Pelle the Conqueror, Martin Andersen Nexø [best fantasy books to read .TXT] 📗

the stem of the clay pipe, lest it should stick out of his pocket, boards the salvage steamer, and disappears forward. After a time he reappears from under the cabin hatchway, with a gigantic pair of sea-boots and a scrap of chewing tobacco. Behind the deck-house he bites a huge mouthful off the brown Cavendish, and begins to chew courageously, which makes him feel tremendously manly. But near the furnace where the ship’s timbers are bent he has to unload his stomach; it seems as though all his inward parts are doing their very utmost to see how matters would be with them hanging out of his mouth. He drags himself along, sick as a cat, with thumping temples; but somewhere or other inside him a little feeling of satisfaction informs him that one has to undergo the most dreadful consequences in order to perform any really heroic deed.

In most respects the harbor, with its stacks of timber and its vessels on the slips, is just as fascinating as it was on the day when Pelle lay on the shavings and guarded Father Lasse’s sack. The black man with the barking hounds still leans from the roof of the harbor warehouse, but the inexplicable thing is that one could ever have been frightened of him. But Pelle is in a hurry.

He runs a few yards, but he must of necessity stop when he comes to the old quay. There the “strong man,” the “Great Power,” is trimming some blocks of granite. He is tanned a coppery brown with wind and sun, and his thick black hair is full of splinters of granite; he wears only a shirt and canvas trousers, and the shirt is open on his powerful breast; but it lies close on his back, and reveals the play of his muscles. Every time he strikes a blow the air whistles⁠—whew!⁠—and the walls and timber-stacks echo the sound. People come hurrying by, stop short at a certain distance, and stand there looking on. A little group stands there all the time, newcomers taking the place of those that move on, like spectators in front of a cage of lions. It is as though they expect something to happen⁠—something that will stagger everybody and give the bystanders a good fright.

Pelle goes right up to the “Great Power.” The “strong man” is the father of Jens, the second youngest apprentice. “Good day,” he says boldly, and stands right in the giant’s shadow. But the stonecutter pushes him to one side without looking to see who it is, and continues to hew at the granite: whew! whew!

“It is quite a long time now since he has properly used his strength,” says an old townsman. “Is he quieting down, d’you think?”

“He must have quieted down for good,” says another. “The town ought to see that he keeps quiet.” And they move on, and Pelle must move on, too⁠—anywhere, where no one can see him.

“Cobbler, wobbler, groats in your gruel,
Smack on your back goes the stick⁠—how cruel!”

It is those accursed street-urchins. Pelle is by no means in a warlike humor; he pretends not to see them. But they come up close behind him and tread on his heels, and before he knows what is happening they are upon him. The first he knows about it is that he is lying in the gutter, on his back, with all three on top of him. He has fallen alongside of the curbstone and cannot move; he is faint, too, as a result of his indiscretion; the two biggest boys spread his arms wide open on the flagstones and press them down with all their might, while the third ventures to deal with his face. It is a carefully planned outrage, and all Pelle can do is to twist his head round under the blows⁠—and for once he is thankful for his disgracefully fat cheeks.

Then, in his need, a dazzling apparition appears before him; standing in the doorway yonder is a white baker’s boy, who is royally amused. It is no other than Nilen, the wonderful little devil Nilen, of his schooldays, who was always fighting everybody like a terrier and always came out of it with a whole skin. Pelle shuts his eyes and blushes for himself, although he knows perfectly well that this is only an apparition.

But then a wonderful thing happens; the apparition leaps down into the gutter, slings the boys to one side, and helps him to his feet. Pelle recognizes the grip of those fingers⁠—even in his schooldays they were like claws of iron.

And soon he is sitting behind the oven, on Nilen’s grimy bed. “So you’ve become a cobbler?” says Nilen, to begin with, compassionately, for he feels a deucedly smart fellow himself in his fine white clothes, with his bare arms crossed over his naked breast. Pelle feels remarkably comfortable; he has been given a slice of bread and cream, and he decides that the world is more interesting than ever. Nilen is chewing manfully, and spitting over the end of the bed.

“Do you chew?” asks Pelle, and hastens to offer him the leaf-tobacco.

“Yes, we all do; a fellow has to when he works all night.”

Pelle cannot understand how people can keep going day and night.

“All the bakers in Copenhagen do⁠—so that the people can get fresh bread in the morning⁠—and our master wants to introduce it here. But it isn’t everyone can do it; the whole staff had to be reorganized. It’s worst about midnight, when everything is turning round. Then it comes over you so that you keep on looking at the time, and the very moment the clock strikes twelve we all hold our breath, and then no one can come in or go out any more. The master himself can’t stand the night shift; the ’baccy turns sour in his mouth and he has to lay it on the table. When he wakes up again he thinks it’s a raisin and sticks it in the