The Wings of the Dove, Henry James [thriller books to read .TXT] 📗

thick neat white hair, smooth fat face and black professional, almost theatrical eyes, as of some famous tenor grown too old to make love, but with an art still to make money⁠—did he on occasion convey to her that she was, of all the clients of his glorious career, the one in whom his interest was most personal and paternal. The others had come in the way of business, but for her his sentiment was special. Confidence rested thus on her completely believing that: there was nothing of which she felt more sure. It passed between them every time they conversed; he was abysmal, but this intimacy lived on the surface. He had taken his place already for her among those who were to see her through, and meditation ranked him, in the constant perspective, for the final function, side by side with poor Susie⁠—whom she was now pitying more than ever for having to be herself so sorry and to say so little about it. Eugenio had the general tact of a residuary legatee⁠—which was a character that could be definitely worn; whereas she could see Susie, in the event of her death, in no character at all, Susie being insistently, exclusively concerned in her mere makeshift duration. This principle, for that matter, Milly at present, with a renewed flare of fancy, felt she should herself have liked to believe in. Eugenio had really done for her more than he probably knew⁠—he didn’t after all know everything⁠—in having, for the windup of the autumn, on a weak word from her, so admirably, so perfectly established her. Her weak word, as a general hint, had been: “At Venice, please, if possible, no dreadful, no vulgar hotel; but, if it can be at all managed⁠—you know what I mean⁠—some fine old rooms, wholly independent, for a series of months. Plenty of them too, and the more interesting the better: part of a palace, historic and picturesque, but strictly inodorous, where we shall be to ourselves, with a cook, don’t you know?⁠—with servants, frescoes, tapestries, antiquities, the thorough make-believe of a settlement.”

The proof of how he better and better understood her was in all the place; as to his masterly acquisition of which she had from the first asked no questions. She had shown him enough what she thought of it, and her forbearance pleased him; with the part of the transaction that mainly concerned her she would soon enough become acquainted, and his connection with such values as she would then find noted could scarce help growing, as it were, still more residuary. Charming people, conscious Venice-lovers, evidently, had given up their house to her, and had fled to a distance, to other countries, to hide their blushes alike over what they had, however briefly, alienated, and over what they had, however durably, gained. They had preserved and consecrated, and she now⁠—her part of it was shameless⁠—appropriated and enjoyed. Palazzo Leporelli held its history still in its great lap, even like a painted idol, a solemn puppet hung about with decorations. Hung about with pictures and relics, the rich Venetian past, the ineffaceable character, was here the presence revered and served: which brings us back to our truth of a moment ago⁠—the fact that, more than ever, this October morning, awkward novice though she might be, Milly moved slowly to and fro as the priestess of the worship. Certainly it came from the sweet taste of solitude, caught again and cherished for the hour; always a need of her nature, moreover, when things spoke to her with penetration. It was mostly in stillness they spoke to her best; amid voices she lost the sense. Voices had surrounded her for weeks, and she had tried to listen, had cultivated them and had answered back; these had been weeks in which there were other things they might well prevent her from hearing. More than the prospect had at first promised or threatened she had felt herself going on in a crowd and with a multiplied escort; the four ladies pictured by her to Sir Luke Strett as a phalanx comparatively closed and detached had in fact proved a rolling snowball, condemned from day to day to cover more ground. Susan Shepherd had compared this portion of the girl’s excursion to the Empress Catherine’s famous progress across the steppes of Russia; improvised settlements appeared at each turn of the road, villagers waiting with addresses drawn up in the language of London. Old friends in fine were in ambush, Mrs. Lowder’s, Kate Croy’s, her own; when the addresses weren’t in the language of London they were in the more insistent idioms of American centres. The current was swollen even by Susie’s social connections; so that there were days, at hotels, at Dolomite picnics, on lake steamers, when she could almost repay to Aunt Maud and Kate with interest the debt contracted by the London “success” to which they had opened the door.

Mrs. Lowder’s success and Kate’s, amid the shock of Milly’s and Mrs. Stringham’s compatriots, failed but little, really, of the concert-pitch; it had gone almost as fast as the boom, over the sea, of the last great native novel. Those ladies were “so different”⁠—different, observably enough, from the ladies so appraising them; it being throughout a case mainly of ladies, of a dozen at once sometimes, in Milly’s apartment, pointing, also at once, that moral and many others. Milly’s companions were acclaimed not only as perfectly fascinating in themselves, the nicest people yet known to the acclaimers, but as obvious helping hands, socially speaking, for the eccentric young woman, evident initiators and smoothers of her path, possible subduers of her eccentricity. Short intervals, to her own sense, stood now for great differences, and this renewed inhalation of her native air had somehow left her to feel that she already, that she mainly, struck the compatriot as queer and dissociated. She moved such a critic, it would appear, as to rather an odd suspicion, a benevolence induced by