Mrs. Dalloway, Virginia Woolf [primary phonics TXT] 📗

the names of the stars, which he liked doing very seriously. She stood there: she listened. She heard the names of the stars.

“Oh this horror!” she said to herself, as if she had known all along that something would interrupt, would embitter her moment of happiness.

Yet how much she owed Peter Walsh later. Always when she thought of him she thought of their quarrels for some reason⁠—because she wanted his good opinion so much, perhaps. She owed him words: “sentimental,” “civilised”; they started up every day of her life as if he guarded her. A book was sentimental; an attitude to life sentimental. “Sentimental,” perhaps she was to be thinking of the past. What would he think, she wondered, when he came back?

That she had grown older? Would he say that, or would she see him thinking when he came back, that she had grown older? It was true. Since her illness she had turned almost white.

Laying her brooch on the table, she had a sudden spasm, as if, while she mused, the icy claws had had the chance to fix in her. She was not old yet. She had just broken into her fifty-second year. Months and months of it were still untouched. June, July, August! Each still remained almost whole, and, as if to catch the falling drop, Clarissa (crossing to the dressing-table) plunged into the very heart of the moment, transfixed it, there⁠—the moment of this June morning on which was the pressure of all the other mornings, seeing the glass, the dressing-table, and all the bottles afresh, collecting the whole of her at one point (as she looked into the glass), seeing the delicate pink face of the woman who was that very night to give a party; of Clarissa Dalloway; of herself.

How many million times she had seen her face, and always with the same imperceptible contraction! She pursed her lips when she looked in the glass. It was to give her face point. That was her self⁠—pointed; dartlike; definite. That was her self when some effort, some call on her to be her self, drew the parts together, she alone knew how different, how incompatible and composed so for the world only into one centre, one diamond, one woman who sat in her drawing-room and made a meeting-point, a radiancy no doubt in some dull lives, a refuge for the lonely to come to, perhaps; she had helped young people, who were grateful to her; had tried to be the same always, never showing a sign of all the other sides of her⁠—faults, jealousies, vanities, suspicions, like this of Lady Bruton not asking her to lunch; which, she thought (combing her hair finally), is utterly base! Now, where was her dress?

Her evening dresses hung in the cupboard. Clarissa, plunging her hand into the softness, gently detached the green dress and carried it to the window. She had torn it. Someone had trod on the skirt. She had felt it give at the Embassy party at the top among the folds. By artificial light the green shone, but lost its colour now in the sun. She would mend it. Her maids had too much to do. She would wear it tonight. She would take her silks, her scissors, her⁠—what was it?⁠—her thimble, of course, down into the drawing-room, for she must also write, and see that things generally were more or less in order.

Strange, she thought, pausing on the landing, and assembling that diamond shape, that single person, strange how a mistress knows the very moment, the very temper of her house! Faint sounds rose in spirals up the well of the stairs; the swish of a mop; tapping; knocking; a loudness when the front door opened; a voice repeating a message in the basement; the chink of silver on a tray; clean silver for the party. All was for the party.

(And Lucy, coming into the drawing-room with her tray held out, put the giant candlesticks on the mantelpiece, the silver casket in the middle, turned the crystal dolphin towards the clock. They would come; they would stand; they would talk in the mincing tones which she could imitate, ladies and gentlemen. Of all, her mistress was loveliest⁠—mistress of silver, of linen, of china, for the sun, the silver, doors off their hinges, Rumpelmayer’s men, gave her a sense, as she laid the paper-knife on the inlaid table, of something achieved. Behold! Behold! she said, speaking to her old friends in the baker’s shop, where she had first seen service at Caterham, prying into the glass. She was Lady Angela, attending Princess Mary, when in came Mrs. Dalloway.)

“Oh Lucy,” she said, “the silver does look nice!”

“And how,” she said, turning the crystal dolphin to stand straight, “how did you enjoy the play last night?” “Oh, they had to go before the end!” she said. “They had to be back at ten!” she said. “So they don’t know what happened,” she said. “That does seem hard luck,” she said (for her servants stayed later, if they asked her). “That does seem rather a shame,” she said, taking the old bald-looking cushion in the middle of the sofa and putting it in Lucy’s arms, and giving her a little push, and crying:

“Take it away! Give it to Mrs. Walker with my compliments! Take it away!” she cried.

And Lucy stopped at the drawing-room door, holding the cushion, and said, very shyly, turning a little pink, Couldn’t she help to mend that dress?

But, said Mrs. Dalloway, she had enough on her hands already, quite enough of her own to do without that.

“But, thank you, Lucy, oh, thank you,” said Mrs. Dalloway, and thank you, thank you, she went on saying (sitting down on the sofa with her dress over her knees, her scissors, her silks), thank you, thank you, she went on saying in gratitude to her servants generally for helping her to be like this, to be what she wanted, gentle, generous-hearted. Her servants liked her. And then this dress of hers⁠—where