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He’s a lucky chap, isn’t he?”

“I don’t know anything about his luck. He’s one of those fellows that make me hate them the first time I look at them. I’ve a sort of a feeling that I shall live to kick him some day.”

“That’s the time, is it? Then I suppose Amelia will have it all her own way now.”

“I’ll tell you what, Caudle. I’d sooner get up through the trap-door, and throw myself off the roof into the area, than marry Amelia Roper.”

“Have you and she had any conversation since you came back?”

“Not a word.”

“Then I tell you fairly you’ve got trouble before you. Amelia and Maria⁠—Mrs. Lupex, I mean⁠—are as thick as thieves just at present, and they have been talking you over. Maria⁠—that is, Mrs. Lupex⁠—lets it all out to me. You’ll have to mind where you are, old fellow.”

Eames was not inclined to discuss the matter any further, so he finished his toddy in silence. Cradell, however, who felt that there was something in his affairs of which he had reason to be proud, soon returned to the story of his own very extraordinary position. “By Jove, I don’t know that a man was ever so circumstanced,” he said. “She looks to me to protect her, and yet what can I do?”

At last Cradell got up, and declared that he must go to the ladies. “She’s so nervous, that unless she has someone to countenance her she becomes unwell.”

Eames declared his purpose of going to the divan, or to the theatre, or to take a walk in the streets. The smiles of beauty had no longer charms for him in Burton Crescent.

“They’ll expect you to take a cup of tea the first night,” said Cradell; but Eames declared that they might expect it.

“I’m in no humour for it,” said he. “I’ll tell you what, Cradell, I shall leave this place, and take rooms for myself somewhere. I’ll never go into a lodging-house again.”

As he so spoke, he was standing at the dining-room door; but he was not allowed to escape in this easy way. Jemima, as he went out into the passage, was there with a three-cornered note in her hand. “From Miss Mealyer,” she said. “Miss Mealyer is in the back parlour all by herself.”

Poor Johnny took the note, and read it by the lamp over the front door.

“Are you not going to speak to me on the day of your return? It cannot be that you will leave the house without seeing me for a moment. I am in the back parlour.”

When he had read these words, he paused in the passage, with his hat on. Jemima, who could not understand why any young man should hesitate as to seeing his ladylove in the back parlour alone, whispered to him again, in her audible way, “Miss Mealyer is there, sir; and all the rest on ’em’s upstairs!” So compelled, Eames put down his hat, and walked with slow steps into the back parlour.

How was it to be with the enemy? Was he to encounter Amelia in anger, or Amelia in love? She had seemed to be stern and defiant when he had ventured to steal a look at her across the dining-table, and now he expected that she would turn upon him with loud threatenings and protestations as to her wrongs. But it was not so. When he entered the room she was standing with her back to him, leaning on the mantelpiece, and at the first moment she did not essay to speak. He walked into the middle of the room and stood there, waiting for her to begin.

“Shut the door!” she said, looking over her shoulder. “I suppose you don’t want the girl to hear all you’ve got to say to me!”

Then he shut the door; but still Amelia stood with her back to him, leaning upon the mantelpiece.

It did not seem that he had much to say, for he remained perfectly silent.

“Well!” said Amelia, after a long pause, and she then again looked over her shoulder. “Well, Mr. Eames!”

“Jemima gave me your note, and so I’ve come,” said he.

“And is this the way we meet!” she exclaimed, turning suddenly upon him, and throwing her long black hair back over her shoulders. There certainly was some beauty about her. Her eyes were large and bright, and her shoulders were well turned. She might have done as an artist’s model for a Judith, but I doubt whether any man, looking well into her face, could think that she would do well as a wife. “Oh, John, is it to be thus, after love such as ours?” And she clasped her hands together, and stood before him.

“I don’t know what you mean,” said Eames.

“If you are engaged to marry L. D., tell me so at once. Be a man, and speak out, sir.”

“No,” said Eames; “I am not engaged to marry the lady to whom you allude.”

“On your honour?”

“I won’t have her spoken about. I’m not going to marry her, and that’s enough.”

“Do you think that I wish to speak of her? What can L. D. be to me as long as she is nothing to you? Oh, Johnny, why did you write me that heartless letter?” Then she leaned upon his shoulder⁠—or attempted to do so.

I cannot say that Eames shook her off, seeing that he lacked the courage to do so; but he shuffled his shoulder about so that the support was uneasy to her, and she was driven to stand erect again. “Why did you write that cruel letter?” she said again.

“Because I thought it best, Amelia. What’s a man to do with ninety pounds a year, you know?”

“But your mother allows you twenty.”

“And what’s a man to do with a hundred and ten?”

“Rising five pounds every year,” said the well-informed Amelia. “Of course we should live here, with mamma, and you would just go on paying her as you do now. If your heart was right, Johnny, you wouldn’t think

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