Tono-Bungay, H. G. Wells [reading like a writer .TXT] 📗

understand?” she challenged. “Don’t you know?”

We faced one another in silence for a moment.

“Yes,” I said, “I know.”

For a long time we spoke never a word, but walked on together, slowly and sorrowfully, reluctant to turn about towards our parting. When at last we did, she broke silence again.

“I’ve had you,” she said.

“Heaven and hell,” I said, “can’t alter that.”

“I’ve wanted⁠—” she went on. “I’ve talked to you in the nights and made up speeches. Now when I want to make them I’m tongue-tied. But to me it’s just as if the moments we have had lasted forever. Moods and states come and go. Today my light is out.⁠ ⁠…”

To this day I cannot determine whether she said or whether I imagined she said “chloral.” Perhaps a half-conscious diagnosis flashed it on my brain. Perhaps I am the victim of some perverse imaginative freak of memory, some hinted possibility that scratched and seared. There the word stands in my memory, as if it were written in fire.

We came to the door of Lady Osprey’s garden at last, and it was beginning to drizzle.

She held out her hands and I took them.

“Yours,” she said, in a weary unimpassioned voice; “all that I had⁠—such as it was. Will you forget?”

“Never,” I answered.

“Never a touch or a word of it?”

“No.”

“You will,” she said.

We looked at one another in silence, and her face full of fatigue and misery.

What could I do? What was there to do?

“I wish⁠—” I said, and stopped.

“Goodbye.”

IV

That should have been the last I saw of her, but, indeed, I was destined to see her once again. Two days after I was at Lady Grove, I forget altogether upon what errand, and as I walked back to the station believing her to be gone away she came upon me, and she was riding with Carnaby, just as I had seen them first. The encounter jumped upon us unprepared. She rode by, her eyes dark in her white face, and scarcely noticed me. She winced and grew stiff at the sight of me and bowed her head. But Carnaby, because he thought I was a broken and discomfited man, saluted me with an easy friendliness, and shouted some genial commonplace to me.

They passed out of sight and left me by the roadside.⁠ ⁠…

And then, indeed, I tasted the ultimate bitterness of life. For the first time I felt utter futility, and was wrung by emotion that begot no action, by shame and pity beyond words. I had parted from her dully and I had seen my uncle break and die with dry eyes and a steady mind, but this chance sight of my lost Beatrice brought me to tears. My face was wrung, and tears came pouring down my cheeks. All the magic she had for me had changed to wild sorrow. “Oh God!” I cried, “this is too much,” and turned my face after her and made appealing gestures to the beech trees and cursed at fate. I wanted to do preposterous things, to pursue her, to save her, to turn life back so that she might begin again. I wonder what would have happened had I overtaken them in pursuit, breathless with running, uttering incoherent words, weeping, expostulatory. I came near to doing that.

There was nothing in earth or heaven to respect my curses or weeping. In the midst of it a man who had been trimming the opposite hedge appeared and stared at me.

Abruptly, ridiculously, I dissembled before him and went on and caught my train.⁠ ⁠…

But the pain I felt then I have felt a hundred times; it is with me as I write. It haunts this book, I see, that is what haunts this book, from end to end.

III Night and the Open Sea I

I have tried throughout all this story to tell things as they happened to me. In the beginning⁠—the sheets are still here on the table, grimy and dogs-eared and old-looking⁠—I said I wanted to tell myself and the world in which I found myself, and I have done my best. But whether I have succeeded I cannot imagine. All this writing is grey now and dead and trite and unmeaning to me; some of it I know by heart. I am the last person to judge it.

As I turn over the big pile of manuscript before me certain things become clearer to me, and particularly the immense inconsequences of my experiences. It is, I see now that I have it all before me, a story of activity and urgency and sterility. I have called it Tono-Bungay, but I had far better have called it Waste. I have told of childless Marion, of my childless aunt, of Beatrice wasted and wasteful and futile. What hope is there for a people whose women become fruitless? I think of all the energy I have given to vain things. I think of my industrious scheming with my uncle, of Crest Hill’s vast cessation, of his resonant strenuous career. Ten thousand men have envied him and wished to live as he lived. It is all one spectacle of forces running to waste, of people who use and do not replace, the story of a country hectic with a wasting aimless fever of trade and moneymaking and pleasure-seeking. And now I build destroyers!

Other people may see this country in other terms; this is how I have seen it. In some early chapter in this heap I compared all our present colour and abundance to October foliage before the frosts nip down the leaves. That I still feel was a good image. Perhaps I see wrongly. It may be I see decay all about me because I am, in a sense, decay. To others it may be a scene of achievement and construction radiant with hope. I, too, have a sort of hope, but it is a remote hope, a hope that finds no promise in this Empire or in