Crime and Punishment, Fyodor Dostoevsky [classic children's novels .TXT] 📗

and the table, at one moment avoiding Raskolnikov’s suspicious glance, then again standing still and looking him straight in the face.

His fat round little figure looked very strange, like a ball rolling from one side to the other and rebounding back.

“We’ve plenty of time. Do you smoke? have you your own? Here, a cigarette!” he went on, offering his visitor a cigarette. “You know I am receiving you here, but my own quarters are through there, you know, my government quarters. But I am living outside for the time, I had to have some repairs done here. It’s almost finished now.⁠ ⁠… Government quarters, you know, are a capital thing. Eh, what do you think?”

“Yes, a capital thing,” answered Raskolnikov, looking at him almost ironically.

“A capital thing, a capital thing,” repeated Porfiry Petrovitch, as though he had just thought of something quite different. “Yes, a capital thing,” he almost shouted at last, suddenly staring at Raskolnikov and stopping short two steps from him.

This stupid repetition was too incongruous in its ineptitude with the serious, brooding and enigmatic glance he turned upon his visitor.

But this stirred Raskolnikov’s spleen more than ever and he could not resist an ironical and rather incautious challenge.

“Tell me, please,” he asked suddenly, looking almost insolently at him and taking a kind of pleasure in his own insolence. “I believe it’s a sort of legal rule, a sort of legal tradition⁠—for all investigating lawyers⁠—to begin their attack from afar, with a trivial, or at least an irrelevant subject, so as to encourage, or rather, to divert the man they are cross-examining, to disarm his caution and then all at once to give him an unexpected knockdown blow with some fatal question. Isn’t that so? It’s a sacred tradition, mentioned, I fancy, in all the manuals of the art?”

“Yes, yes.⁠ ⁠… Why, do you imagine that was why I spoke about government quarters⁠ ⁠… eh?”

And as he said this Porfiry Petrovitch screwed up his eyes and winked; a good-humoured, crafty look passed over his face. The wrinkles on his forehead were smoothed out, his eyes contracted, his features broadened and he suddenly went off into a nervous prolonged laugh, shaking all over and looking Raskolnikov straight in the face. The latter forced himself to laugh, too, but when Porfiry, seeing that he was laughing, broke into such a guffaw that he turned almost crimson, Raskolnikov’s repulsion overcame all precaution; he left off laughing, scowled and stared with hatred at Porfiry, keeping his eyes fixed on him while his intentionally prolonged laughter lasted. There was lack of precaution on both sides, however, for Porfiry Petrovitch seemed to be laughing in his visitor’s face and to be very little disturbed at the annoyance with which the visitor received it. The latter fact was very significant in Raskolnikov’s eyes: he saw that Porfiry Petrovitch had not been embarrassed just before either, but that he, Raskolnikov, had perhaps fallen into a trap; that there must be something, some motive here unknown to him; that, perhaps, everything was in readiness and in another moment would break upon him⁠ ⁠…

He went straight to the point at once, rose from his seat and took his cap.

“Porfiry Petrovitch,” he began resolutely, though with considerable irritation, “yesterday you expressed a desire that I should come to you for some inquiries” (he laid special stress on the word “inquiries”). “I have come and if you have anything to ask me, ask it, and if not, allow me to withdraw. I have no time to spare.⁠ ⁠… I have to be at the funeral of that man who was run over, of whom you⁠ ⁠… know also,” he added, feeling angry at once at having made this addition and more irritated at his anger. “I am sick of it all, do you hear? and have long been. It’s partly what made me ill. In short,” he shouted, feeling that the phrase about his illness was still more out of place, “in short, kindly examine me or let me go, at once. And if you must examine me, do so in the proper form! I will not allow you to do so otherwise, and so meanwhile, goodbye, as we have evidently nothing to keep us now.”

“Good heavens! What do you mean? What shall I question you about?” cackled Porfiry Petrovitch with a change of tone, instantly leaving off laughing. “Please don’t disturb yourself,” he began fidgeting from place to place and fussily making Raskolnikov sit down. “There’s no hurry, there’s no hurry, it’s all nonsense. Oh, no, I’m very glad you’ve come to see me at last⁠ ⁠… I look upon you simply as a visitor. And as for my confounded laughter, please excuse it, Rodion Romanovitch. Rodion Romanovitch? That is your name?⁠ ⁠… It’s my nerves, you tickled me so with your witty observation; I assure you, sometimes I shake with laughter like an india-rubber ball for half an hour at a time.⁠ ⁠… I’m often afraid of an attack of paralysis. Do sit down. Please do, or I shall think you are angry⁠ ⁠…”

Raskolnikov did not speak; he listened, watching him, still frowning angrily. He did sit down, but still held his cap.

“I must tell you one thing about myself, my dear Rodion Romanovitch,” Porfiry Petrovitch continued, moving about the room and again avoiding his visitor’s eyes. “You see, I’m a bachelor, a man of no consequence and not used to society; besides, I have nothing before me, I’m set, I’m running to seed and⁠ ⁠… and have you noticed, Rodion Romanovitch, that in our Petersburg circles, if two clever men meet who are not intimate, but respect each other, like you and me, it takes them half an hour before they can find a subject for conversation⁠—they are dumb, they sit opposite each other and feel awkward. Everyone has subjects of conversation, ladies for instance⁠ ⁠… people in high society always have their subjects of conversation, c’est de rigueur, but people of the middle sort like us, thinking people that is, are always tongue-tied and awkward. What