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was known. It was said. It was credible. Every minister of interior drew a salary from the San Tome mine. It was natural. And Pedrito intended to be minister of the interior and president of the council in his brother’s government. The Duc de Morny had occupied those high posts during the Second French Empire with conspicuous advantage to himself.

A table, a chair, a wooden bedstead had been procured for His Excellency, who, after a short siesta, rendered absolutely necessary by the labours and the pomps of his entry into Sulaco, had been getting hold of the administrative machine by making appointments, giving orders, and signing proclamations. Alone with Charles Gould in the audience room, His Excellency managed with his well-known skill to conceal his annoyance and consternation. He had begun at first to talk loftily of confiscation, but the want of all proper feeling and mobility in the señor administrador’s features ended by affecting adversely his power of masterful expression. Charles Gould had repeated: “The government can certainly bring about the destruction of the San Tome mine if it likes; but without me it can do nothing else.” It was an alarming pronouncement, and well calculated to hurt the sensibilities of a politician whose mind is bent upon the spoils of victory. And Charles Gould said also that the destruction of the San Tome mine would cause the ruin of other undertakings, the withdrawal of European capital, the withholding, most probably, of the last instalment of the foreign loan. That stony fiend of a man said all these things (which were accessible to His Excellency’s intelligence) in a coldblooded manner which made one shudder.

A long course of reading historical works, light and gossipy in tone, carried out in garrets of Parisian hotels, sprawling on an untidy bed, to the neglect of his duties, menial or otherwise, had affected the manners of Pedro Montero. Had he seen around him the splendour of the old Intendencia, the magnificent hangings, the gilt furniture ranged along the walls; had he stood upon a dais on a noble square of red carpet, he would have probably been very dangerous from a sense of success and elevation. But in this sacked and devastated residence, with the three pieces of common furniture huddled up in the middle of the vast apartment, Pedrito’s imagination was subdued by a feeling of insecurity and impermanence. That feeling and the firm attitude of Charles Gould who had not once, so far, pronounced the word “Excellency,” diminished him in his own eyes. He assumed the tone of an enlightened man of the world, and begged Charles Gould to dismiss from his mind every cause for alarm. He was now conversing, he reminded him, with the brother of the master of the country, charged with a reorganizing mission. The trusted brother of the master of the country, he repeated. Nothing was further from the thoughts of that wise and patriotic hero than ideas of destruction. “I entreat you, Don Carlos, not to give way to your anti-democratic prejudices,” he cried, in a burst of condescending effusion.

Pedrito Montero surprised one at first sight by the vast development of his bald forehead, a shiny yellow expanse between the crinkly coal-black tufts of hair without any lustre, the engaging form of his mouth, and an unexpectedly cultivated voice. But his eyes, very glistening as if freshly painted on each side of his hooked nose, had a round, hopeless, birdlike stare when opened fully. Now, however, he narrowed them agreeably, throwing his square chin up and speaking with closed teeth slightly through the nose, with what he imagined to be the manner of a grand seigneur.

In that attitude, he declared suddenly that the highest expression of democracy was Caesarism: the imperial rule based upon the direct popular vote. Caesarism was conservative. It was strong. It recognized the legitimate needs of democracy which requires orders, titles, and distinctions. They would be showered upon deserving men. Caesarism was peace. It was progressive. It secured the prosperity of a country. Pedrito Montero was carried away. Look at what the Second Empire had done for France. It was a regime which delighted to honour men of Don Carlos’s stamp. The Second Empire fell, but that was because its chief was devoid of that military genius which had raised General Montero to the pinnacle of fame and glory. Pedrito elevated his hand jerkily to help the idea of pinnacle, of fame. “We shall have many talks yet. We shall understand each other thoroughly, Don Carlos!” he cried in a tone of fellowship. Republicanism had done its work. Imperial democracy was the power of the future. Pedrito, the guerrillero, showing his hand, lowered his voice forcibly. A man singled out by his fellow-citizens for the honourable nickname of El Rey de Sulaco could not but receive a full recognition from an imperial democracy as a great captain of industry and a person of weighty counsel, whose popular designation would be soon replaced by a more solid title. “Eh, Don Carlos? No! What do you say? Conde de Sulaco⁠—Eh?⁠—or marquis⁠ ⁠…”

He ceased. The air was cool on the plaza, where a patrol of cavalry rode round and round without penetrating into the streets, which resounded with shouts and the strumming of guitars issuing from the open doors of pulperias. The orders were not to interfere with the enjoyments of the people. And above the roofs, next to the perpendicular lines of the cathedral towers the snowy curve of Higuerota blocked a large space of darkening blue sky before the windows of the Intendencia. After a time Pedrito Montero, thrusting his hand in the bosom of his coat, bowed his head with slow dignity. The audience was over.

Charles Gould on going out passed his hand over his forehead as if to disperse the mists of an oppressive dream, whose grotesque extravagance leaves behind a subtle sense of bodily danger and intellectual decay. In the passages and on the staircases of the

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