXT] 📗

Mongku’s expressionless face smiled. The Ganasthian held the weapon cradled in his arms, the mouthpiece near his lips. He nodded. “I got it to working,” he said. “In truth it is a terrible thing. Who holds it might well hold the world someday.”

Kery stood waiting, the sword hanging limp in one hand.

“Yes,” said Mongku. “I am going to play it.”

Kery started across the floor⁠—and Mongku blew.

The sound roared forth, wild, cruel, seizing him and shaking him, ripping at nerve and sinew. Bone danced in his skull and night shouted in his brain. He fell to the ground, feeling the horrible jerking of his muscles, seeing the world swim and blur before him.

The pipes screamed. Goodnight, Kery, goodnight, goodnight! It is the dirge of the world he is playing, the coronach of Killorn, it is the end of all things skirling in your body⁠—

Sathi crept forth. She was behind the player, the hell-tune did not strike her so deeply, but even as his senses blurred toward death Kery saw how she fought for every step, how the bronze lamp almost fell from her hand. Mongku had forgotten her. He was playing doom, watching Kery die and noting how the music worked.

Sathi struck him from behind. He fell, dropping the pipes, and turned dazed eyes up to her. She struck him again and again.

Then she fled over to Kery and cradled his head in her arms and sobbed with the horror of it and with the need for haste. “Oh, quickly, quickly, beloved, we have to flee, they will be here now⁠—I hear them in the hallway, come⁠—”

Kery sat up. His head was ringing and thumping, his muscles burned and weakness was like an iron hand on him. But there was that which had to be done and it gave him strength from some forgotten wellspring. He rose on shaky legs and went over and picked up the bagpipe of the gods.

“No,” he said.

“Kery.⁠ ⁠…”

“We will not flee,” he said. “I have a song to play.”

She saw the cold remote mask of his face. He was not Kery now of the ready laugh and the reckless bravery and the wistful memories of a lost homestead. He had become something else with the pipe in his hands, something which stood stern and somber and apart from man. There seemed to be ghosts in the vast shadowy room, the blood of his fathers who had been Pipers of Killorn, and he was the guardian now. She shrank against him for protection. There was a small charmed circle which the music did not enter but it was a stranger she stood beside.

Carefully Kery lifted the mouthpiece to his lips and blew. He felt the vibration tremble under his feet. The walls wavered before his eyes as unheard notes shivered the air. He himself heard no more than the barbarian screaming of the war-music he had always known but he saw death riding out.

A troop of guardsmen burst through the door⁠—halted, stared at the tall piper, and then howled in terror and pain.

Kery played. And as he played Killorn rose before him. He saw the reach of gray windswept moors, light glimmering on high cold tarns, birds winging in a sky of riven clouds. Space and loneliness and freedom, a hard open land of stern and bitter beauty, the rocks which had shaped his bones and the soil which had nourished his flesh. He stood by the great lake of sunset, storms swept in over it, rain and lightning, the waves dashed themselves to angry death on a beach of grinding stones.

He strode forward, playing, and the soldiers of Ganasth died before him. The walls of the palace trembled, hangings fell to the shuddering floor, the building groaned as the demon-music sought and found resonance.

He played them a song of the chase, the long wild hunt over the heath, breath gasping in hot lungs and blood shouting in the ears, running drunk with wind after the prey that fled and soared. He played them fire and comradeship and the little huts crouched low under the mighty sky. And the walls cracked around him. Pillars trembled and broke. The roof began to cave in and everywhere they died about him.

He played war, the skirl of pipes and the shout of men, clamor of metal, tramp of feet and hoofs, and the fierce blink of light on weapons. He sang them up an army that rode over the rim of the world with swords aflame and arrows like rain and the whole building tumbled to rubble even as he walked out of it.

Tenderly, dreamily, he played of Morna the fair, Morna who had stood with him on the edge of the lake where it is forever sunset, listening to the chuckle of small wavelets and looking west to the pyre of red and gold and dusky purple, the eyes and the lips and the hair of Morna and what she and he had whispered to each other on that quiet shore. But there was death in that song.

The ground began to shake under Ganasth. There is but little strength in the lungs of one man and yet when that strikes just the right notes, and those small pushes touch off something else far down in the depths of the earth, the world will tremble. The Dark Landers rioted in a more than human fear, in the blind panic which the pipes sang to them.

The gates were closed before him, but Kery played them down. Then he turned and faced the city and played it a song of the wrath of the gods. He played them up rain and cold and scouring wind, glaciers marching from the north in a blind whirl of snow, lightning aflame in the heavens and cities ground to dust. He played them a world gone crazy, sundering continents and tidal waves marching over the shores and mountains flaming into a sky of rain and fire. He played them whirlwinds and dust storms and the relentless